The artist intended it to be a display of his love for the city: white plastic bags stamped with the “I ♥ NY” logo lighted from within and glowing moonlike from lampposts and trees in Brooklyn and beyond. Almost immediately, the installation attracted attention, though probably not the kind the artist, Takeshi Miyakawa, expected. — nytimes.com

John Baldessari believes every young artist should know three things:
1. Talent is cheap
2. You have to be possessed which you can't will
3. Being in the right place in the right time — YouTube

The architect on the new gallery is the L.A.-based firm wHY Architecture, founded by Kulapat Yantrasast, who worked with Tadao Ando for 15 years, and designed the L.A. branch of New York gallery L&M Arts, in Venice Beach. The firm, Mr. Rubenstein says, was recommended to him by Los Angeles Museum of Contemporary Art director Jeffrey Deitch, a New York transplant himself. — galleristny.com

Creating anything new, particularly a creative collaboration, is an act of pathological hope. It has been said the difference between construction and creation is this: a thing constructed can only be loved after it is constructed; but a thing created is loved before it exists. It was with this sense of hope that this project began—an idea borne not only of the notion that we had something to say, but that we could express it in an engaging, thought provoking, and intellectually rigorous way. — Lantern

A bubble is brief, and bursts at your touch. But while it lasts, it catches the light and reflects the room like a multi-coloured temporary structure. We wanted to create a constantly changing lamp that combines the most ephemeral of lampshades with an LED light source that will last for 50000 hours. In the time it takes the LED to burn out, the lamp will have had 3 million different globe shades. — todayandtomorrow.net

Even in the thirties, Clement Greenberg worried about kitsch, the split between popular and avant-garde taste. "The same culture produces a painting by Braque and a Saturday Evening Post cover," he wrote, fretting that "real art would not stand a chance next to ... Norman Rockwell." I've always thought that this is fine; people should like whatever they want to like. And they do like Kinkade: It's estimated that he sold around $100 million worth of art each year. — Vulture

The house is the world’s first temple to “Acid Modernism,” the aesthetic the California-born Aitken conceived for himself and Gemma Ponsa, his companion of the last six years. “The goal was to create a warm, organic modernism that’s also perceptual and hallucinatory,” he said of the design. “We thought that would be a wonderful environment to live in.” — nytimes.com

Being a successful collector or dealer does not qualify one to make substantial decisions towards our collective cultural patrimony. — art&education

These beautiful bottled buildings are wonderful, in the truest sense of the word. They are the result of a collaboration between artist Takanori Aiba and model-maker Kazuya Murakami. The finished products, stunning in their intricate detail, are the result of the alchemical mixture of skills and approach that the two bring to the work. — fastcodesign.com

Eleven years ago I made a modest proposal to create a series of three massively flat and empty superblocks (two in New York and one in Washington DC). I last showed these proposals as three large architectural site models, just six months before September 11th attacks. Because my proposals seemed to foreshadow the 16 acre gap left in Manhattan’s grid, I was urged to revisit the project. — rhizome.org

An ongoing series of sculptures exploring the notions of trophy and information, Trophy appropriates the Brunswick 'Black Beauty' bowling ball. Each ball is meticulously hand carved into the seminal architectural 'Big game' trophy, i.e., the 'super books' of Mau, Koolhaus, Corbu etc. — archidose.blogspot.com

I’m just happier than heck to see this thing go.- logistical superintendent Rick Albrecht — NBC LA

“Euthanasia Coaster” is a hypothetic euthanasia machine in the form of a roller coaster, engineered to humanely – with elegance and euphoria – take the life of a human being. Riding the coaster’s track, the rider is subjected to a series of intensive motion elements that induce various unique experiences: from euphoria to thrill, and from tunnel vision to loss of consciousness, and, eventually, death. — julijonasurbonas.lt

All the headlines talk about Marina and Rem, but his involvement is quite minimal, isn’t it?

He’s involved, but I’m running the New York office. You know the media always has to say Rem just to catch people’s attention, but I appreciate if you don’t repeat that laziness. Of course Rem is involved, but as you can see he’s not here. — artinfo.com