The two were commissioned, along with other artists including Chris Burden and Cindy Sherman, to create site-specific works dealing with Charleston’s history...The pair ended up painting the outside of an old house in colors approved by the city’s Board of Architectural Review — but in a camouflage pattern, which was hardly what the preservationists had in mind. — NYT
Back in July, Frank Rose reviewed a "poignant" exhibition at Galerie Perrotin on Madison, of the work Kate Ericson and Mel Ziegler. For those interested in learning more, there is exactly one more day to visit, as the exhibit runs through August 22 - 2014.
A six-story-tall floating "Rubber Duck" is making its West Coast debut at the Port of Los Angeles, where it will lead more than a dozen battleships and sailboats in the Tall Ships Festival L.A. parade [...]
Dubbed the world's largest rubber duck, the giant inflatable was created by Dutch artist Florentijn Hofman.
"The friendly, floating Rubber Duck has healing properties," Hofman said on the event's website. "It can relieve the world's tensions as well as define them." — latimes.com
Adorable? Certainly. Humorous? Obviously. Architecture? Maybe.According to Hofman's website, the Rubber Duck "doesn't discriminate people and doesn't have a political connotation... The Rubber duck is soft, friendly and suitable for all ages!" This description accounts for all rubber duckies ever...
“Anyone who has been going to Burning Man for the last five years is now seeing things on a level of expense or flash that didn't exist before,” said Brian Doherty, author of the book “This Is Burning Man.” “It does have this feeling that, ‘Oh, look, the rich people have moved into my neighborhood.’ It’s gentrifying.” — NYT
"By the way, there are over 62 million Burning Man results in the Google search but who can guarantee they all originate from Nevada desert? After all, men and women burn daily all over the world. Right?" - from Burning Man, a new religion?
We are very sad to learn of the passing of amazing designer Deborah Sussman, who died this morning after a battle with cancer." — @DesignObserver — Twitter
Designer Deborah Sussman passed away this morning at age 83.Perhaps best known for her environmental and graphic design for the 1984 Summer Olympics in Los Angeles, Sussman began her career working as an office designer for Charles and Ray Eames in the 1950s. She founded her own firm in 1968, and...
Every piece of garbage can be turned into raw material that can be used in future products. With his influential Cradle to Cradle movement, Germany's Michael Braungart espouses a form of eco-hedonism that puts smart production before conservation. — spiegel.de
In late May of 2012, my friends and I travelled up to Montreal from upstate New York for the first time, only vaguely aware of the escalating student demonstrations there. When we arrived, we found ourselves in a sea of red. The students we stayed with all had little red felt squares pinned to...
The first feature of the Resilience Partnership will be the launch of a multi-phase resilience design challenge, focused on bringing people and organizations from a diverse set of industries together to collaborate on bold and innovative solutions to the toughest resilience challenges facing the three focus regions. — rockefellerfoundation.org
Artist and animator Sam Grinberg revisits the fight over the future of the American Folk Art Museum. — ny.curbed.com
"Amale Andraos, principal of New York–based architecture firm WORKac, has been named dean of Columbia’s Graduate School of Architecture Planning and Preservation (GSAPP), succeeding Mark Wigley. Currently on faculty at GSAPP, she has also taught at Princeton, Harvard, the University of Pennsylvania, and the American University in Beirut." — Architect's Newspaper
The Brooklyn-based artist couple Adam Frezza and Terri Chiao have constructed a bed & breakfast cabin inside their own house that they rent out on Airbnb. The idea for a A Cabin in a Loft was based on the house-in-a-house concept.
[...] Both micro-houses have a bed, a storage space and a semi-private garden space. The space between the structures contains a kitchen and a table for dining and working, and is further used as a combined living room by the hosts and the guests together. — popupcity.net
Pretty much every architect in the alphabet has produced a chair, a miniature version of their particular aesthetic. [...]
Buildings are all very well, but it seems you haven’t truly made it as an architect until you’ve given us something to sit on. [...]
“Mentally, it’s a very good exercise, to go from [designing] a building to the smallest bit in a building,” [Alex Michaelis] says. “You go back to the detail of the human body." — moreintelligentlife.com
While most attention falls on the national pavilions at the Venice Biennale, the city itself hosts an uncertain number of simultaneous, satellite events, operating somewhat under the public's radar but still orbiting around the Biennale's curatorial center. There are the Biennale-recognized roster...
While still experimental, engineering techniques drawn from origami promise the development of pop-up devices that could assemble themselves from flat, composite materials cheaply and efficiently, the [Harvard and MIT] researchers said. Potential applications range from self-assembling satellites to shape-shifting robots that could be used in search-and-rescue missions. — online.wsj.com
Researchers at Harvard University and MIT have engineered a self-assembling paper robot inspired by the Japanese paper-folding artform origami. Since the journal Science published the report yesterday, the bots have been widely described as the "world's first Transformer."On that note, paper...
On Monday, artist Molly Crabapple published “Slaves of Happiness Island,” a firsthand report of the slave-like worker conditions on Abu Dhabi’s Saadiyat Island; the Guggenheim, Louvre, and NYU are all building enormous new enterprises there [...] These conditions violate local and international labor laws. We have now received leaked email correspondence between the Guggenheim and Crabapple ... [that] reveal a shocking unwillingness to provide any statement to journalists [...] — ArtFCity
Downey needed something tactile to work with, and he found it in a kids' toy. Spread out before him on the table are stacks of embossed plans ... marked up with brightly colored wax sticks. [...]
The sticks warm to the touch and bend easily; they can make precise angles, and—crucially for Downey—their tackiness makes them stick to paper. "Once I realized that, I thought, 'Oh, I could use that to draw on top of an embossed drawing.'" Suddenly, he had a way not just to read, but to make. — sf.curbed.com
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