This study considers the question of how Louis Kahn’s development as an architect was
shaped by the influences of Robert Venturi. The personal and professional interaction between these two historically significant architects began late in Kahn’s career and early in Venturi’s. — Sam Rodell, WASHINGTON STATE UNIVERSITY, Thesis 2008

Three of the most important modernist houses in the Northeast, including the 1964 house Robert Venturi designed for his mother, have been (or will soon be) put up for sale by their long-time owners, two of them without covenants that would ensure their preservation. — archrecord.construction.com

Balance. For decades we’ve had an art culture that tries to wow us with too muchness — blockbusters, biennials, bank-breaking museum buildings no one needs — and that ends up delivering way too little. Could it be that the day of just enough is upon us, and that Yale’s just right museum is a bellwether? — NYT

The creation of a public monument is a fraught business these days. That the pristine work of an architect nearly 40 years dead should rise intact, in today’s contentious political, legal and aesthetic climate, is a wonder. And how timely it is that the legacy of Franklin D. Roosevelt should be honored in such eloquent fashion at a moment when powerful political forces in this country seek to dismantle it. — Places Journal

Kahn drew up the design in 1973, rendering it with soft charcoal on yellow tracing paper. He had readied it for construction in 1974, but New York Governor Nelson Rockefeller, a prime mover of the project, became vice president to Gerald Ford and got distracted by mightier demands...
Then Kahn died of a heart attack in a public bathroom in New York’s Pennsylvania Station at age 73. — bloomberg.com

The park...was conceived four decades ago. The visionary architect who designed it died in 1974. The site...remained a rubble heap while the project was left for dead. But in a city proud of its own impatience, perseverance sometimes pays off. — New York Times

Within the parameters of the building art there cannot be artists like Saul Bellow and Philip Roth or like Sidney Lumet and Woody Allen, who in books and movies probe the excruciating details of the Jewish encounter with American capitalism and lifestyle. Architecture cannot tell stories about one’s Jewish mother or one’s Jewish nose. Especially in the era of high modernism, architecture possessed limited expressive resources for detailed cultural critique. — Places Journal

Anne Tyng, a pioneering woman architect whose ideas about geometry influenced Louis Kahn's buildings and who later had a child with him, died Tuesday, Dec. 27, in Greenbrae, Calif. She was 91, said her daughter, Alexandra, who lives outside Philadelphia.

Although Ms. Tyng was among the first group of women to graduate from Harvard University's architecture school in 1944, she struggled her entire career to be taken seriously. Firms would not hire her because she was a woman. — philly.com

Kahn doesn’t draw like an architect. Kahn’s drawings are instead personal, emotional. Each subject is unique, with Kahn truly moved by each building or landscape he studied. He had no interest in imposing his own order or technical perfection on the world he sketched. — metropolismag.com