"What we propose here is a different format for making architecture," Camille Lacadee states in a deadpan tone, "with multiple clients, multiple users, bakers, lovers, following a bottom-up mode of exchanges and desire." A robotic arm extends into the frame and offers her a bowl of bird's nest...
Obscene was the Venice Biennale of Rem Koolhass
On one side the fetishism of the industrial products and components (Italian International Pavilion) and on the other the celebration of the political failure of the world… as a naive agitprop able to wrap the architect with politically correct conscientiousness… self-complaisance for this comfortable dualism. — new-territories.com
We are in the pursuit of the diagrammatic hoax he himself promoted 20 years ago, same arrogance of reductionism to avoid embracing and gathering complexity in a productive way, in an aesthetic way, for a critical production, not for a simulation of a critical behavior… sponsored by Rolex.
This past Monday the anti-establishment infiltrated Yale School of Architecture in a dashing gold scarf. Seducing the audience with a breathless stream of “Frenglish,” whose charm derived from the speaker’s sheer enthusiasm for his subject, François Roche rose to a god-like status typically only afforded movie stars. And if there were a god in whose likeness he is modeled, it would have to be Janus, the forward-backward-looking deity of beginnings and transitions. — metropolismag.com
Dear Sci-Arc Staff
I have no other way than to cancel the Sci-Arc exhibition in the Gallery (scheduled in May 25) and the lecture (scheduled the April 6)
The gap of point of view, and the lack of interest for politics and attitudes, reducing the architecture process to a unique design agenda cannot fit with our scenario of production and scenario of speeches. — new-territories.com
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