From their studios, ateliers, film sets and kitchens — and even the White House — these are the people whose inventive spirits shaped the conversation this year. — nytimes.com
It certainly was an eventful career year for Alejandro Aravena (Pritzker Prize, Venice Biennale, et al.), and the ambitious Chilean's cultural footprint can be traced throughout a handful of our Archinect 2016 Year In Review posts:The top prize-winning architects of 2016How starchitect culture...
[Empty Gallery] is entirely black—black walls, black floors, black fittings. When you first enter, it is completely, utterly dark. It is only when you reach the first of the main art spaces that dim lighting illuminates the works on display.
“Hong Kong is so fast; the language of advertising is so strong and loud and intense. We’re amped up all the time... It helps you give art a chance to communicate.” — theartnewspaper.com
Related on Archinect:Boyle Heights activists want all art galleries to GTFO of their neighborhoodNew Kulapat Yantrasast-designed Gagosian Gallery to open in San FranciscoSANAA chosen to design NSW Art Gallery expansionPrepare to soon spot the blackest of black materials in architecture
Manifesta, the roving European biennial, announced today that the Office of Metropolitan Architecture (OMA) will be creative mediator for its upcoming 12th edition, set to open in Palermo, Italy, in 2018.
As creative mediator, OMA will investigate how Italian cities are governed, looking specifically at immigration, environmental issues, gentrification, and tourism. Led by Ippolito Pestellini Laparelli, the team will also explore how artists can intervene in places around the city. — artnews.com
Last week, the White House held its very own arts and culture festival in D.C., South by South Lawn (SXSL). Organizers arranged a list of panel discussions and programs that brought together a diverse troupe of creatives for a "festival of ideas, art, and action.” SXSL kicked off with a conversation between illustrious light artist James Turrell and award-winning architect David Adjaye, which was streamed live on The Creators Project’s Facebook Page. — thecreatorsproject.vice.com
"Over the course of their chat, which was moderated by LACMA director Michael Govan, the two artists unpacked their general philosophies on art, light, space, and culture, and discussed some of the influences that have driven their processes and works."Video via The Creators Project.Similar...
An exhibition of rarely seen paintings, drawings and digital works by Zaha Hadid is due to open at the Serpentine Sackler Gallery in London this winter (8 December-12 February 2017), throwing new light on the late British-Iraqi architect’s accomplishments as an artist and calligrapher. [...]
Sketches and paintings linked to major projects, both realised and unrealised, will go on show. — theartnewspaper.com
Related stories in the Archinect news:Zaha Hadid's repertoire is a stunning display in Venice's Palazzo FranchettiCelebrate Zaha Hadid's life at the Serpentine Sackler Gallery on April 8thZHA after Zaha: Patrik Schumacher on Zaha and what's next for the firm, on Archinect Sessions #61Looking for...
The French artist who goes by JR, known for flyposting large-scale photographs in cities around the world, has set up shop in Rio, just in time for the Olympic opening ceremony this Friday. As part of his ongoing worldwide Inside Out project, and under the invitation of the IOC, he's installed...
Now through August 25, take an immersive, tongue-in-cheeky video tour through Los Angeles at WUHO Gallery, with David Hartwell and Bill Ferehawk's "MEDIAN".Enter the narrow, deep gallery space and be at the center of MEDIAN–an "experimental moving image installation" projected onto the length...
What makes a museum building successful? Until the arrival of Frank Gehry’s Guggenheim in Bilbao in 1997, this question might have been almost exclusively focused on the best environments in which to view art. But the Guggenheim’s phenomenal success, which allowed the Basque government to recoup the construction costs within three years, moved the debate on to issues of branding and statement architecture.
