A newly completed 125 ft high mural painted by Stik on a condemned council owned tower block in Acton, West London is the tallest street artwork in the UK.
The artwork depicts a mother and child looking forlornly from their condemned council block at the luxury apartment complexes being built around them. [...]
Charles Hocking House was built for low income families in 1967 and is earmarked to be torn down in 2016. — streetartnews.net
Whenever a campaign wants to stop some new development it will use the phrase "tower block". This isn't what the developers would call them – they prefer "stunning developments" or "luxury apartments".
There is a national campaign afoot against new towers, specifically against the astonishing 230 mostly residential ones planned for the capital. Inevitably, the campaign has referred to tower blocks and "the mistakes of the 1960s" knowing this is emotive language [...]. — theguardian.com
To make housing affordable again, we need to catch up to decades-worth of unmet demand, over the next few years. In many cities, this means goals measured in the tens of thousands of new homes; in the fastest-growing cities, it means hundreds of thousands. Build enough housing and (economists and experience both tell us) prices should at least stabilise. Want social justice? Build a lot more housing. — theguardian.com
As for what she wants visitors to get out of the exhibit, Koumoundouros just hopes it will help them think about -- even question -- how much our economy is based on the housing market.
'Ownership and consumption are linked to how much our economy is consumed based," she argues. "[This view of housing] is so specifically American. And I love digging that out, and I think questioning it is part of maybe a shift.' — Marketplace.org
The phrase "a place to call home" rings loud and clear in the "Dream House Resource Center" exhibit by artist Olga Koumoundouros currently at the Hammer Museum in Los Angeles until August 18. Her exhibit focuses on the commodification of the home in America through the context of America's...
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