Between 2008 and 2013, I photographed the branch libraries of New York City’s three public library systems: 212 branches in all, spread across the five boroughs. Through arrangements with each of the library systems, I worked mornings before the branches opened to the public. I traveled by subway and bus and made six to twelve pictures of each branch, interiors and exteriors, using a 4×5 inch view camera. My archive, to date, holds over 2,000 negatives. — urbanomnibus.net
The Spofford Juvenile Center was a particularly painful landmark in the Hunts Point community in the Bronx when it was built in 1957... [Majora Carter] envisions the Spofford site combining mixed-income housing, open space and economic development that would appeal to the neighborhood’s existing demographics. Carter is a supporter of affordable housing, but thinks that if it’s built in isolation, you still haven’t solved the problems of employment and a lack of amenities. — nextcity.org
In collaboration with fifteen poets and community activists from StartUp Box South Bronx, I recently created Memories of the Future, a location-based cinema project viewed on mobile phones. The group experimented with spoken word poetry, site specific performance, and on-site spectatorship to reframe the predominant view of Hunts Point and speak about possibilities for its future from a position of power. — urbanomnibus.net
In the mid-20th century, certain Latin American cities looked like the most modern on earth. Not only was their architecture imaginative, but so was the thinking behind it: ideas, amounting to faith, that design could positively shape civic life across lines of money and class; that art and architecture were inseparable; that while Europe and the United States were the cultural powers of the day, South America had a shot at tomorrow.
Then the momentum broke. — nytimes.com
Various recent innovations in secondary education in New York have used the city itself as an organizing theme for curricular experimentation. Urban Assembly schools like the School of Design and Construction or the New York Harbor School focus students’ attention on the built and natural environment around them. [...] John Surico takes a closer look at CTE programs in New York City. — urbanomnibus.net
Art Critique Of Gramsci Monument: A Work in Public Space by Thomas Hirschhorn at Forest Houses, the Bronx, New York. — newcriterion.com
Thomas Hirschhorn’s Gramsci Monument, a temporary public art work sponsored by the Dia Foundation now on view at Forest Houses in the Bronx, reportedly cost $500,000 to construct.1 If you try accounting for its material costs in plywood, nails, tarps, and packing tape, and still come up...
Households have evolved. But New York’s housing stock hasn’t. In essence, New Yorkers have increasingly had to adapt to the housing we’ve got, instead of designing and building the housing that suits who we have become. — New York Times
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