The São Paulo Biennial, which opened on September 6, is traditionally a contemporary art festival, but this year’s event puts new emphasis on architecture. Chief curator Charles Esche commissioned nearly 70 percent of the exhibition’s artworks, collaborating with a five-person curatorial team that included an architect for the first time in the biennial’s 63-year history (fun fact: it’s the world’s second-oldest contemporary art biennial). — blouinartinfo.com
Architecture’s largest and most public event needs to do more than just go through the motions. The Biennale, unfortunately, seemed to be driven not by passion or a desire to communicate, but by a sense of obligation. [...] Perhaps an ornamental city is simply an ill-omened venue for an event celebrating the most functional of arts. Venice may always be trapped in the past, but the Biennale should be at the forefront of a conversation about architecture’s future. — theawl.com
The installation you see above is a project by Masakazu Shirane and Saya Miyazaki called "Wink," their entry into Kobe Biennial's Art Container Contest. The kaleidoscope concept uses mirrors (in keeping with Sir David Brewster's classic), but is also held together by zippers. Shirane and Miyazaki claim this makes it the first "architecture" based on zippers; proving you can create an adaptable, reconfigurable space using the same tech found in your pants. — engadget.com
Cuba is in talks with the Bronx Museum to organise the first major exhibition by a US museum in the country, according to local reports. The show would be part of the 12th edition of the Havana Biennial next year, and could be followed by an exhibition in New York in 2016 that would feature work by Cuban artists. [...]
During her opening remarks, Perera emphasised the role of culture in “breaking barriers imposed by governments that have nothing to do with the will of the artists” [...]. — theartnewspaper.com
IABR–2014–URBAN BY NATURE–, the sixth edition of the International Architecture Biennale Rotterdam (IABR), claims that we can only solve the world’s environmental problems if we solve the problems of the city.Looking through the lens of landscape architecture, IABR–2014– redefines...
IABR–2014–URBAN BY NATURE–, the sixth edition of the International Architecture Biennale Rotterdam (IABR), recently wrapped up a packed roster of conferences, debates, lectures, excursions and other events spanning over several weeks.URBAN BY NATURE– focuses on the interdependence of...
Many in the art world were staggered by recent reports that the Italian curator Germano Celant is being paid €750,000 to organise a pavilion for the Milan Expo 2015. Celant’s fee, and the incredulity it provoked, raises questions about how much curators are typically paid for organising biennials and large-scale international exhibitions.
The Art Newspaper surveyed around 40 international curators and biennial organisers [...]. — theartnewspaper.com
An exploded false ceiling and a lineup of lavatories become the stars as Koolhaas delves into the overlooked innards of today's buildings – and shows how architecture has become nothing more than cardboard — theguardian.com
As the 14th edition of the Venice Biennale of Architecture prepares to open, the pavilions of the Giardini might be the perfect venue for an analysis of the architectural manifestations of national identity. [...]
Architecture is a curious world in which the things we hate might look very similar, to a less-inured eye, to the things we love. It is a question of degrees, of finesse. Koolhaas exemplifies the paradox. — ft.com
The 14th International Architecture Exhibition at the Venice Biennale wouldn't be complete without its International Jury. Just recently, the Board of Directors appointed this year's jury members upon the recommendation of Biennale Director Rem Koolhaas. — bustler.net
The 2014 jury features:Kunlé Adeyemi (Nigeria) is a prominent architect with experience in India, Korea, Africa, and Europe Francesco Bandarin (Italy) is former director of UNESCO's World Heritage Centre and now UNESCO's Assistant Director-General for Culture and has been instrumental in...
In the projects shown here, architects and artists reflect on the problems and possibilities of economic and urban growth. How is rapid urbanization happening? Who is benefiting, and who is being displaced or excluded? What can architects and citizens do to exert leverage on processes at once local and global? — Places Journal
The 5th Bi-City Biennale of Urbanism\Architecture (UABB) will reflect on southern China's rapidly developed recent past, while focusing attentions on its postindustrial future. Co-organized by Shenzhen and Hong Kong, the biennale presents a variety of international studies on urbanism...
The Cloud pavilion is a public art installation by schmidt hammer lassen architects that opened last week at the Shanghai West Bund Biennial for Architecture and Contemporary Art [...] Additionally, schmidt hammer lassen built support facility pavilions that include a gallery, café, and bookshop. — bustler.net
Orhan Ayyüce published parts 1 + 2 of a multi-part interview with George Brugmans (Executive Director of the IABR)...Thayer-D chimed in "This is an excellent example of how well intentioned architects continue to talk past each other...One of the speakers spoke of the need to create relationships with politicians, developers and the public in general to forge a new way forward...What's amazing is that this has been happening for the last 20 years in the Congress for New Urbanism
In the first edition of our In Focus in 2013 Archinect spoke with Yohan Zerdoun an architectural photographer based in Germany/Switzerland. Plus, Orhan Ayyüce published parts 1 + 2 of a multi-part interview with George Brugmans (Executive Director of the IABR) in which...
in the latest edition of ShowCase: New Keelung Harbor Service Building, Archinect presents the first prize winning project by Neil M. Denari Architects, Inc. (NMDA). The details include; 120,780 square meters, Ground breaking: 2013, Completion: terminal (2015), office building (2017). double o zero immediately noted that "Something like this would have countless comments just a few years ago. Now it is just another thing".
The recent feature Instigating Change with Common Ground, written by John Southern is a critical but largely positive review of the Venice Architecture Biennale. Therein, he put forward the argument that this year’s "Biennale doesn’t have much to be cynical...
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