Borderlife is a street art intervention by Biancoshock in which three abandoned manholes in Milan’s Lodi district have been transformed into miniature dwellings. [...]
With Borderlife the street artist wants to make us aware about the distressing living conditions of many fellow humans who are forced to live in confined spaces, especially manholes. He got his inspiration from the reportedly hundreds of people that are occupying manholes and sewer systems in the Romanian capital Bucharest. — popupcity.net
Images of the BORDERLIFE street art intervention via Biancoshock's website.Related stories in the Archinect news:Giant "calligraffiti" mural unites community in Cairo slumSubterranean theme park: photographer Richard John Seymour captures the new life inside an ancient Transylvanian salt mineWith...
'I envisage to make a forest of light. A forest which consists of countless light cones made from spotlights above. These lights pulsate and constantly undergo transience of state and flow.'
“People meander through this forest, as if lured by the charm of the light. Light and people interact with one another, its existence defining the transition of the other.” — Sou Fujimoto
The second-biggest Italian city is offering a monthly payment of 350 euros ($376) to every resident willing to host a refugee, or an asylum seeker, in their home.
The city of Milan announced Monday with a post on its Facebook page that soon local residents will be paid for giving shelter to one or more refugees. — Vice
Related:Architectures of the DisasterHow Architects Can Help Nepal (And Learn From Past Disastrous Mistakes/Successes)Ai Weiwei documents life in Greek refugee camp on social mediaThe vast majority of Syrian refugees are seeking refuge in cities, not campsViennese student dorms may Passively House...
“Money is not an issue here” is the motto that leaps out at you in both the Prada and Vuitton Foundation museums, although in Paris it is thrown into high relief on the building’s facade by the almost vulgar silver logo of Louis Vuitton—the star company in the LVMH group. — The Art Newspaper
Dutch architect Rem Koolhaas talks to SPIEGEL about the new Fondazione Prada museum he designed in Milan, the danger of turning cities into historical Disneylands and his desire to raze an entire neighborhood of Paris. [...]
Koolhaas: Before the 1980s, the decisions were made by cities. Since then power has shifted toward private investors. Nothing good has come of this for Holland. [...] I regret that cities no longer have money to even pursue a vision of their ongoing development. — spiegel.de
Filmmaker Wes Anderson has a knack for creating fictional spaces with attention paid to the last excruciating detail. His latest space is real, though, and even better, you can get a drink there. [...]
Three new buildings, which were part of a century-old distillery and transformed by renowned Dutch architect Rem Koolhaas, will now house art rather than alcohol. But for the thirsty there’s also a new bar, called Bar Luce, that Anderson designed himself. — qz.com
James Biber can see Russia from his roof. Mr. Biber, the architect of the USA Pavilion at Expo Milano 2015, the world’s fair that is racing to meet its opening date on Friday, also has a good view of Kuwait next door and Iran across the street.
“It’s really a kind of identity parade,” Mr. Biber, 62, said about the jumble. [...] “It’s every nation attempting to express itself in a building. It is the very best and very worst of design you’re going to see in its concentrated form.” — nytimes.com
Some of the spaces are as Mr. Koolhaas found them; others have been reconfigured but look as though they haven’t been touched. The three new buildings are made of glass, white concrete and an aluminum — NYT
The architect David Chipperfield is at the centre of an extraordinary row over Milan’s new €60m (£44m) Museum of Culture, a building he has designed and now disowned after accusing officials of skimping on flooring materials.
The resulting “floor war” – as locals have dubbed the stand off – has led the British architect, famous for the Neues Museum in Berlin and China’s Liangzhu Culture Museum, to demand that his name be removed from the project. — independent.co.uk
'The content of the exhibitions should make the countries look different, not the size of their pavilions. Also we felt that this expo would be exactly the right place to start focusing on content, because it simply seems embarrassing to address this very important topic and at the same time built enormous, dramatically curved pavilions with facades in wavy plastic or with spectacular waterfalls or whatever.' - Jacques Herzog — uncubemagazine.com
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