MoMA’s plan can hardly be a surprise, because its entire history since 1937 is based on demolishing potential landmarks. — nytimes.com
Frank Gehry has pulled out of a major architecture exhibition set to open June 2 at the Museum of Contemporary Art, a move that could force the show to find a new venue or face the prospect of being canceled altogether.
The exhibition... is an exploration of the last 25 years of Los Angeles architecture, with work by Gehry, Thom Mayne, Michael Maltzan, Barbara Bestor, Lorcan O'Herlihy and many younger architects. — latimes.com
Adrian Smith and Gordon Gill Architecture has unveiled plans for Imperial Tower, which would become Mumbai's tallest building and surely one of the world's most slender skyscrapers, should it come to be built.
The 116-story, 400-m (1,300-ft) tall residential skyscraper has a distinctive curved shape, which AS+GG says has been designed to "confuse the wind." — gizmag.com
The highly anticipated expansion to the Kimbell Art Museum, designed by the Renzo Piano Building Workshop (RPBW) and Kendall/Heaton Associates, opens to the public on Wednesday, November 27, 2013.
Renzo Piano’s colonnaded pavilion stands as an expression of simplicity—glass, concrete and wood—surrounded by elms and red oaks, some 65 yards to the west of Louis I. Kahn’s vaulted, luminous museum of 1972.
Similar in scale to the Kahn building, the 300-foot-long, 22-foot-high building is composed of two parallel wings stretching from north to south, connected by two glass passageways. To the rear, the west wing will have a green sod roof, which appears to rise out of the ground with berms on either...
Henry Hope Reed, an architecture critic and historian whose ardent opposition to modernism was purveyed in books, walking tours of New York City and a host of curmudgeonly barbs directed at advocates of the austere, the functional and unornamented in public buildings and spaces, died Wednesday at his home in Manhattan. He was 97. — nytimes.com
Winning design schemes have just been announced in the international competition Borderless: Designing Future ASEAN Borders. The competition brings attention to the spaces along the borders of the 10 members of ASEAN, the Association of Southeast Asian Nations, with the aim of improving their existing conditions. — bustler.net
Women make up almost half the graduating architecture classes, but only 17 percent of architecture-firm leadership. Even as women have made great strides in the field over the last several decades, that disconnect hasn’t gone away. — csmonitor.com
From the very first, the Vietnam Memorial, it was about being extremely site-specific and site-sensitive, creating something that merged with the land around it. But much more so in the last decade or two decades, my artwork has focused on making you aware of things in the natural world that we might not be aware of. What’s invisible we tend not to think about, so I’ve made sculptures that reveal the terrain below sea level. — style.time.com
One expert in the UAE has estimated that 70% of the high-rise buildings there have panel facade cladding made of a combustible thermoplastic core held between two sheets of aluminium. — BBC News
Bill Law, a BBC Gulf news analyst, writes about how fears of a "towering inferno" disaster in the Gulf are growing after fires left residential buildings heavily damaged in the United Arab Emirates cities of Sharjah and Dubai. The panels have been prohibited in the UK and USA for some time and...
For the next round of discussion I’d like to shift the subject to the physical environment, posing the question, Is architecture rational? — guggenheim.org
The conversation, "The Aestheticization of Everyday Life", an installment of the Guggenheim Forum series, is held in conjunction with the Guggenheim's current exhibition, Gutai: Splendid Playground. The panel, moderated by critic and Metropolis contributing editor Karrie Jacobs, examines how...
At university, students from other courses felt that we in architecture weren’t really studying at all; to them the studio seemed like some kind of uber-kindergarten, legitimated for academic credit.... The architecture profession seemed from the outside, and perhaps even to us on the inside, to promise an idyllic eternal childhood of balsa and glue and gee-whiz drawings on computers. — Places Journal
On Places, Naomi Stead discusses the popular conception of architecture as a kind of "child's play." What do dollhouses and architectural models have in common? Why should we care about Lego Architecture and Architect Barbie and the romantic depiction of architects in Hollywood movies? She...
UC Davis today announced that it has selected an emerging New York-based design firm, SO – IL, to design the campus’s planned art museum, envisioned as a regional center of experimentation, participation and learning. The firm will work with team members Bohlin Cywinski Jackson, a prominent architectural firm with offices in San Francisco, Seattle and Pennsylvania, and contractor Whiting-Turner, a national construction firm... — news.ucdavis.edu
The new museum advances the way museums and architecture are approached in the 21st century. Designed by SO - IL in partnership with Bohlin Cywinski Jackson, and built by Whiting-Turner, the design incorporates a 50,000 square foot steel structure that floats atop a series of interconnected...
Three of the most important modernist houses in the Northeast, including the 1964 house Robert Venturi designed for his mother, have been (or will soon be) put up for sale by their long-time owners, two of them without covenants that would ensure their preservation. — archrecord.construction.com
At the Los Angeles County Museum of Art, an acclaimed Swiss architect is hoping to pull off what an acclaimed Dutch one could not.
Next month LACMA will publicly unveil a $650-million plan by Pritzker Prize winner Peter Zumthor for a dramatic new museum building along Wilshire Boulevard. — latimes.com
It may seem surprising that a Canadian was chosen to design a Russian state-funded match for the historic Mariinsky Theatre. Gergiev, general and artistic director of the theatre, visited Diamond’s Four Seasons Centre, home of the Canadian Opera Company in Toronto, and was wowed. When Gergiev and Diamond met for dinner the following year, the two saw eye to eye on everything from acoustics to street continuity. — music.cbc.ca
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