Since opening the doors of its original William Pereira buildings in 1965, the Los Angele County Museum of Art has grown along with its home. The version of the city beloved by Reyner Banham and Pereira was alive then on the historic Miracle Mile, proselytizing megasized car-infrastructure and New...
At the corner of Elizabeth and Kenmare Streets at the edge of NoLIta, demolition work began in early March to make way for a seven-story condominium, Mr. Ando’s first stand-alone project in the city, although he has designed a restaurant (Morimoto in Chelsea) and residential interiors in Manhattan.
Sales are expected to begin in April, with prices [...] likely to rise to more than $30 million for the four-bedroom penthouse, according to Mr. Steinberg. — nytimes.com
The AIA New York chapter released a brief statement today announcing the immediate resignation of Executive Director Rick Bell:“AIANY and Center for Architecture Executive Director Rick Bell has offered, and the organization’s Board of Directors has accepted, his immediate resignation. An...
Beginning as the New Bodleian Library, the Weston Library at Oxford University was designed by Sir Giles Gilbert Scott and constructed in the 1930s. Although construction finished in 1940, wartime purposes delayed the building's official opening in 1946. For the most part, the building remained...
We are delighted to devote the entirety of this episode to an interview with Tod Williams and Billie Tsien. Our discussion spanned their nearly 30 years (and counting) working together, focusing not on individual projects but their architectural philosophy, their material explorations, and their...
Architects Marlon Blackwell and Rick Joy have built their practices marrying diligent attention to the existing community, ecology, and building culture of a place with the refined craft of contemporary architecture. [...]
The two sat down with Anne Rieselbach, the League’s Program Director, in October 2014 to discuss their first meeting 15 years ago, teaching, drawing, distaste for e-mail, and “transgressing the vernacular.” — archleague.org
Le Corbusier designed a pair of markers in the style of one of his own concrete architectural models.
Carlo Scarpa, who was buried standing up and wrapped in linen in the style of a medieval knight, has a marble grave with a maze-like design.
Frank Lloyd Wright's marker could not even be called a gravestone, because it looks more like an uncut rock.
Meanwhile, Buckminster Fuller's grave has an esoteric quote he once gave to Playboy magazine inscribed on it: "Call me Trimtab." — curbed.com
Sure, an article like this suggests a click bait-y listicle, heavy on images and light on content. But what's installed astride an architect's final resting place is of grave (pardon the pun) importance. Not only would it be surrealistically disorienting to have an architect's professional style...
Earlier today, the Serpentine Galleries in London released the first images of the 2015 Serpentine Pavilion, designed by the Spanish firm of SelgasCano headed by José Selgas and Lucía Cano. In keeping with the criteria of the annual program, this will be the first UK project by the...
“I’m the ENEMY!” Moss hollered as he stepped onto the dais in front of a packed hall at SCI-Arc, awaiting his final address as dean last Thursday. Moss might as well have said, “This is Cinerama,” as the single projection that had backgrounded the introductory remarks dramatically opened...
Proponents of the Underline bicycle route and linear park that would replace the threadbare M-Path under the Metrorail tracks from Dadeland to the Miami River have picked the co-designer of the wildly popular elevated High Line in Manhattan to draw up a master plan for their idea.
James Corner Field Operations was selected by a local jury from among 19 architectural teams that submitted entries in a competition. — Miami Herald
Last year, Chilean architect Smiljan Radić revealed his Serpentine Pavilion—an enormous shell-shaped structure perched atop jagged quarry stones in Hyde Park—as part of the London gallery’s prestigious architecture program. Thousands of visitors examined its translucent fiberglass walls over the course of the summer. This week, the pavilion will be unveiled at its new, permanent home, amid the spring gardens of Hauser & Wirth Somerset in Bruton, about two and a half hours from London by train. — Architectural Digest
Once a free-flowing, biomorphic design inspired by the La Brea Tar Pits and the work of the Brazilian architect Oscar Niemeyer, the design has become noticeably more angular and muscular in recent weeks. It now features double-height galleries made of white or light-gray concrete and poking up above the roofline of the rest of the museum [...]
"No one will call it a blob anymore," LACMA Director Michael Govan said ... "Peter hasn't given up the curve. But he's really, really reined it in." — latimes.com
Related news: Peter Zumthor pushes LACMA redesign to the curb to make room for tar pitsL.A. County supervisors approve initial funding for new LACMA buildingPeter Zumthor's $450,000,000 'Black Flower' for LACMA
...while we were serious, it turned out this competition was not. Even before announcing the results, Westminster City council - one of the two river sides to be connected - stated that it did not want and never had wanted a bridge. — Architects Journal
There is always a delay between the time a trend begins to gain traction, and the time hipsters begin following it. This delay is caused because people can't be aware of what others are deciding, in real-time. As a result, hipsters gradually realise that the trend, and the decision has been made while making the same decision separately.
This leads to them gradually conforming towards what then becomes the mainstream. — daily mail
In an era when many architects are acclaimed for impressive rhetoric or jaw-dropping computer renderings — or both — [Ito] has earned his following in purely architectural terms. He knows how to build, to shape space in a way that respects traditional craftsmanship and seems utterly contemporary. [...]
That odd and productive co-dependence of design and place, architect and site, is a relationship that doesn't really exist in any other art form. — latimes.com
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