After a not-so-ideal turnout in its first run in 2014, The Museum of Fine Arts Budapest and the Városliget Zrt's Liget Budapest Design Competition 2.0 is a stark contrast! A few months after the architects for three of the development's buildings were announced, Snøhetta and SANAA tied for first prize for Budapest's [...] National Gallery and Ludwig Museum. However, it seems that the ultimate winning proposal is yet to be chosen between the two, after the jury meets with both teams. — bustler.net
The new design for One Van Ness, which will rise 37 stories at the intersection of Van Ness Avenue and Market Street, is the work of Snøhetta [...].
A journalist and illustrator, Susie Cagle tells me in an email that she covered San Francisco real estate in 2008, and the Snøhetta project reminds her of ambitious residential projects planned for Market Street that never happened. "I think it's a place where dense construction makes sense," she says. — citylab.com
Norway-based architecture firm Snøhetta will move its New York City offices to the Rudin family’s 80 Pine Street in the Financial District, the landlord announced this morning.
The architecture company, whose first New York City project was the National September 11 Memorial Museum Pavillion at the World Trade Center site, will relocate from 25 Broadway to a segment of the 10th floor of the 38-story structure in 2015 [...]. — commercialobserver.com
There is a Norwegian word “hildring,” about the boundary between horizon and sky. The colors and variations of the bills were inspired by the interesting things that happen when sky meets sea. When you place all the bills side by side, they also create an interesting pattern, like a mosaic. In our work, we often try to take reality by surprise. — nytimes.com
The Albright-Knox Art Gallery in Buffalo, New York, is preparing to launch its first major expansion effort in more than 50 years. [...]
In 2012, the board commissioned the architectural firm Snøhetta to produce a master plan for future growth, but the details of this project have remained under wraps. Museum leaders told the Buffalo News that they are interested in holding an architectural competition for design proposals following their meetings with the public. — theartnewspaper.com
Norges Bank, the central bank of Norway, asked eight different designers to submit their proposals for the redesigned currency, to be put into circulation in 2017, and the winning design features images by Norwegian architecture firm Snøhetta on one side and Oslo-based graphic design firm The Metric System on the other. — theatlantic.com
About $570 million, or 94 percent, has been raised by the San Francisco Museum of Modern Art for its 235,000-square-foot (21,800-square-meter) expansion and to add $245 million to the museum’s endowment. The $305 million wing designed by the Snohetta architecture firm is rising behind SFMOMA’s current home, opened two decades ago in the technology-heavy South of Market area, or SOMA. — bloomberg.com
The latest evidence of Philadelphia’s architectural comeback? The Norwegian architecture firm Snøhetta is coming to town for a project at Temple University.
“We have a fantastic tradition of quality architeture and urbanism in Philadelphia, but we do go through low ebbs in that tradition,” says Harris Steinberg, the executive director of PennPraxis, the clinical arm of the University of Pennsylvania’s School of Design. — Next City
The Norwegian architecture firm Snøhetta has designed some of the most notable buildings and public spaces in the world over the last 15 years. The new Oslo Opera House. Egypt’s Bibliotheca Alexandrina. A reconfigured Times Square in New York, and a massive expansion of the San...
We're building our future, with a new expansion to open in early 2016. Open, engaging, welcoming, and embracing, the expansion represents a transformative vision of the museum, offering new opportunities for diverse audiences to experience modern and contemporary art. Hear about what's in store for SFMOMA and our audiences in 2016 and beyond from Director Neal Benezra, artist Richard Serra, and other members of the SFMOMA community. — youtube.com
“Snøhetta’s extensive experience with ambitious waterfront projects and its world-class architects’ familiarity with San Francisco through their work on the SFMOMA expansion was a huge factor in our decision,” said Joe Lacob, Co-Executive Chairman and CEO of the Warriors. “All you have to do is look at what they’ve done for the new National Opera House in Oslo and the Great Library of Alexandria in Egypt to see what is possible at Piers 30-32.” — nba.com
"Scholarship allows for creativity in the midst of judgment and therefore we hope to honor the thrill of seeking with this gift." say Dykers and Molinar. "Willingness to expand the traditional definitions of architecture in order to pursue the tangential, with the goal of influencing one's architectural studies and future careers should be rewarded. With this scholarship, we honor the heritage of independent thinking at the UT Austin School of Architecture that so greatly influenced us." — soa.utexas.edu
Some of the names might already sound familiar to Houston design aficionados. Interloop principles Mark Wamble and Dawn Finley are professors at Rice. Denari received his undergraduate architecture degree from UH. Snøhetta is a finalist for the upcoming contemporary galleries at the Museum of Fine Arts, Houston and SHoP Architects are behind the current renovations for the Blaffer Art Museum. — houston.culturemap.com
The architects' sketches for SFMOMA's new expansion reveal a transformative design for the museum, the neighborhood, and the city. "Our design for SFMOMA responds to the unique demands of this site, as well as the physical and urban terrain of San Francisco," says Snøhetta principal architect Craig Dykers. "The scale of the building meets the museum's mission, and our approach to the neighborhood strengthens SFMOMA's engagement with the city. — sfmoma.org
Is it a building filled with art with some people in it, or a building filled with people with some art in it? There needs to be enough social space to make people feel comfortable in what can be an austere environment, the white box. You shouldn’t feel like you need to be quiet in the public spaces. — New York Times
In San Francisco, you feel like you’re always leaving and going, you go up and down, up and down. You’re always provided with a new view of the city. So we felt we could use that idea to allow people to experience the museum and the city in different ways. We’re creating a lot of variation within the design. So even though the building is relatively compact, you’ll always be able to step into a space and look down or across or up into another space. — Simon Ewings, via fastcodesign.com
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