More than 50 leading figures from the worlds of art, film, fashion and architecture have signed a petition calling for a ban on giant cruise ships sailing through Venice. [...]
Nicholas Penny, the director of the National Gallery in London, Richard Armstrong, the director of the Guggenheim Foundation, the architect Norman Foster and his wife Elena also endorse the appeal which has been launched by the Association of the International Private Committees for the Safeguarding of Venice [...]. — theartnewspaper.com
Styled after American corporate identity throughout the 20th century, our next featured 2014 Venice Biennale pavilion is "OfficeUS" representing the U.S. of A. Organized by NYC's Storefront for Art and Architecture in collaboration with PRAXIS Journal, the two-part exhibition will showcase and critically reinterpret the global influence of American architecture in the last century...For each week of the Biennale, OfficeUS will also address 25 issues relevant to its project archive. — bustler.net
American/German architectural practice Barkow Leibinger is back at the Venice Biennale with "Kinetic Wall". Specifically designed for this year's Biennale, the prototype highlights the evolution of wall-making while also standing as an ode to the 20th century fantasy of kinetic architecture -- or architecture that can move. Kinetic Wall is currently on display in the Wall Room at the "Elements of Architecture“ exhibition in the Venice Biennale. — bustler.net
The 14th International Architecture Exhibition, "Fundamentals" -- a.k.a. the 2014 Venice Biennale -- officially opened on a festive note with the awards ceremony that took place on June 7 at the Giardini at la Biennale.Awards and Special Mentions were given to national pavilions and individuals to...
An exploded false ceiling and a lineup of lavatories become the stars as Koolhaas delves into the overlooked innards of today's buildings – and shows how architecture has become nothing more than cardboard — theguardian.com
As the 14th edition of the Venice Biennale of Architecture prepares to open, the pavilions of the Giardini might be the perfect venue for an analysis of the architectural manifestations of national identity. [...]
Architecture is a curious world in which the things we hate might look very similar, to a less-inured eye, to the things we love. It is a question of degrees, of finesse. Koolhaas exemplifies the paradox. — ft.com
In 2013, we picture cities a little differently, with demography and photography. Cities live in Instagram, in patterns of light from space, in blueprints and visualizations and—most like Canaletto’s civic landscapes—on Google Street View.
Now, an artist in London has done some creative, comparative history, pairing Canaletto’s Venice and London with contemporary depictions, as glimpsed by the Google van. — theatlantic.com
"Gone with the Fog" by UK-based architect Leo Sooseok Kim of MEDIUS Architects recently won first place in ArchTriumph's Venice Biennale Pavilion 2013 competition this past August.
[...] the structure also reflects the concept of sfumato -- meaning the pavilion doesn't look obstructive against the scenery of Venice and the St. Marco Square. At the same time, visitors on the observation deck are given clear views of the scenery around them. — bustler.net
Opposition to the project began last year among Venetians and Italians, who are tired of seeing Venice abused by the vast cruise ships and mounting examples of the crudest commercialism. — The Art Newspaper
Previously: "called Palais Lumière, [it] will be a glittering menagerie of private apartments, hotels, commercial spaces and even a fashion university, and it would transform a dilapidated industrial area bordering the Venetian lagoon. Mr. Cardin has described the Palais, actually three...
called Palais Lumière, [it] will be a glittering menagerie of private apartments, hotels, commercial spaces and even a fashion university, and it would transform a dilapidated industrial area bordering the Venetian lagoon. Mr. Cardin has described the Palais, actually three structures linked by six flat discs, as a “habitable sculpture” and said it was his dream. — NYT
Elisabetta Povoledo writes about fashion designer Pierre Cardin's plans for a towering “habitable sculpture” designed to take advantage of the latest in "ecologically sustainable technologies" adjacent to the Venice lagoon in an industrial area. Conservationists fear...
On the occasion of the quickly approaching closing weekend of the 13th International Architecture Exhibition Common Ground at La Biennale di Venezia, the online community gets the chance to talk interactively in a live chat with David Chipperfield, curator of the exhibition. — bustler.net
Two weeks left until the David Chipperfield-curated 13th International Architecture Exhibition Common Ground closes its gates in Venice. On Saturday afternoon, November 24, visitors can participate in the "Great closing meeting" featuring panel discussions to review the goals of the exhibition and the reactions to Common Ground. The last day to visit the exhibition is Sunday, November 25. — bustler.net
Innovation and research are the themes that define the work of the seven teams and the seven installations that articulate SPAINLAB, the exhibition at the Spanish Venice Biennale Pavilion curated by the architects Anton Garcia-Abril and Débora Mesa of Ensamble Estudio. — bustler.net
The Hong Kong Institute of Architects and Hong Kong Arts Development Council will participate in the 13th International Architecture Exhibition of la Biennale di Venezia with an exhibition focusing on the vital urban, architectural and cultural regeneration of Kowloon East, Hong Kong SAR. The exhibition is titled “Inter Cities / Intra Cities: Ghostwriting the Future”. — bustler.net
The Australian Institute of Architects has unveiled plans and preview images of its exhibition, Formations: New Practices in Australian Architecture, which will open at the 2012 Venice Architecture Biennale this August. In the face of new economic, social and cultural challenges, the exhibition at the Australian Pavilion seeks to act as a catalyst for discussion and debate around the changing role of architects and the ways in which they influence the world around them. — bustler.net
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