Now the discussion has moved on again. — theartnewspaper.com
Related stories in the Archinect news:Archinect's critical round-up of Snøhetta's SFMOMA additionOMA's Pierre Lassonde Pavilion in Quebec will finally open tomorrowFirst look inside Tate Modern's new Extension
Hyper-Reality is a concept film by Keiichi Matsuda. It presents a provocative and kaleidoscopic new vision of the future, where physical and virtual realities have merged, and the city is saturated in media. — hyper-reality.co
"Our physical and virtual realities are becoming increasingly intertwined. Technologies such as VR, augmented reality, wearables, and the internet of things are pointing to a world where technology will envelop every aspect of our lives. It will be the glue between every interaction and...
the artist says we should not “sentimentalise or romanticise” the crisis, which has seen more than 2,000 children die on their way to Europe. [...]
Ai first visited Lesbos on Christmas Day last year, and has since dedicated most of his life to helping refugees there, even moving his studio to the island. [...]
“The goal is to make everyone conscious of the struggle of refugees. We need to protect humanity. The fight is endless. If we don’t fight, our children have to fight,” he says. — theartnewspaper.com
Related on Archinect:Ai Weiwei documents life in Greek refugee camp on social mediaUN Refugee Agency Commissions 10k Ikea-designed Better SheltersCurator of MoMA's “Insecurities: Tracing Displacement and Shelter" on palliative refugee architectureWhat Does the Syrian Refugee Crisis Mean to...
Set to open on 17 June, the Tate Modern Switch House – named after the part of the power station that the new galleries occupy – expands the museum by 60% to accommodate the surging numbers of visitors, which reached 5.7 million last year, well over double the number the building was designed to cope with when it opened in 2000. But the arresting brick ziggurat is also a physical symbol of the effect the Tate has had on its surroundings. — theguardian.com
Read more relating article here:Future sustainable skyscrapers will be made of...wood?Fabricated robot installation at the V&A unveiled as part of their first Engineering SeasonHerzog and de Meuron in conversation with Rowan Moore
Inside 516 Sampsonia Way, a 19th-century row house in the Mexican War Streets neighborhood, there no longer appear to be any 90-degree angles. Any corners have become cavernous and rounded from the innumerable lines of yarn of Chiharu Shiota’s Trace of Memory, creating acute and obtuse angles.
And while some people try to cleanse spaces or their superstitious gateways by sageing doorways, this installation does the opposite, appealing to some kind of liminal god to crack open time — hyperallergic.com
Related on Archinect:Florida rental home wrapped in foil for art's sake, confusion ensues as expectedChristo wins court judgement, keeping alive his vision for 5.9 miles of silver fabric above the Arkansas River8,000 Glowing Balloons Recreate the Berlin WallTen Top Images on Archinect's...
“2 wires + weights + tape + thin foam rubber” - one of Eva Hesse's shopping lists — the art newspaper
"LeWitt’s admiration of Hesse is well documented, and the two are the subject of a powerful travelling exhibition exploring their mutual influence, now at the Cleveland Museum of Art (Converging Lines, until 31 July). But one of the most memorable accounts of their relationship comes from an...
The greatest work of art at New Haven’s Yale Center for British Art is arguably the landmark building itself—and Louis Kahn’s last structure is due to reopen this month after a 16-month renovation of its public galleries and lecture hall, and an upgrade of its accessibility, security, mechanical and electrical systems. This is the third phase of a $33m conservation project that began in 2008. — theartnewspaper.com
"George Knight of Knight Architecture, who led the conservation work, says: “The thing that kept me up at night was [thinking] how can we preserve the building, which is so architecturally rich, and do all this surgery so as not to disfigure the patient in any way?""All images courtesy of the...
Bardell and Howe have been working together for the past decade and have started executing guerrilla-style living sculptures in the river, a project they call the River Liver Series. [...]
“One of the things that keeps us here is how exciting we think the next 10 years is going to be,” Howe says of L.A. “When they actually do this river revitalization, it’s going to be L.A.’s Central Park. Culturally, I think it’s the spot to be on the West Coast.” — laweekly.com
Related on Archinect:Los Angeles River revitalization: prosperity for all or just a chosen few?Mayor Eric Garcetti on Frank Gehry's plans for the LA River: "a cooperative, collaborative, regional approach"Take a look at "6," an experimental documentary that memorializes the recently-demolished...
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