"Programming Natural Affect" was one of the collaborative workshops during the Media and Architecture Bienniale 2014 last month in Aarhus, Denmark. Organized by Anna Ulak and Philipp Rahlenbeck of openconstructs, the workshop focused on fusing the organic properties of nature and the built urban...
SelgasCano of Madrid will be designing the fifteenth Serpentine Galleries Pavilion in London's Kensington Gardens. For the past 15 years, the Serpentine Galleries has invited architects like Sou Fujimoto, Jean Nouvel, Herzog & de Meuron with Ai Wei Wei, Peter Zumthor, SANAA, Zaha Hadid, and most recently Smiljan Radic to design the temporary outdoor structure, which continues to be an anticipated summer event every year. — bustler.net
Like every year, the outdoor structure must be a flexible multi-functional social space with a cafe. SelgasCano have yet to submit their design plans.Here's a glimpse into some of their previous works:Plasencia Auditorium and Congress Centre, Cáseres, Spain 2005/2013Factory Mérida, Badajoz...
"Trifolium" by AR-MA (Architectural Research – Material Applications) from Australia recently won the commission to design a new event pavilion for the Sherman Contemporary Art Foundation (SCAF) in Sydney, Australia. Hosted annually by SCAF, the Fugitive Structures invite-only competition promotes emerging architects from Australia, Asia-Pacific, and the Middle East. The 2014 edition had entrants explore the potential of digital pre-fabrication in their designs. — bustler.net
The pavilion dons a Corian shell and a vaulted reflective steel interior speckled with optic lights that glow at night. Trifolium will be exhibited at SCAF until December 13, 2014.Find out more on Bustler.
Biber Architects of New York recently announced the groundbreaking of the USA Pavilion, "American Food 2.0: United to Feed the Planet", for the Milan World Expo in 2015. The US pavilion is one of 147 participating countries responding to the expo's theme, "Feeding the Planet, Energy for Life", which addresses global issues regarding food security, access and waste, and the challenging prospect of nutritiously feeding 9 billion people by 2050. — bustler.net
The "Fair Enough" exhibition of Russia's 2014 pavilion at the ongoing Venice Biennale gives a clever response to the Absorbing Modernity: 1914-2014 theme that Biennale director Rem Koolhaas assigned to curators. Curated and designed by the Strelka Institute, Russia received one of three Special Mentions out of 84 national pavilions during the 2014 Biennale awards ceremony. — bustler.net
"The Russian pavilion's 'Fair Enough' exhibition responds to Koolhaas’ curatorial theme by the concept itself: 20 Russian architectural ideas are presented, using the universal language of the international trade fair...'Fair Enough' is not a fair of products, but an Expo of ideas."Read more...
DESIGNING_SOUTHAFRICA (D_ZA) in collaboration with the Johannesburg Development Agency (JDA) and the Mayor of Johannesburg are proud to announce the construction of an urban pavilion designed by world-renowned architect David Adjaye OBE. To be constructed in a public space within the Park Station Precinct in Johannesburg’s inner city, the project will highlight this historical junction in the city, while activating underutilised public space using innovative design. — designingsouthafrica.com
The pavilion offers an open space towards the world where, like apiary ecosystem, people have an opportunity for effective and natural cultural exchange, socializing and cognition of Latvian values. — U-R-A | United Riga Architects
EXPO 2015 LATVIA Pavilion ProposalThe pavilion offers an open space towards the world where, like apiary ecosystem, people have an opportunity for effective and natural cultural exchange, socializing and cognition of Latvian values.The pavilion consists of three basic elements: The interior of the...
The Spanish pavilion "Interior" at the 2014 Venice Biennale conveys its multi-layered concept with an enticing labyrinth-like design. Visitors can formulate their own experience as they walk through the open maze, which is "guided" by large images of contemporary and traditional Spanish architecture. — bustler.net
The pavilion is set up as an interactive exploration of Spanish modernism throughout the last century, mixed in with other main points like the influence of digital technology, or comparing traditional Spanish architecture with the contemporary. Sio2 Arch (formerly F451arquitectura) designed the...
Daniel Libeskind preaches the importance of drawings for creating architecture, in the latest short film from Chicago-based creative agency, Spirit of Space. Shot at Libeskind's "Sonnets of Babylon" pavilion for the 2014 Venice Biennale, the quick interview reflects on Libeskind's attention to...
Family-owned Swiss luxury watchmaker Audemars Piguet have chosen BIG, HG Merz, Luchinger & Meyer, and Muller Illien as having the winning design for a new expansion of their headquarters in La Vallée de Joux, La Brassus, Switzerland. Adding quite the literal twist to the timeline concept, BIG's proposal -- titled Maison des Fondateurs -- dons a 25,000 ft. spiral-shaped museum that tells the centuries-long history of Audemars Piguet. — bustler.net
Styled after American corporate identity throughout the 20th century, our next featured 2014 Venice Biennale pavilion is "OfficeUS" representing the U.S. of A. Organized by NYC's Storefront for Art and Architecture in collaboration with PRAXIS Journal, the two-part exhibition will showcase and critically reinterpret the global influence of American architecture in the last century...For each week of the Biennale, OfficeUS will also address 25 issues relevant to its project archive. — bustler.net
Montenegro's "Treasures in Disguise" exhibition for the 2014 Venice Biennale looks to the country's former Yugoslavic past to provoke discussion of bringing renewal and examining the future possibilities of Montenegran architecture. The exhibition focuses on four historic buildings constructed between 1960 and 1986 that are perceived as cultural models of late modernism architecture. Built with optimistic intentions, the buildings were neglected and have been left to decay ever since. — bustler.net
Check out the projects in their current and original states.(Pictured above) Dom RevolucijeArchitect: Marko Mušić Kayak Club “Galeb” Architect: Vukota Tupa Vukotić Hotel FjordArchitect: Zlatko Ugljen Spomen Dom Architect: Marko Mušić To learn more, head over to Bustler.
Cyprus took an allegorical approach with their 2014 Venice Biennale pavilion, titled the "Anatomy of the Wallpaper". Curated by architects Michael Hadjistyllis and Stefanos Roimpas, the Wallpaper symbolizes the reconstruction of the island's complex national identity that has been affected by outside influences throughout its history. To convey Cyprus' multi-layered history, the pavilion will be covered in the timeless and appropriate medium of collages. — bustler.net
In the Korean Peninsula's response to the 2014 Venice Biennale theme of rediscovering national identity through architecture, the "Crow's Eye View" pavilion explores the divided state of North and South Korea, and extends that discussion to the global state of architecture itself. The multi-themed pavilion uses architecture as a key to discovering new narratives of the peninsula's complex past, present, and future in an architectural and social perspective. — bustler.net
Our next featured pavilion for the fast-approaching 2014 Venice Biennale hails from Down Under in New Zealand, who will be participating in the keystone event for the first time. Curated by award-winning Auckland architect David Mitchell, the New Zealand exhibition is titled "Last, Loneliest, Loveliest" from Rudyard Kipling's The Song of the Cities poem. — bustler.net
As a response to Biennale Director Rem Koolhaas’s theme, "Absorbing Modernity: 1914-2014" that addresses the homogeneity of modernism, the New Zealand exhibition puts the country's distinct architectural scene in the spotlight -- from its traditional yet overlooked Pacific roots to dominant...
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