His work is badly constructed, ravey-balls hair metal, a C.C. DeVille guitar solo that cannot—will not—end until the billionaire clients who keep paying for this shit can be stopped. — gizmodo.com
Though easy targets for fiscal hawks, public architecture that’s luxurious and dramatic — even excessive — should be ours as a right. — Jacobin
The tech sector is, increasingly, embracing the language of urban planning — town hall, public square, civic hackathons, community engagement. So why are tech companies such bad urbanists? — nytimes.com
The new Pérez Art Museum that opened here last week embodies a vernacular style—deep-shaded, loose-limbed and connected to the tropics—that should have been but never was because of those two invasive species, Art Deco and the air conditioner. — online.wsj.com
Space Oddity was conceived by rub-a-dub in 2012, while studying under the DRL at the Architectural Association School of Architecture in London, a post-professional MArch program. They state that while their proposal "is obviously not a viable option for actual space travel...Lately there has being a lot of noise about space design...We believe a lot of these projects are only solving technical issues".
Fred Scharmen was intrigued "Very nice work. Thanks for posting this".
Amelia Taylor-Hochberg Editorial Manager for Archinect, interviewed rub-a-dub (a team of Sebastian Andia, Rodrigo Chain, Apostolos Despotidis and Thomas T. Jensen) to learn about their project 'Space Oddity', for the latest edition of the Student Works series. Space Oddity was conceived...
"designed by famed architect Zaha Hadid whose signature style appears to be making some of the world's most f**kable buildings...like Georgia O'Keeffe of things you can walk inside...i guess maybe it is time things evened out a bit" - Jon Stewart — Daily Show
Last night on The Daily Show, they offered a critique of Qatar's recently released plans for the Al Wakrah 2022 FIFA World Cup Stadium, designed by Zaha Hadid Architects. The show goes on to label the proposal one of the world's most f**kable soccer stadiums. Also while reporting in, on...
The creaky staircase was covered in plastic, as was the living room furniture, but the bones were still there: pressed paper wainscoting in the hall, thickly painted moldings. We often got in trouble for walking too loudly in our clompy shoes up to the top floor at night. — Alexandra Lange
Like one skyline perched on another, the latest mega-building by Rem Koolhaas towers over the starchitect playground of Rotterdam. But why was it even built? — theguardian.com
Today’s piece was going to be an op-ed column in the New York Times.
But they declined to publish what I supplied. Which was this... - Banksy — Better Out than In
Cornell University’s new architecture building designed by Rem Koolhaas’ Office of Metropolitan Architecture is a “disaster” says Cornell University architecture professor Jonathan Oschorn. “The code violations are egregious”, states Ochshorn. — businessofarchitecture.com
In the latest Showcase feature Archinect highlighted, the Louisiana State Museum and Sports Hall of Fame by Trahan Architects. The building which opened this past June, is located in the oldest settlement in the Louisiana Purchase on the banks of the Cane River Lake. The project...
Far from being anchored in the local context, the project (the disastrous City of Culture of Galicia outside Santiago de Compostela, designed by Peter Eisenman) has decapitated Monte de Gaias and replaced it with a phony landscape with curves like those of a fun-fair roller coaster. These cynical intellectual manipulations cannot mask the reality of structures resembling supermarkets twisted about with algorithms and camouflaged with a thin veneer of granite (imported from Brasil!). — Uncube
News Benjamin Paulker interviewed Frank Gehry for Foreign Policy regarding his first project in the Arab World. sameolddoctor was amused "It is funny that Gehry thinks of himself as a humanitarian" but pvbeeber wondered "Not sure why everyone is giving him such a hard time. ...
Now that the exhibition has opened at the museum's Geffen Contemporary branch in Little Tokyo, where it will limp along through the middle of September as part of the Getty's Pacific Standard Time Presents series, it's clear that it is the product of an architectural ruling class in Los Angeles that is not so much dysfunctional as increasingly insular. — Christopher Hawthorne, LA Times
It might seem like a mismatch: the Dolans, veterans of many public brawls, against Kimmelman, an urbane trained pianist who previously wrote primarily about art. But such is the power of the Times when it’s given to a crusading voice. — NY Magazine
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