..We must expose rather than mask the institutional mechanisms driving uneven urban development. Such a revelation requires a corresponding expansion of our understanding of the scope of architecture itself—can we design human rights, for example? Can social justice become an architectural protocol? In other words, the most important materials with which architects must learn to work are not steel and concrete but critical knowledge of the underlying conditions that produce today’s urban crises. — Art Forum
The article makes reference to the controversy generated a few months ago over a competition to design Republican presidential candidate Donald Trump's proposed border wall between the US and Mexico. The editors of Bustler, Archinect's sister site, decided not to host the competition due...
A hedge-fund manager on the 28th floor who pretended to be dead when investors asked for their money reported to prison in January. A few weeks later, an investment adviser on the 17th floor was accused of running a Ponzi-like scheme. Thirteen floors up, a lawyer pleaded guilty this month to stealing millions of dollars from clients.
It was all happening at 40 Wall St., across from the New York Stock Exchange, behind golden capital letters proclaiming that this is THE TRUMP BUILDING. — Bloomberg
For more on the architecture of the current Republican presidential candidate, check out these links:"Glitz and ego" – the architectural legacy of Donald Trump, the developerThe Problem With Designing Trump’s Border WallUS/Mexico border wall competition provokes...
“Trump ... believes in using expensive materials that convey prestige and wealth, and people buy into that,” said Jerold Kayden, professor of urban planning and design at Harvard University. He said in some ways the legacy of Trump buildings is a matter of taste. “To some they are the height of ambition and the height of prestige and to others they are gaudy, but he has certainly pioneered with some others architecture as brand.” — marketplace.org
"Other New Yorkers view Trump’s investment in luxury buildings in undervalued locations in the '90s as a contribution to New York’s renewal. To them, his construction represented investment at a time when New York was struggling with blight."Related stories in the Archinect news:The Problem...
An online competition spurred by his proposal has launched a fierce debate among architects and border communities. What do local communities think? — The New Republic
Architect, urbanist, and professor Teddy Cruz, who has been working on both sides of the San Diego-Tijuana border for 25 years, presented the competition as a moment in which architects cannot remain neutral. Sometimes, he said, architects must decide when not to build, since “the politics of...
Republican presidential candidate Donald Trump dominated another round of primaries last night...further securing his position as the party’s frontrunner. His polemical campaign continues to provoke criticism from both his own party and from Democrats, as concern over his inflammatory, xenophobic and sexist rhetoric transforms into panic. The debate breached into architecture after a competition was announced last week for design responses to Trump’s call for a wall along the US/Mexico border. — Bustler
Bustler, Archinect's sister site, declined the opportunity to post a competition calling for design responses to Donald Trump's calls for a border wall, which has since generated a good deal of controversy. Read about why – then join the debate on Bustler.For related content, check out these...
Adorned with gold and marble, [the Trump Tower] looks like Saddam Hussein went on a shopping spree with Liberace.
To make way for its construction, Mr Trump demolished the handsome Art Deco Bonwit Teller department store. He promised to donate its bas-relief carvings to the Metropolitan Museum of Art but it turned out they were too expensive to remove so they were smashed to pieces on site instead. — Financial Times
Loud, pushy, indifferent to anything but self-touted glamour: Donald Trump's politics and his buildings share a great deal in common. In this piece, The Financial Times' reigning design critic Edwin Heathcote briefly touches on the repugnant qualities that the Donald's politics and his buildings...
You may recall an entertaining Twitter spat that broke out between ... Donald Trump and Pulitzer-winning Tribune architecture critic Blair Kamin. [...]
Kamin got off easy compared to his predecessor, the late Paul Gapp, who was also a Pulitzer-winning architecture critic for the Chicago Tribune. [...]
But [Gapp's] achievements were overshadowed by his run-in with The Donald: a $500 million lawsuit over one column, about Trump’s plan to build the tallest building in America in Manhattan. — chicagomag.com
More news from Trump and the Windy City:Pulitzer Prize-winning architecture critic Blair Kamin on why his profession isn't deadOld Guy Fight! Tribune’s Blair Kamin vs. Donald TrumpBlair Kamin not impressed by Chicago's latest housing developmentsChicago Mayor blasts Trump sign as 'tasteless'
Watching two grown men in a social media hissy fit over a building sign is actually a lot more amusing than one might think.
In this corner, Donald Trump, rich guy, who, in the view of one esteemed newspaper critic, has defiled our fine city by slapping his name on the side of his silvery, shiny building.
In the other corner, Blair Kamin, decorated architecture critic for the Chicago Tribune and defender of building aesthetics. — chicago.cbslocal.com
"I got to say Chicago I think this is on you. Did you not think Donald Trump was going to put his name on the building you let him build? It's what he does. Have you been to New York? Or, as you'd think it would be called from the buildings, 'New Trump City'" — Daily Show
Amelia Taylor-Hochberg Editorial Manager for Archinect, talked with director Kelly Anderson about her documentary "My Brooklyn" and the “incredible, derogatory, racialized way people talk about the space". The film will air multiple times as part of PBS World's America ReFramed series...
On Thursday, Mayor Rahm Emanuel belatedly jumped into the fray after a public campaign against the sign on Chicago's second-tallest building spearheaded by the Chicago Tribune’s Pulitzer Prize-winning architecture critic Blair Kamin.
“Mayor Emanuel believes this is an architecturally tasteful building scarred by an architecturally tasteless sign,” Kelley Quinn, the mayor’s newly-appointed communications director, said in an emailed statement. — politics.suntimes.com
Trump responds in his typical classy style...Before I bought the site, the Sun Times had the biggest, ugliest sign Chicago has ever seen. Mine is magnificent and popular.— Donald J. Trump (@realDonaldTrump) June 12, 2014
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