I can’t think of a more fitting a place for an exhibition of art and representation that aims to capture the breadth of the world than the Queens Museum. [...]
The title of Bringing the World into the World, on view through October 12th, is inspired by Italian artist Alighiero Boetti’s assertion that art and the world contain and are contained by each other. As conceived, the exhibition couldn’t happen properly anywhere else. — urbanomnibus.net
Friday, August 22:Zaha Hadid sues architecture critic Martin Filler over book review: Hadid is responding to allegedly defamatory comments made by Filler regarding her 2022 World Cup stadium in Qatar.The Demolition of 5 Pointz Has Begun: The "Graffiti Mecca" was slated for demolition last...
The hardworking Skyscraper Museum, in the belly of a condo complex on Battery Place, doesn’t have much space or much of a budget, but with admirable frequency its director, Carol Willis, stages smart shows that uncover telling moments of New York skyscraper lore and architecture history. The museum has just opened “Times Square, 1984: The Postmodern Moment,” about the battle 30 years ago for the soul of Times Square and the profession. — nytimes.com
Olafur Eliasson has tried something else. For his latest site-specific project, which opens on 20 August, the artist has transformed the entire south wing of the Louisiana Museum of Modern Art in Denmark into a convincing riverbed – a messy, stony accumulation of sedimentary rock and watery channels that threatens to silt up the white space of the gallery entirely. The result is an uncanny collision of manmade and natural views, and a Sublime reminder of the slow power of nature to erode [...]. — apollo-magazine.com
In late May of 2012, my friends and I travelled up to Montreal from upstate New York for the first time, only vaguely aware of the escalating student demonstrations there. When we arrived, we found ourselves in a sea of red. The students we stayed with all had little red felt squares pinned to...
Is architecture a trade or an art?For Alvin Boyarsky, the answer was clear. As longtime chair of the Architectural Association (AA) in London, and one of the most influential figures in 20th-century design education, Boyarsky argued that architecture was not only a profession but also an artistic...
The recent "TALL DC: New Monumentalism" exhibition took a critical approach to how outdated urban building standards -- specifically in D.C. -- can affect the built environment and the field of architecture, even as social demands and technology progress. Graduate students of Emerging Technologies and Media at The Catholic University of America proposed three skyscrapers among D.C.'s historical monuments to further encourage the questioning of this notion and the definition of "a monument". — bustler.net
This year's Venice Architecture Biennale, an international showcase of trends and research, showcases the work of a number of Princeton faculty and students. It marks the greatest number of invitations Princeton has received to participate in the Biennale, reflecting the University's strength in pioneering research.
"Much like other art biennales, its purpose is to present the current panorama of the discipline," said Alejandro Zaera-Polo, dean of Princeton's School of Architecture. — princeton.edu
In the mid-20th century, certain Latin American cities looked like the most modern on earth. Not only was their architecture imaginative, but so was the thinking behind it: ideas, amounting to faith, that design could positively shape civic life across lines of money and class; that art and architecture were inseparable; that while Europe and the United States were the cultural powers of the day, South America had a shot at tomorrow.
Then the momentum broke. — nytimes.com
The "Fair Enough" exhibition of Russia's 2014 pavilion at the ongoing Venice Biennale gives a clever response to the Absorbing Modernity: 1914-2014 theme that Biennale director Rem Koolhaas assigned to curators. Curated and designed by the Strelka Institute, Russia received one of three Special Mentions out of 84 national pavilions during the 2014 Biennale awards ceremony. — bustler.net
"The Russian pavilion's 'Fair Enough' exhibition responds to Koolhaas’ curatorial theme by the concept itself: 20 Russian architectural ideas are presented, using the universal language of the international trade fair...'Fair Enough' is not a fair of products, but an Expo of ideas."Read more...
Many in the art world were staggered by recent reports that the Italian curator Germano Celant is being paid €750,000 to organise a pavilion for the Milan Expo 2015. Celant’s fee, and the incredulity it provoked, raises questions about how much curators are typically paid for organising biennials and large-scale international exhibitions.
The Art Newspaper surveyed around 40 international curators and biennial organisers [...]. — theartnewspaper.com
In need of a fresh perspective on sustainable design that goes beyond the ooh-ing and ahh-ing at all things deemed as green? The book Behind the Green Door - A Critical Look at Sustainable Architecture through 600 Objects could help with that. And Archinect is giving away five copies to our...
The exploration of new ways of thinking about the built environment is at the heart of a new exhibition at St. Louis', MO Bruno David Gallery which opened June 27.Key piece of the show is M-velope by artist Michael Jantzen (read Archinect's 2009 interview with Jantzen here), an art retreat...
Got a day to spend in London this summer? Go and immerse yourself in the Royal Academy of Arts’ Summer Exhibition 2014 which opened to the public last month.
The annual event — held every year without interruption since 1769 — prides itself as the world’s largest open submission exhibition. The program aims to provide an international platform for emerging and established artists in various disciplines ranging from painting to printmaking, photography, sculpture, architecture and film. — bustler.net
A life-size maze like the one BIG installed in partnership with the National Building Museum will attract plenty of attention, regardless if people know who BIG is or not. Constructed in the museum's iconic Great Hall, the maze was set up as an interactive sneakpeek for BIG's exhibition scheduled to open at the museum in January 2015. — bustler.net
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