Next week in London, The Sincura Group will be holding a similar auction of street pieces formally by Banksy. That’s the same company that last year successfully sold the Banksy “Slave Labour” wall at auction for just over $1 million. They’ve titled their auction Stealing Banksy? and it will include approximately 18 works, at least 7 of which are street pieces formally by Banksy that have been removed from their original locations, some of them specifically removed for this sale. — blog.vandalog.com
A major exhibition opens in Berlin this week of the work of Ai Weiwei, China's most famous artist. Events like this are the very thing that protect him against further repression at home. The show is packed with moving works that are critical of the regime. — spiegel.de
The Rendering Eye: Urban America Revisited presents 3D screenshots of the urban US as they appear in Apple Maps: deserted streets, post-apocalyptic buildings and industrial plants, melting harbors. Cars and boats turn into shadows, trees into sculptures, containers into wax.[...]
The cityscapes captured by artist REGULA BOCHSLER for the publication are abstract, machine generated, and cold. And yet they are poetic, not least because of their “mistakes,” which give them a painterly composition. — 032c.com
[...] Dutton and Piper have traced a path, broadly following the Meridian, extending from the 02 Arena in Greenwich across the Thames by cable car to the Olympic Park in Stratford: a largely flat and buggy-friendly three-hour meander through an extraordinarily varied and little-known urban landscape that will be punctuated by striking pieces of modern sculpture. They’re calling it the Line, and the hope is that it will be up and running by midsummer. — telegraph.co.uk
Alice Aycock, the sculptor, was holding her breath.
[...] a massive crane, blocking traffic, lifted one-half of “Cyclone Twist,” a swirling series of white aluminum bands, into place, precisely connecting with its other half already standing on the avenue’s slim median. [...]
Called “Park Avenue Paper Chase,” and stretching from 52nd Street to 66th, they are inspired variously by tornadoes, dance movements and drapery folds, and will be up until July 20. — nytimes.com
The way it works is each loop, outside and in, is equipped with a bed, study, kitchen, bathroom, and little dresser, arranged so that when the wheel stops the matching item is available to each person at the same time. To switch over to a new activity, they both have to walk in tandem... — hyperallergic.com
In 2013, we picture cities a little differently, with demography and photography. Cities live in Instagram, in patterns of light from space, in blueprints and visualizations and—most like Canaletto’s civic landscapes—on Google Street View.
Now, an artist in London has done some creative, comparative history, pairing Canaletto’s Venice and London with contemporary depictions, as glimpsed by the Google van. — theatlantic.com
For 76 years, the gray steel eastern span of the Bay Bridge was cursed and reviled but mostly just taken for granted. [...]
At least two groups of artists and architects have mounted campaigns to spare some of the steel from the recyclers so that they can transform it into artworks that might include a home, a public gathering space and an Airbnb rental space - with a view of the new Bay Bridge. — sfgate.com
Yesterday, art lovers around the world were shocked when someone strolled into the Pérez Art Museum Miami and destroyed a $1 million vase by Ai Weiwei. [...]
The vandal is actually Maximo Caminero, a well-known local painter who has shown works at the Fountain Art Fair. He tells New Times that he destroyed the vase to make a point. — blogs.miaminewtimes.com
"I did it for all the local artists in Miami that have never been shown in museums here," he says. "They have spent so many millions now on international artists. It's the same political situation over and over again. I've been here for 30 years and it's always the same."
Inspired by the engineering, intricate choreography, and impromptu interactions of your daily commute? Wish there was an open mic night for historians and urbanists? A show-and-tell for your creative musings on mass transit? Looking for a public platform to present your ideas to a captive audience?
Us, too. That’s why we are excited to announce PLATFORM, a new series of cross-disciplinary programs created by the public for the public. Have an idea? We’ll give you a platform. — NY Transit Museum
The New York Transit Museum is launching an open exhibition program, accepting proposals for projects devoted to any and all aspects of public transportation. The aptly named Platform program will exhibit the first winning proposal in its subway station home in downtown Brooklyn, on Thursday...
100 Years of Architectural Drawing—a recently published book by Neil Bingham, a design and architecture historian who is the consulting curator of architectural drawings at the Royal Academy of Arts, London—highlights 300 architectural drawings from the 20th century that illustrate the evolution of the form. — slate.com
When it comes to museums, Hiroshi Sugimoto doesn’t mince words.
“This is the worst space I ever encountered,” he told the Journal before opening a retrospective of his work at Seoul’s Leeum Samsung Museum of Art late last year. The Japanese artist was especially unhappy about a steep escalator leading down into the main gallery space of the OMA-designed building. “Why do that? It’s terrible,” he lamented. “I feel a kind of bad will from this architect.” — blogs.wsj.com
Architecture is usually the product of multiple, conflicting constraints, so how does it fare in the context of a gallery? Shielded from the realities of climate and context, client and user, planning and building regs, what of architecture is left? Liberated from the obligations and contingencies of a real building, can it jump free and take on a greater sensory power – or is it hollowed of all meaning and left to fall flat? — theguardian.com
Architects always have the future in mind when they design. That's particularly evident in today's cityscapes as they continuously try to one-up each other in who can raise the world's next tallest, more-modern-than-thou skyscraper for all to gaze in awe -- or not. For Jingjing Naihan Li, a...
Not long ago, these questions — of policy but also political and ethical questions — seemed to be out there on institutional tables, demanding discussion. Technically, they may be there still, but museums seem to be most interested in talking about real estate, assiduously courting oligarchs for collections, and anxiously scouting for the next “Rain Room.” Political questions, about which cultures get represented in museums and who gets to make the decisions, and how, are buried. — nytimes.com
And on the subject of integration, why, in one of the most ethnically diverse cities, does the art world continue to be a bastion of whiteness? Why are African-American curators and administrators, and especially directors, all but absent from our big museums? Why are there still so few black...
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