Styled after American corporate identity throughout the 20th century, our next featured 2014 Venice Biennale pavilion is "OfficeUS" representing the U.S. of A. Organized by NYC's Storefront for Art and Architecture in collaboration with PRAXIS Journal, the two-part exhibition will showcase and critically reinterpret the global influence of American architecture in the last century...For each week of the Biennale, OfficeUS will also address 25 issues relevant to its project archive. — bustler.net
Architecture, however, is a social art, rather than a personal one, a reflection of a society and its values rather than a medium of individual expression. So it’s a problem when the prevailing trend is one of franchises, particularly those of the globe-trotters: Renzo, Rem, Zaha and Frank.
It’s exciting to bring high-powered architects in from outside... But in the long run it’s wiser to nurture local talent; instead of starchitects, locatects. — tmagazine.blogs.nytimes.com
City policymakers will have objective standards to compare their services and performance with other cities around the world. And just as significant, the people of cities — civic, business organizations, ordinary citizens — will be able to access the same new global standards. — Citiscope
This is a big, global deal. The International Organization for Standardization, based in Geneva, has issued a list of standards dictating the precise kind of data cities should be collecting, to gauge performance and character. Previously, comparisons between supposedly identical data points in...
to Rule the Sea is to Ruin the World — The Forgotten Space
A film by Allan Sekula & Noël Burch, the Forgotten Space explores the global movement of trade and labor. All the while mapping the shape of things to come in this age of no boundaries for the anything exploitative. "The factory system is no longer concentrated...
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