This year's Venice Architecture Biennale, an international showcase of trends and research, showcases the work of a number of Princeton faculty and students. It marks the greatest number of invitations Princeton has received to participate in the Biennale, reflecting the University's strength in pioneering research.
"Much like other art biennales, its purpose is to present the current panorama of the discipline," said Alejandro Zaera-Polo, dean of Princeton's School of Architecture. — princeton.edu
The "Fair Enough" exhibition of Russia's 2014 pavilion at the ongoing Venice Biennale gives a clever response to the Absorbing Modernity: 1914-2014 theme that Biennale director Rem Koolhaas assigned to curators. Curated and designed by the Strelka Institute, Russia received one of three Special Mentions out of 84 national pavilions during the 2014 Biennale awards ceremony. — bustler.net
The Spanish pavilion "Interior" at the 2014 Venice Biennale conveys its multi-layered concept with an enticing labyrinth-like design. Visitors can formulate their own experience as they walk through the open maze, which is "guided" by large images of contemporary and traditional Spanish architecture. — bustler.net
Styled after American corporate identity throughout the 20th century, our next featured 2014 Venice Biennale pavilion is "OfficeUS" representing the U.S. of A. Organized by NYC's Storefront for Art and Architecture in collaboration with PRAXIS Journal, the two-part exhibition will showcase and critically reinterpret the global influence of American architecture in the last century...For each week of the Biennale, OfficeUS will also address 25 issues relevant to its project archive. — bustler.net
American/German architectural practice Barkow Leibinger is back at the Venice Biennale with "Kinetic Wall". Specifically designed for this year's Biennale, the prototype highlights the evolution of wall-making while also standing as an ode to the 20th century fantasy of kinetic architecture -- or architecture that can move. Kinetic Wall is currently on display in the Wall Room at the "Elements of Architecture“ exhibition in the Venice Biennale. — bustler.net
Obscene was the Venice Biennale of Rem Koolhass
On one side the fetishism of the industrial products and components (Italian International Pavilion) and on the other the celebration of the political failure of the world… as a naive agitprop able to wrap the architect with politically correct conscientiousness… self-complaisance for this comfortable dualism. — new-territories.com
The 14th International Architecture Exhibition, "Fundamentals" -- a.k.a. the 2014 Venice Biennale -- officially opened on a festive note with the awards ceremony that took place on June 7 at the Giardini at la Biennale.Awards and Special Mentions were given to national pavilions and individuals to...
"Time Space Existence" tells the story behind La Fabrica, the well-known headquarters of Ricardo Bofill Taller de Arquitectura that is located in a repurposed cement factory in Barcelona...By reimagining La Fabrica in new locations -- particularly in Venice -- the exhibition serves as a case study that goes beyond the structure's physical presence and explores its timelessness throughout the last century. — bustler.net
An exploded false ceiling and a lineup of lavatories become the stars as Koolhaas delves into the overlooked innards of today's buildings – and shows how architecture has become nothing more than cardboard — theguardian.com
As the 14th edition of the Venice Biennale of Architecture prepares to open, the pavilions of the Giardini might be the perfect venue for an analysis of the architectural manifestations of national identity. [...]
Architecture is a curious world in which the things we hate might look very similar, to a less-inured eye, to the things we love. It is a question of degrees, of finesse. Koolhaas exemplifies the paradox. — ft.com
Montenegro's "Treasures in Disguise" exhibition for the 2014 Venice Biennale looks to the country's former Yugoslavic past to provoke discussion of bringing renewal and examining the future possibilities of Montenegran architecture. The exhibition focuses on four historic buildings constructed between 1960 and 1986 that are perceived as cultural models of late modernism architecture. Built with optimistic intentions, the buildings were neglected and have been left to decay ever since. — bustler.net
SUBMIT NEWS: submit in 60 seconds!