Richard Serra’s new sculpture, 'East-West/West-East,' is a set of four standing steel plates rolled in Germany, shipped via Antwerp, and offloaded, trucked, and craned into place in the middle of the western Qatari desert...the steel is the same that he’s used in his other pieces, and it will oxidize in the same way, albeit more quickly in the hot, salty conditions of the Brouq Nature Reserve. The plates will [ultimately] turn a dark amber—approximately the same color...as the Seagram Building. — The New Yorker
In overcrowded Central Havana and in the historic quarter, the shortage of places to live and play and find much-needed privacy pushed the city upward, spilling onto the rooftops.The technical term for it is 'parasitic architecture.' The Cuban government doesn’t encourage the practice, but in the city’s oldest and most dilapidated neighborhoods, longtime roof-dwelling families...were usually allowed to stay. The parasites became permanent. — The Washington Post
The absence of these rules can frustrate the newly sighted, whose visual world can be both blurry and two-dimensional—paintings and people are often described as “flat, with dark patches”; a far-away house is “nearby, but requiring the taking of a lot of steps”; streetlights seen through glass are “luminous stains stuck to the window”; sunbeams through tree branches collapse into a single “tree with all the lights in it. — New Yorker
The Spanish pavilion "Interior" at the 2014 Venice Biennale conveys its multi-layered concept with an enticing labyrinth-like design. Visitors can formulate their own experience as they walk through the open maze, which is "guided" by large images of contemporary and traditional Spanish architecture. — bustler.net
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