We're pleased to announce a special bonus episode of Archinect Sessions, featuring a live recording of the closing panel discussion for "Shelter" at the Architecture + Design Museum in Los Angeles.To close out the exhibition on November 6, curators Sam Lubell and Danielle Rago hosted two panel...
Built in 1962, the People’s Bank has distinct glossy, off-teal bricks and a sawtooth, vaulted rooftop. The building is not only one of the finest remaining examples of Googie commercial architecture in Kentucky — it is one of the finest examples in the nation. However, after years of neglect, locals are working to ensure that the building isn’t leveled into a movie theater parking lot. — hyperallergic.com
Related in the Archinect news:Only one vote left before Marina City can become official city landmarkL.A. City Council Officially Votes Norms Restaurant as "Historic and Cultural Landmark"Has preservation become too conservative and elitist?
Selldorf and the curators were forced to strategically navigate the strict installation stipulations attached to each piece — and still create a dynamic space for viewing. [...]
“We wanted a very calm background,” Selldorf says. “It is the quality of the work that makes the show exciting, so rather than creating additional noise, we really focused on making spaces that were quiet and measured in such a way that the focus of attention was on the paintings.” — nytimes.com
More on Annabelle Selldorf:Give and Take: Michael Kimmelman and Annabelle Selldorf discuss architectural ethics in urban environmentsNYC Landmarks Commission Debates New Annabelle Selldorf BuildingQ&A: Annabelle Selldorf On the New Clark Art Institute
“Pedagogy and Place: Celebrating 100 Years of Architecture Education at Yale”... will present YSoA alumni work and archival documents tracing the development of architecture education at Yale and the buildings that have housed the architecture program. [...]
An auxiliary installation ... depicts more than 30 architecture schools from around the world to further illuminate the evolution of architecture education and the relationship between pedagogy and place. — news.yale.edu
The free and public exhibition “Pedagogy and Place” opens December 3 and is on display through May 7, 2016, located in Yale's Rudolph Hall gallery at 180 York St.More news from the Yale School of Architecture:Get Lectured: Yale, Fall '15Deborah Berke named Dean of Yale School of Architecture...
As a new exhibition at the Barbican in London shows, by the mid 1950s [Charles and Ray Eames] were producing films and multimedia presentations that are as much part of their formal and intellectual legacy as their furniture or the glass-walled Eames house itself. [...]
the Eameses never conceived of the hundred or so films they made as movies per se, or even as experimental films. “They’re just attempts to get across an idea,” Charles claimed — theguardian.com
Cook’s artwork of over four decades is being exhibited for the first time in India. [...]
“I want to make it uncomfortable — for the philistine, for the boring architect, for the person who wants his building to be predictable,” says Cook [...]
“Architecture is what you do with the potential of life.” — indianexpress.com
Rumors have been circulating around the internet for a few days, but later this week Banksy is now set to open a new pop-up exhibition entitled "Dismaland" at in Weston-Super-Mare, UK.
The venue is called "Tropicana", a 10,200-square-foot site to be transformed into "Dismaland", a probable attack on American entertainment giant Disney. [...]
As usual with Banksy, the details are very scarce, but earlier this morning Iain Brimecome and Jon Goff were able to fly their drone above the site [...]. — streetartnews.net
Another aerial view of "Dismaland," expected to open later this week. Photo: Iain Brimecome & Jon Goff, image via streetartnews.net.Photo via @francisclarke on Twitter.Banksy in the Archinect news:After Banksy: the parkour guide to GazaAn interview with man behind the “Stealing Banksy?”...
With a little under two months left until the big opening weekend in October, the Chicago Architecture Biennial rounded up a final list of over 100 established and up-and-coming architects, designers, and artists in the contemporary scene. Since the initial roster was announced back in April...
Architect Frank Gehry has often talked about the influence artists have had on his building designs. [...] An early work from the 1960s by sculptor Larry Bell in the Frank Lloyd show offers a partial template for a Gehry design built three decades ago in Toluca Lake.
Gehry's World Savings and Loan branch at Riverside Drive and Mariota Avenue is a sky-lighted, one-story hall framed by tall facades out front and in the back, as if a full second story had been planned but never built. — latimesblogs.latimes.com
Hot young Spanish architects José Selgas and Lucía Cano of SelgasCano have designed a pop-up exhibition pavilion for the Louisiana Museum of Modern Art's latest exhibition, Africa: Architecture, Culture, Identity. Made of low-cost materials, such as scaffold poles and plastic sheets, which the architects have jazzed up inspired by traditional sub-Saharan settlements, the pavilion is due to travel to Kenya. The show in leafy Humlebaek near Copenhagen closes at the end of September. — theartnewspaper.com
SelgasCano's airy, bright and colorful pavilions are a sought-after commodity this summer: less than a month ago, the practice unveiled its completed design for the 2015 Serpentine Pavilion in London.To learn more about the Africa: Architecture, Culture, Identity exhibition, click here.
At best, the work in the student shows is committed, hard-worked, brave, skilled, thoughtful and/or imaginative. At worst, the exhibitions offer bad sci-fi, lazy politics (“Let’s all hate America”) and cod poetry. There are cliches that have been going round the schools for decades, such as the idea that the student’s work is a quasi-science (a “surgical operation”, a “laboratory”). Certain buzzwords float around (there’s a lot of “liminal”). — theguardian.com
Architecture critic Rowan Moore goes on to ask: "At root is the central question of architectural education: is it about preparing students for the realities of practice or is it about taking a freedom they will never have again, to dream and speculate?"This has been discussed on Archinect before...
In Beijing, Ai Weiwei is back with a vengeance. The dissident Chinese artist has had four solo shows in the Chinese capital, ending an implicit exhibition ban that had been in place since his arrest in 2011. The fact that the shows, which opened in June, were permitted with minimal interference beyond one amended opening date surprised everyone, including Ai. “I never planned to have a few shows all at once,” Ai tells us. — The Art Newspaper
Adjaye is overseeing the newest installment of Cooper Hewitt, Smithsonian Design Museum’s “Selects” series, which spotlights the little-known West African textiles in the museum’s permanent collection. [...] It also offers the celebrated architect a chance to explore the surprising connections between textile making and building design.
“What’s interesting to me is this idea of fabric and weaving as a kind of abstraction of making places that people come together in,” he says. — Smithsonian.com
Seoul-based cinematographer and photographer Nils Clauss put together a new film highlighting the works of esteemed sculptor and installation artist Do Ho Suh. Suh's site-specific pieces play with the boundaries of identity and revolve around the physical and metaphorical malleability of space...
OMA returns to Venice once again in the debut of the Chinese Pavilion they designed for the 2015 International Art Exhibition of the Venice Biennale, "All the World's Futures", which opened to the public on May 9. Commissioned by the Beijing Contemporary Art Foundation, the multimedia exhibition...
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