Architect Frank Gehry has often talked about the influence artists have had on his building designs. [...] An early work from the 1960s by sculptor Larry Bell in the Frank Lloyd show offers a partial template for a Gehry design built three decades ago in Toluca Lake.
Gehry's World Savings and Loan branch at Riverside Drive and Mariota Avenue is a sky-lighted, one-story hall framed by tall facades out front and in the back, as if a full second story had been planned but never built. — latimesblogs.latimes.com
Major public cultural institutions in Greece are on the point of collapse, say leading Greek art professionals, as concerns mount that the country faces insolvency after 61% of the population rejected bailout proposals earlier this week made by international creditors. — theartnewspaper.com
What rights does a muralist have to the wall she painted on?
That's a question that echoes throughout the country right now, as muralists try to lay claim to their artwork under the Visual Artists Rights Act of 1990. [...]
California muralist Kent Twitchell was in a hotel room in Sausalito, Calif., when he got the call — his six-story mural of Ed Ruscha in Los Angeles had been painted over. — npr.org
Murals — and the accompanying questions of ownership, copyright, vandalism — are an ongoing sujet in the Archinect news:Detroit issues arrest for "vandal" Shepard FaireyMuralist Kent Twitchell on LA's new mural-friendly ordinanceDetroit's struggle to distinguish between graffiti (boo!) and...
In Beijing, Ai Weiwei is back with a vengeance. The dissident Chinese artist has had four solo shows in the Chinese capital, ending an implicit exhibition ban that had been in place since his arrest in 2011. The fact that the shows, which opened in June, were permitted with minimal interference beyond one amended opening date surprised everyone, including Ai. “I never planned to have a few shows all at once,” Ai tells us. — The Art Newspaper
The Tom Bradley International Terminal at LAX debuted this week three new public art commissions designed to greet departing and arriving passengers and provide a measure of calm and reflection amid the chaos of air travel.
The artists involved all have strong ties to Los Angeles -- Mark Bradford, Pae White and the Ball-Nogues studio each resides or works in the L.A. area. — latimes.com
The project, called Underline, will include the underground’s first music commission and a plan by the Turner prize-nominated architectural collective Assemble to improve what is regarded as one of the most unloved station exits on the entire network, at Seven Sisters in north London. — theguardian.com
Organized by "Art on the Underground", a group that curates contemporary artworks for display in the London Underground, the new project will bring a variety of art, music and architectural interventions to the Victoria Line. Commissions selected to be part of the Underline are not simply public...
Opening in October, Newport Street Gallery is the realisation of Hirst’s long-term ambition to share his diverse collection – which includes over 3,000 works – with the public. [...]
Designed by architects Caruso St John, Newport Street Gallery spans 37,000 square feet, which includes a restaurant and shop. Its construction has involved the conversion of three listed Victorian buildings [...]. — Damien Hirst
Herzog & de Meuron, the Basel-based architecture studio that designed London’s Tate Modern, is due to redevelop Berlin’s famous art squat Tacheles. The massive warehouse, in the now fashionable Mitte district, was occupied by artists after the fall of the Berlin Wall in 1989. A symbol of the city’s subculture, Tacheles became a major tourist attraction. In 2012, the authorities closed the art centre amid widespread protests by artists and anti-gentrification campaigners. — theartnewspaper.com
“Money is not an issue here” is the motto that leaps out at you in both the Prada and Vuitton Foundation museums, although in Paris it is thrown into high relief on the building’s facade by the almost vulgar silver logo of Louis Vuitton—the star company in the LVMH group. — The Art Newspaper
You might be unsure of exactly what you’re looking at when you first see the images in Roland Fischer’s series “Facades.” [...]
“I noticed all these new buildings mushrooming everywhere, giving the impression that they could as well be from any other major town in the world,” Fischer wrote via email. “I thought that this was a new urban visual experience, a consequence naturally of the then still new process of globalization.” — slate.com
Cicil Street, Singapore, 2002, 180 x 125 cm (71 x 49 1/4 inches)Highschool, Utrecht, 2013, 180 x 125 cm (71 x 49 1/4 inches)Suntory Tokyo, 2014, 180 x 125cm (71 x 49 1/4 inches)Bank of America, Atlanta, 2005, 180 x 125 cm (71 x 49 1/4 inches)WTC, NY, 1999, 180 x 125 cm (71 x...
Dasha Zhukova’s Garage Museum for Contemporary Art is due to open the doors of its new $27m home in Gorky Park to invited guests on 10 June and the public two days later. The museum is housed in a Soviet-era pavilion that has been converted by the Dutch architect Rem Koolhaas [...].
In another riff on the building’s architecture, Garage will be hosting a conference in October on Soviet Modernism, a project of the Austrian curator Georg Schöllhammer [...]. — The Art Newspaper
To learn more about Garage's new Gorky Park building, click here.Previously on Archinect:Rem Koolhaas and Dasha Zhukova share what's in store for the new Garage MuseumGarage Museum Teaches an Old Building New Tricks
The Frick Collection has yielded.
Facing a groundswell of opposition to a proposed renovation that would have eliminated a gated garden to make way for a six-story addition, the museum — long admired for its intimate scale — has decided to abandon those plans and start over from scratch. [...]
With the proposed renovation, designed by Davis Brody Bond, the Frick, on East 70th Street in Manhattan, had sought to increase its exhibition space [...]. — nytimes.com
Nouvel’s aspirations for 53W53, scheduled for completion in fall 2018, sound almost modest: “It’s going to try to hold its place, [...]
It’s going to try to be good enough for New York … it’s going to try to make its own small contribution, and it’s done in a way that ensures this contribution is readable, understandable, and it’s maybe a bit more precious than others. And it’s a little linked to this notion – a fairly disputed notion these days – that architecture is still an art, sometimes.” — theguardian.com
The Armenian pavilion at this year’s Venice Biennale has won the Golden Lion for best national pavilion. The pavilion, Armenity, features a group exhibition by 18 diaspora Armenian artists and grandchildren of survivors of the Armenian genocide, who the jury praised for “forming a pavilion based on a people in diaspora, each artist engaging their specific locality as well as their heritage”. [...]
American artist Adrian Piper was awarded Golden Lion for best artist. — calvertjournal.com
Instagram may very well have enabled a whole generation of false artisans—and even encouraged cliché street imagery by promoting hashtags like #middleoftheroad and #strideby through its Weekend Hashtag Project—but the effect may not be so terrible. Quoted in The Telegraph in 2011, Teru Kuwayama, a photojournalist who is now photo community manager at Facebook, compared the rise of Instagram to the advent of electronic music, both of which stimulated “amateur expression.” — americanphotomag.com
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