Stage One of the Guggenheim Helsinki Design Competition reeled in a whopping 1,715 entries from 77 countries. Although the Solomon R. Guggenheim Foundation officially launched the competition this past summer, the idea of proposing a new Guggenheim Museum for the city of Helsinki has already stirred plenty of debate...Most of the entries received were from the United States, Italy, the United Kingdom, France, Japan, and of course, Finland. — bustler.net
Friday, October 3:Eisenhower Memorial clears key hurdle on Gehry design: In a positive step for the Memorial's Approving Process Odyssey, the National Capital Planning Commission has OK'd the Commission on Fine Arts (the other federal body that must approve the design) to vote on the...
The Guggenheim plans to research “productive and hospitable office space designs”, staff will be glad to hear, and it is also considering whether to hold a competition to find an architect.
The expansion plan comes just over 60 years after the Guggenheim commissioned Frank Lloyd Wright to design its original space and more than a decade after it abandoned a scheme for a second, Frank Gehry-designed museum downtown. — theartnewspaper.com
On the same day that Stage One of the Guggenheim Helsinki competition will conclude, The Next Helsinki is launching their own international call for alternative solutions to attract the best ideas that they believe would better meet the needs and enhance the city of Helsinki, Finland.
Launched by a group of independent arts organizations and chaired by Michael Sorkin, The Next Helsinki bluntly addresses the controversy that the Guggenheim Helsinki competition has sparked [...]. — bustler.net
Below is The Next Helsinki announcement:"Coinciding with the end of the official competition for the design of the controversial Guggenheim Helsinki, a group of independent arts organizations has issued a call for submissions for alternative ideas. This competition—titled The Next Helsinki—is...
Friday, August 8:Guggenheim Bullies Journalist: Molly Crabapple reports for Vice on inhumane immigrant labor conditions on Saadiyat island in the UAE, where a new arm of the Guggenheim (and Louvre, and NYU) is being built. The Guggenheim holds its cards close and skirts responsibility when...
On Monday, artist Molly Crabapple published “Slaves of Happiness Island,” a firsthand report of the slave-like worker conditions on Abu Dhabi’s Saadiyat Island; the Guggenheim, Louvre, and NYU are all building enormous new enterprises there [...] These conditions violate local and international labor laws. We have now received leaked email correspondence between the Guggenheim and Crabapple ... [that] reveal a shocking unwillingness to provide any statement to journalists [...] — ArtFCity
“You know how Ford said you can have any car you like as long as it’s black? In the UAE they can make whatever you want, as long as it’s a building. They can’t make free speech or human rights” — Vice.com author Molly Crabapple
A heartbreaking and personal story of construction labor conditions in the UAE, illustrated with hand drawings showing how literally trapped the workers are. It's ironic and sad that this news item will share the same space with a contemporary article about building a cage-less zoo in Denmark.
City boosters in this Nordic capital dream of a Guggenheim museum of Finnish wood rising near the Baltic Sea and one day drawing millions of tourists and cruise passengers. But the huge costs of the proposed development are stirring a backlash here against an institution that is ordinarily accustomed to eager suitors. — nytimes.com
Saadiyat Island, off the coast of Abu Dhabi, has seen $27 billion in investments pour in as the island hopes to become a new beacon of culture in the region
developers behind the island have received international attention for the poor conditions in which migrant laborers work and live. Reports have found that in some cases, the control employers hold over the island's workers, such as withholding their passports to prevent them from returning to their home countries, amounts to forced labor. — Al Jazeera America
Saadiyat Island includes a half-billion-dollar branch of the Louvre Museum designed by Jean Nouvel, a national museum designed by Norman Foster and a variety of luxury resorts, golf clubs, marinas and private villas.Where does an architect's responsibility begin and where does it end?
A spoof Guggenheim website, globalguggenheim.org, went live this morning with a satirical “Sustainable Design Competition” for the global museum’s embattled Abu Dhabi branch. The website, a slightly modified replica of the official Guggenheim version, features images of Saadiyat Island, where the museum is to be built, overlayed with the hashtag #futureguggenheim, as well as references to Gulf Labor’s ongoing 52 Weeks campaign. — hyperallergic.com
Now that Helsinki has decided to reserve a plot in the South Harbour, the Guggenheim Foundation can organize and fund an international architecture competition for a potential Helsinki museum location. — yle.fi
Opening last week at the Guggenheim Museum, the "Participatory City: 100 Urban Trends" exhibition by the BMW Guggenheim Lab is the interdisciplinary team's latest project in continuing the global conversation on major urban issues of the world's cities. "Participatory City" delves into key themes...
In his first solo exhibition in a New York museum since 1980, American artist James Turrell sets out to reimagine the iconic rotunda of Frank Lloyd Wright’s Guggenheim Museum in a dramatic transformation. The luminous and immersive site-specific work, Aten Reign, will be part of the upcoming exhibition James Turrell at NYC's Solomon R. Guggenheim Museum which opens on June 21, 2013. — bustler.net
For the next round of discussion I’d like to shift the subject to the physical environment, posing the question, Is architecture rational? — guggenheim.org
The conversation, "The Aestheticization of Everyday Life", an installment of the Guggenheim Forum series, is held in conjunction with the Guggenheim's current exhibition, Gutai: Splendid Playground. The panel, moderated by critic and Metropolis contributing editor Karrie Jacobs, examines how...
On October 22, 1953, Sixty Years of Living Architecture: The Work of Frank Lloyd Wright opened in New York on the site where the Solomon R. Guggenheim Museum would eventually be built. Two Frank Lloyd Wright-designed buildings were constructed specifically to house the exhibition: a temporary pavilion made of glass, fiberboard, and pipe columns; and a 1,700-square-foot, fully furnished, two-bedroom, model Usonian house representing Wright’s organic solution for modest, middle-class dwellings. — bustler.net
SUBMIT NEWS: submit in 60 seconds!