Kennicott’s entry included several pieces published in the Style section last year. One was a review in June of an exhibit of creations by the architect Kevin Roche at the National Building Museum. — washingtonpost.com
Assessing Roche’s work, Kennicott wrote, “In the end, Roche’s reputation will rise or fall depending on what becomes of the corporate world he served. If the end of corporate America is a dystopian hell of environmental catastrophe, vast economic inequity and social instability...
Archinect was excited to announce a competition we're co-hosting with Designer Pages and the LA Film Festival. This competition seeks proposals for the interior design/layout of the VIP Director's Lounge for this year's LA Film Festival. The winner will have their design executed, with a cash...
It is a thoroughly cynical piece of work, a building that uses a frenzy of architectural forms to endorse the idea that architecture, in the end, is mere decoration. Mayne's design appears to put innovative architecture on a literal pedestal — or a plinth, to be exact — while actually allowing it to become peripheral, noticeably separate from the heart of the museum and its galleries. — latimes.com
Whatever you want, then, go to an architect for it; not to a carpenter, or a mason, or your own still more profound incompetence. Tell him all your practical, material desires, and insist that they shall be respected... Settle your practical desires and state them clearly; and, if you will, pour out your vague aesthetic wishes; try to explain those crude artistic preferences, those misty, formless visions which you are pleased to call “my own ideas.” — Places Journal
Mariana Griswold Van Rensselaer, though little known today, was not only a leading architecture critic of her day but also one of the pioneers of the field in the late 19th century. On Places, Alexandra Lange analyzes her writings and her influence. As she writes, "Mariana Van Rensselaer worked...
How can we let geriatrics design the future? There is a creeping conservatism in old age, Rogers and Piano’s Pompidou was genuinely revolutionary, but that was in 1977, ever since then they've been riffing off the same ideas, with decreasing vitality...They are past retirement age and yet they march on, pulling out the same ideas over and over again, while the planet fawns obsequiously at their feet. — Vice
As part of Vice Future Week, Eddie Blake pens a critique of the current geriatric state of architecture. He believes that we must move beyond the tired designs of the past and embrace a new emerging architecture. The future of architecture is more co-operative, varied, often temporary and...
Ada Louise Huxtable, the dean of American architecture critics, died Monday at Memorial Sloan-Kettering Cancer Center in Manhattan. She was 91. — online.wsj.com
The €150m satellite of Paris's Louvre museum shimmers like an apparition on the raised plane of the former coalmine, looking down over streets of pitch-roofed miners' houses, dotted with the occasional chip shop. The building is formed from a series of long, low-slung walls that fade in and out of view as the changing light dances over its surface – or as clouds of drizzle engulf it entirely in the wintry gloom. — guardian.co.uk
b3tadine[sutures] concurred "i love it. that work of this complexity and beauty is being built in Dallas, let alone the US, is testament to Mayne and Morphosis being one of the premiere firms in the world”. However, some like accesskb argued "beautiful forms and spaces... ugly and cold choice of materials and colours".
News The post announcing the opening of the Perot Museum of Nature and Science, designed by Morphosis Architects and which opened this past Saturday in Dallas, featured some great photos by the photographer Iwan Baan. Cosmos commented "Everything about this building is great. Function...
The building is alluring but unsettling. Is the museum’s 10-story concrete cube splitting apart or being pieced together? Is it being held intact by an enormous brace — a transparent protrusion on the cube’s side containing a 54-foot-long escalator — or is that a destabilizing gash that pierces the building’s body? — NYT
Edward Rothstein visited the Perot Museum of Nature and Science and while his review focuses on the contents of the building, he also touches on it's architecture. Rothstein argues that the museum is an example of a not so recent trend wherein...
The initial responses of some local architects to the arena drawings were underwhelming.
While cautioning that the renderings are preliminary, Seattle architect and critic Mark Hinshaw said some of the views of the proposed arena seem like "boxes with a tight lid" that could be any number of public buildings.
"One thing that seems missing is any kind of dramatic roof expression that we have seen with a number of landmark buildings — particularly ones that involve large audiences. — seattletimes.com
Goldberger addressed the disappearance of journalistic hegemony and the advent of electronic media. While mainstream publications with an ongoing commitment to architecture criticism continue to possess a degree of authority, they are struggling to make themselves heard in this noise. It is clear to Goldberger that “the playing field may be level, but the players are not equal.” — dirt.asla.org
The people of Beijing seem excited about how their city is being shaped. And so they should be. Architecture in China today is bold and unapologetic.
But it embodies China’s rapid growth in less positive ways, too. Although the industry is buoyant these days, its long-term benefits for the people who live here are questionable. Too often, form trumps function. — latitude.blogs.nytimes.com
"There is a lack of feeling and lack of care for quality of design in retail parks and many dispiriting residential and office developments." In particular, he said he was concerned that architectural education is becoming "over theorised" and lacking in practical experience.
The quality of architecture in Britain is falling behind that of continental rivals, particularly Scandinavia and the Netherlands, he said. — independent.co.uk
An overscaled monument flagrantly aloof from its surroundings, the addition is a laggard symbol of an era when the Netherlands, like this country, was awash in capital for boldly sculptural new projects.
As such it's a reminder of how slow architecture can be. The $159-million extension is the architectural personification of boom-time thinking. — Christopher Hawthorne, Los Angeles Times
The arena was always a Trojan horse: its stars (Jay-Z), its original starchitect (Frank Gehry), and its semi-public function (bringing pro basketball to Brooklyn) have been used to make the development of the Vanderbilt rail yard seem like a reward rather than an imposition. In 2009, Gehry left the project, adding his arena and tower designs to the long list of New York’s famous unrealized buildings. — newyorker.com
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