Built in 1962, the People’s Bank has distinct glossy, off-teal bricks and a sawtooth, vaulted rooftop. The building is not only one of the finest remaining examples of Googie commercial architecture in Kentucky — it is one of the finest examples in the nation. However, after years of neglect, locals are working to ensure that the building isn’t leveled into a movie theater parking lot. — hyperallergic.com
Related in the Archinect news:Only one vote left before Marina City can become official city landmarkL.A. City Council Officially Votes Norms Restaurant as "Historic and Cultural Landmark"Has preservation become too conservative and elitist?
This post is brought to you by Dwell on Design New York. Extending from the downtown neighborhoods of Tribeca, the West Village and Chelsea to the Upper East Side, this year’s Dwell Home tours showcase residences with bright, open layouts and details that are as varied as their zip codes. The...
Archinect and Bespoke invite you to join us in celebration of NYC’s dynamic local architecture and design community. Please join us at the Steelcase Worklife Center, a terraced venue overlooking Central Park South, for an evening of music, food and cocktails with friends and colleagues.Thursday...
Over the past five weeks, more than 150,000 people have visited the subversive theme park in a derelict seafront lido, which had been shut since 2000 and reopened in a blaze of publicity on 20 August. [...]
But, it is the town's tourist businesses that have reaped the benefit - to the tune of £20m, says Visit Somerset, more than three times what the trade body initially suggested. [...]
Everyone has noted the irony of the anti-capitalist art show boosting business. — bbc.com
Rumors have been circulating around the internet for a few days, but later this week Banksy is now set to open a new pop-up exhibition entitled "Dismaland" at in Weston-Super-Mare, UK.
The venue is called "Tropicana", a 10,200-square-foot site to be transformed into "Dismaland", a probable attack on American entertainment giant Disney. [...]
As usual with Banksy, the details are very scarce, but earlier this morning Iain Brimecome and Jon Goff were able to fly their drone above the site [...]. — streetartnews.net
Another aerial view of "Dismaland," expected to open later this week. Photo: Iain Brimecome & Jon Goff, image via streetartnews.net.Photo via @francisclarke on Twitter.Banksy in the Archinect news:After Banksy: the parkour guide to GazaAn interview with man behind the “Stealing Banksy?”...
Miami is hot right now—and not just because it's midsummer. The city, which is in the midst of a building boom, is of necessity a model of sustainable building practices and extreme-weather preparedness.Thanks to local AEC professionals' experience grappling with high winds, hot and humid...
Architect Frank Gehry has often talked about the influence artists have had on his building designs. [...] An early work from the 1960s by sculptor Larry Bell in the Frank Lloyd show offers a partial template for a Gehry design built three decades ago in Toluca Lake.
Gehry's World Savings and Loan branch at Riverside Drive and Mariota Avenue is a sky-lighted, one-story hall framed by tall facades out front and in the back, as if a full second story had been planned but never built. — latimesblogs.latimes.com
Hot young Spanish architects José Selgas and Lucía Cano of SelgasCano have designed a pop-up exhibition pavilion for the Louisiana Museum of Modern Art's latest exhibition, Africa: Architecture, Culture, Identity. Made of low-cost materials, such as scaffold poles and plastic sheets, which the architects have jazzed up inspired by traditional sub-Saharan settlements, the pavilion is due to travel to Kenya. The show in leafy Humlebaek near Copenhagen closes at the end of September. — theartnewspaper.com
SelgasCano's airy, bright and colorful pavilions are a sought-after commodity this summer: less than a month ago, the practice unveiled its completed design for the 2015 Serpentine Pavilion in London.To learn more about the Africa: Architecture, Culture, Identity exhibition, click here.
The entry deadline for all WAF entries is this Friday. Submit your completed or future projects in to one or more of the 31 categories open for entries. Entry Deadline: Friday May 22Cost to enter: $930 USD per entryEnter nowWhy enter?WAF and INSIDE finalists will receive more exposure and media...
“The Landscape Architecture Legacy of Dan Kiley,” an exhibition at the Center for Architecture, shows how modern landscapes often make a better case for modernism than the architecture itself.
Over a span of 60 years, Kiley (1912-2004), a founding father of modern landscape design, worked for the best architects around, among them Eero Saarinen, I.M. Pei and Skidmore, Owings & Merrill. He was fully versed in architecture’s modernist strategies and overriding focus on form and abstraction. — wsj.com
This lively effort — mapping — is the subject of a rich exhibition organized by the Brooklyn Historical Society (BHS) and BRIC [...] that pairs the work of 18 contemporary artists with 23 historical maps dating back as far as 1562. For Mapping Brooklyn, BHS opened its collection to the invited artists [...]. The goal of uniting these two components — map and art — is to uncover the common ground: to render, through judgment and artistic process, the world legible. — urbanomnibus.net
This post is brought to you by Dwell on Design LA. Dwell on Design LA, America’s Largest Design Event, curated by the editors of Dwell magazine, returns to the Los Angeles Convention Center, May 29-31, celebrating its 10th year. Join 30,000+ attendees at this magnificent 3-day wonderland of...
Later this summer, London's Flea Folly Architects—Pascal Bronner & Thomas Hillier—will be running a workshop in what they broadly call "narrative architecture" at the Tate Modern.
"What would a town inhabited by Salvador Dali, Pablo Picasso, Alexander Calder and Man Ray look like?" they ask. [...]
Their own project, Grimm City, is perhaps an example of what might result. — BLDGBLOG
Street artists are showing how they’d map cities differently in a new show that lets visitors step into their clandestine worlds.
[...] Mapping the City, an exhibition of the responses by 50 international street artists to being asked to map their cities “through subjective surveying rather than objective ordinance”. Conventional cartography this is not. — theguardian.com
A floating blue dot on a handheld device’s mapping app has become the default way we understand the complex flows of people through the city and the diverse ways we experience coming and going. Such direct representation is convenient, but removes the spontaneity of approaching the city as both...
SUBMIT NEWS: submit in 60 seconds!