To understand how strange this pairing of client and architect is, you have to contemplate two things: the deeply embedded social progressivism that has become the standard worldview of international architectural firms such as BIG; and organizations such as the NFL, a private club for 1 percenters that bullies municipalities and treats its own players’ health with indifference. Can this marriage last? Is BIG motivated by naivete or cynicism? — The Washington Post
WaPo's art and architecture critic Philip Kennicott discusses the oddities of BIG's recent commission to design a new stadium for the Washington Redskins — and the team's problematic name is just the tip of the iceberg.More on Archinect: Bjarke Ingels Group, BIG, tackles NFL stadium design for...
You may recall an entertaining Twitter spat that broke out between ... Donald Trump and Pulitzer-winning Tribune architecture critic Blair Kamin. [...]
Kamin got off easy compared to his predecessor, the late Paul Gapp, who was also a Pulitzer-winning architecture critic for the Chicago Tribune. [...]
But [Gapp's] achievements were overshadowed by his run-in with The Donald: a $500 million lawsuit over one column, about Trump’s plan to build the tallest building in America in Manhattan. — chicagomag.com
More news from Trump and the Windy City:Pulitzer Prize-winning architecture critic Blair Kamin on why his profession isn't deadOld Guy Fight! Tribune’s Blair Kamin vs. Donald TrumpBlair Kamin not impressed by Chicago's latest housing developmentsChicago Mayor blasts Trump sign as 'tasteless'
The published renderings that accompanied the announcement were not terribly reassuring, as they depicted a very long curved terminal with gangly tentacles raised over plane taxiways that hinted at torsos of praying mantises: an awkward rather than a graceful vault. — 6sqft.com
Hadid, who was born in Baghdad and is now a British citizen, claimed that Filler falsely implied she was indifferent to the alleged difficult working conditions of migrant workers on high-profile construction projects in the Middle East, including her own.
She also claimed Filler used large portions of his June 5 review of Rowan Moore's "Why We Build: Power and Desire in Architecture" to question her success and fault her personality, although she was not a prominent character in the book. — whtc.com
His writing has a patient, deliberate quality that is rare at a moment when the dominant medium of architectural discourse is Twitter. Perhaps this is why Mr. Rybczynski, despite himself, is suddenly all the rage. — nytimes.com
Inga Saffron, who writes the "Changing Skyline" column for the Philadelphia Inquirer, won the Pulitzer Prize for criticism this week.
She talks with Dave Heller about the state of criticism today, and the changing attitudes towards cities. — newsworks.org
Inquirer architecture critic Inga Saffron on Monday won the Pulitzer Prize for criticism.
In its citation, the Pulitzer Committee cited Saffron "for her criticism of architecture that blends expertise, civic passion and sheer readability into arguments that consistently stimulate and surprise." — philly.com
MAS is proud to announce that Michael Kimmelman, architecture critic of The New York Times, has been named the winner of the 2014 Brendan Gill Prize. [...]
The jury singled out Kimmelman’s exceptional coverage of the challenges posed by an overstressed Penn Station, challenging New Yorkers and their regional neighbors to no longer settle for anything less than planning and design excellence that befits the busiest transportation hub in North America. — The Municipal Art Society of New York
Henry Hope Reed, an architecture critic and historian whose ardent opposition to modernism was purveyed in books, walking tours of New York City and a host of curmudgeonly barbs directed at advocates of the austere, the functional and unornamented in public buildings and spaces, died Wednesday at his home in Manhattan. He was 97. — nytimes.com
vado retro summed up the design "a box within a box and one box the one inside, the inside box is at an angle. oh and there are trees" but Alex Gomez added "Although the facade is superficial, I feel it will succeed in attracting ‘qualitative and quantitative tourist flows in the area,’
News Over at Bustler.net, Bernard Tschumi Architects unveiled the schematic design for the firm's first work in Italy: ANIMA, a new cultural center in the city of Grottammare. The project has been commissioned by the Fondazione Cassa di Risparmio di Ascoli Piceno and the Municipality of...
Ada Louise Huxtable, the dean of American architecture critics, died Monday at Memorial Sloan-Kettering Cancer Center in Manhattan. She was 91. — online.wsj.com
Buildings are discussed — indeed aspects of them obsessed upon — but almost exclusively in the context of economics. This building went over budget, that surplus of houses led to the foreclosure crisis, that condo broke the record for residential real estate, etc. To the layman, then, architecture is conveyed as little more than something that costs a lot and causes a lot of grief, rather than something with the potential to enhance our daily lives. — New York Times
The underwater mortgages and overleveraged loans that underlie this latest great contraction result in significant part from valuing both residential and commercial buildings merely as investment vehicles rather than as complex and consequential things-in-the-world. And on this urgent issue, which places buildings at the very center of key political and economic debates, architecture critics have been mostly missing in action. — Places
Thomas Fisher dean of the College of Design at the University of Minnesota, reviews the state of architectural criticism. Are the days of a professional critic who writes for a major newspaper over? Has architectural criticism been weakened by the globalization and commodification of the...
Times Culture Editor Jonathan Landman: In this case, Michael had some things to say about the approach he will take to this beat that I and my bosses thought were worth amplifying. The old-writer-new-mantle thing played a part, but there’s certainly no guarantee that a writer gets a Page 1 story when he or she switches beats. — New York Observer
Ada Louise has a voice (acerbic defender of the city); Goldberger has a voice (the artful company man); Muschamp had a voice (champion of glamour). Nicolai, alas, has no voice. Kimmelman will need to stake out some critical territory for himself, a voice on the subject. … — Observer
Ms. Julie Iovine an ex editor of NYT's Home Magazine whose quotes were relied upon in this article, noted “There’s a worry now, that someone who is known as an art critic—an appraiser of the object—will be tempted to also treat architecture as an object. It ain’t so!...
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