The "Fair Enough" exhibition of Russia's 2014 pavilion at the ongoing Venice Biennale gives a clever response to the Absorbing Modernity: 1914-2014 theme that Biennale director Rem Koolhaas assigned to curators. Curated and designed by the Strelka Institute, Russia received one of three Special Mentions out of 84 national pavilions during the 2014 Biennale awards ceremony. — bustler.net
"The Russian pavilion's 'Fair Enough' exhibition responds to Koolhaas’ curatorial theme by the concept itself: 20 Russian architectural ideas are presented, using the universal language of the international trade fair...'Fair Enough' is not a fair of products, but an Expo of ideas."Read more...
The Spanish pavilion "Interior" at the 2014 Venice Biennale conveys its multi-layered concept with an enticing labyrinth-like design. Visitors can formulate their own experience as they walk through the open maze, which is "guided" by large images of contemporary and traditional Spanish architecture. — bustler.net
The pavilion is set up as an interactive exploration of Spanish modernism throughout the last century, mixed in with other main points like the influence of digital technology, or comparing traditional Spanish architecture with the contemporary. Sio2 Arch (formerly F451arquitectura) designed the...
Oita, a medium-sized manufacturing city in the southwest of Japan, hopes to make its mark next summer as the host of the first Toilennale—an arts festival celebrating toilets. [...]
Tourism is the main focus of the art exhibit, but the Toilennale also promises to improve city services by renovating and beautifying bathrooms throughout downtown, beyond the 12 being turned into installations. — qz.com
Is it too late for Koolhaas to include the Toilennale in the "toilets" Fundamentals tome?Get up to date on Venice Biennale news (toilet and non-toilet):Terri Peters' coverageRound-up of critical reactions from architectural publications
This year's Venice Biennale of Architecture, curated by Rem Koolhaas, officially opened on June 7, under the theme "Fundamentals". The deluge of criticism and reporting coming out of the Biennale will surely continue until it closes November 23, but so far reactions from the architectural...
Daniel Libeskind preaches the importance of drawings for creating architecture, in the latest short film from Chicago-based creative agency, Spirit of Space. Shot at Libeskind's "Sonnets of Babylon" pavilion for the 2014 Venice Biennale, the quick interview reflects on Libeskind's attention to...
American/German architectural practice Barkow Leibinger is back at the Venice Biennale with "Kinetic Wall". Specifically designed for this year's Biennale, the prototype highlights the evolution of wall-making while also standing as an ode to the 20th century fantasy of kinetic architecture -- or architecture that can move. Kinetic Wall is currently on display in the Wall Room at the "Elements of Architecture“ exhibition in the Venice Biennale. — bustler.net
The 14th International Architecture Exhibition, "Fundamentals" -- a.k.a. the 2014 Venice Biennale -- officially opened on a festive note with the awards ceremony that took place on June 7 at the Giardini at la Biennale.Awards and Special Mentions were given to national pavilions and individuals to...
"Time Space Existence" tells the story behind La Fabrica, the well-known headquarters of Ricardo Bofill Taller de Arquitectura that is located in a repurposed cement factory in Barcelona...By reimagining La Fabrica in new locations -- particularly in Venice -- the exhibition serves as a case study that goes beyond the structure's physical presence and explores its timelessness throughout the last century. — bustler.net
An exploded false ceiling and a lineup of lavatories become the stars as Koolhaas delves into the overlooked innards of today's buildings – and shows how architecture has become nothing more than cardboard — theguardian.com
As the 14th edition of the Venice Biennale of Architecture prepares to open, the pavilions of the Giardini might be the perfect venue for an analysis of the architectural manifestations of national identity. [...]
Architecture is a curious world in which the things we hate might look very similar, to a less-inured eye, to the things we love. It is a question of degrees, of finesse. Koolhaas exemplifies the paradox. — ft.com
Montenegro's "Treasures in Disguise" exhibition for the 2014 Venice Biennale looks to the country's former Yugoslavic past to provoke discussion of bringing renewal and examining the future possibilities of Montenegran architecture. The exhibition focuses on four historic buildings constructed between 1960 and 1986 that are perceived as cultural models of late modernism architecture. Built with optimistic intentions, the buildings were neglected and have been left to decay ever since. — bustler.net
Check out the projects in their current and original states.(Pictured above) Dom RevolucijeArchitect: Marko Mušić Kayak Club “Galeb” Architect: Vukota Tupa Vukotić Hotel FjordArchitect: Zlatko Ugljen Spomen Dom Architect: Marko Mušić To learn more, head over to Bustler.
For Catalonia's second year exhibiting at the 2014 Venice Biennale as a Collateral Event, they will showcase the evolving state of local contemporary Catalan architecture in "Grafting Architecture: Catalonia at Venice." The proposal won in a juried competition hosted by the Institut Ramon Llull. The exhibition examines pivotal projects that blend the traditional and the contemporary throughout the last century of Catalonia's architectural history. — bustler.net
The 14th International Architecture Exhibition at the Venice Biennale wouldn't be complete without its International Jury. Just recently, the Board of Directors appointed this year's jury members upon the recommendation of Biennale Director Rem Koolhaas. — bustler.net
The 2014 jury features:Kunlé Adeyemi (Nigeria) is a prominent architect with experience in India, Korea, Africa, and Europe Francesco Bandarin (Italy) is former director of UNESCO's World Heritage Centre and now UNESCO's Assistant Director-General for Culture and has been instrumental in...
Cyprus took an allegorical approach with their 2014 Venice Biennale pavilion, titled the "Anatomy of the Wallpaper". Curated by architects Michael Hadjistyllis and Stefanos Roimpas, the Wallpaper symbolizes the reconstruction of the island's complex national identity that has been affected by outside influences throughout its history. To convey Cyprus' multi-layered history, the pavilion will be covered in the timeless and appropriate medium of collages. — bustler.net
In the Korean Peninsula's response to the 2014 Venice Biennale theme of rediscovering national identity through architecture, the "Crow's Eye View" pavilion explores the divided state of North and South Korea, and extends that discussion to the global state of architecture itself. The multi-themed pavilion uses architecture as a key to discovering new narratives of the peninsula's complex past, present, and future in an architectural and social perspective. — bustler.net
SUBMIT NEWS: submit in 60 seconds!