In the mid-20th century, certain Latin American cities looked like the most modern on earth. Not only was their architecture imaginative, but so was the thinking behind it: ideas, amounting to faith, that design could positively shape civic life across lines of money and class; that art and architecture were inseparable; that while Europe and the United States were the cultural powers of the day, South America had a shot at tomorrow.
Then the momentum broke. — nytimes.com
Various recent innovations in secondary education in New York have used the city itself as an organizing theme for curricular experimentation. Urban Assembly schools like the School of Design and Construction or the New York Harbor School focus students’ attention on the built and natural environment around them. [...] John Surico takes a closer look at CTE programs in New York City. — urbanomnibus.net
Art Critique Of Gramsci Monument: A Work in Public Space by Thomas Hirschhorn at Forest Houses, the Bronx, New York. — newcriterion.com
Thomas Hirschhorn’s Gramsci Monument, a temporary public art work sponsored by the Dia Foundation now on view at Forest Houses in the Bronx, reportedly cost $500,000 to construct.1 If you try accounting for its material costs in plywood, nails, tarps, and packing tape, and still come up...
Households have evolved. But New York’s housing stock hasn’t. In essence, New Yorkers have increasingly had to adapt to the housing we’ve got, instead of designing and building the housing that suits who we have become. — New York Times
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