The people of Beijing seem excited about how their city is being shaped. And so they should be. Architecture in China today is bold and unapologetic.

But it embodies China’s rapid growth in less positive ways, too. Although the industry is buoyant these days, its long-term benefits for the people who live here are questionable. Too often, form trumps function. — latitude.blogs.nytimes.com

"There is a lack of feeling and lack of care for quality of design in retail parks and many dispiriting residential and office developments." In particular, he said he was concerned that architectural education is becoming "over theorised" and lacking in practical experience.

The quality of architecture in Britain is falling behind that of continental rivals, particularly Scandinavia and the Netherlands, he said. — independent.co.uk

An overscaled monument flagrantly aloof from its surroundings, the addition is a laggard symbol of an era when the Netherlands, like this country, was awash in capital for boldly sculptural new projects.

As such it's a reminder of how slow architecture can be. The $159-million extension is the architectural personification of boom-time thinking. — Christopher Hawthorne, Los Angeles Times

The arena was always a Trojan horse: its stars (Jay-Z), its original starchitect (Frank Gehry), and its semi-public function (bringing pro basketball to Brooklyn) have been used to make the development of the Vanderbilt rail yard seem like a reward rather than an imposition. In 2009, Gehry left the project, adding his arena and tower designs to the long list of New York’s famous unrealized buildings. — newyorker.com

Brooklynites might consider themselves lucky. In Manhattan, Madison Square Garden’s owners are renovating, spending nearly $1 billion. Judging from results so far, it won’t be enough. The Barclays Center is no Garden disaster, just an extraordinarily expensive lost opportunity. — bloomberg.com

For the latest Student Works feature Elif Erdine a PhD in Architectural Design Candidate at the AA, researching on ‘Generative Processes in Tower Design: Algorithms for the Integration of Tower Subsystems’, profiled Fallen Star an installation set between biomimetics, interaction, and perception.The project led drewjmcnamara to think "I am always amazed at the resources available to students at some schools. And then to see those resources actually being put to good use".

The National Building Museum presents its fourteenth Vincent Scully Prize to Pulitzer Prize-winning architecture critic Paul Goldberger, for his lifetime work of encouraging thoughtful discourse and debate about the importance of design. — nbm.org

Mr. Landman views these attempts at defining the critic’s frame of reference — Kimmelman-style and Scott-style — as entirely appropriate. Critics, he said, are not supposed to be objective; they are free to champion certain kinds of work. They are “free to like or dislike anyone or anything.” — NYT

But despite the many and varied predictions of the death of criticism — of architecture as well as other forms of culture — it seems to me that a radical rethinking of critical practice might be prompted by the potentials of writing for online media, and that this rethinking might result in a new belle-lettrism. — Places Journal

I remember Poly Styrene, the singer from X-Ray Spex, and all her prophetic songs from the late 70s: "I Am A Poser," "Germ-Free Adolescents," "Prefabricated Icon," "Genetic Engineering." Take a look at architecture and people today and you realize that it all came true. — Vice Magazine

Architecture critics are in a particular bind. Like art critics but unlike, say, those of film, they must swim in the same social sea as their targets. Further, because useful architectural criticism requires experience of the design process, they must also be prepared to offend those by whom they might otherwise be employed. — theage.com.au

It is easy to see how Kimmelman’s resistance to conventional criticism can open the discussion of architecture to those outside of the field. But perhaps more importantly, it prompts critics, readers and architects who look to the Times to consider architecture as both a large-scale work of art, deserving of lofty theoretical contemplation, and an equally large-scale social intervention, deserving of anyone’s comments. — blogs.artinfo.com

It is still far and away the greatest memorial of modern times—the most beautiful, the most heart-wrenching, the most subtle, and the most powerful. It’s also the most abstract, which makes it even more miraculous that it was built in a nation that generally prefers symbols more along the lines of the Lincoln Memorial. — Vanity Fair

But like so many landmarks, from the Parthenon to Penn Station, few endure. Starting today, Mr. Goldberger will board the notorious Condé Nast elevator, but instead of getting off on the 20th floor, he will report to work two floors up, where Graydon Carter has finally poached Mr. Goldberger for Vanity Fair. — New York Observer

If you drove far enough, from Maine to Georgia, from the Midwest to Southern California, or simply from one end of Los Angeles to the other, you would start to notice that there were different ecologies, and that some were geographical and some were cultural, but that they intersected and collaged to form a vast, sprawling, layered network whose patterns were discernible only if you took the long view and just kept driving. — Places Journal