In the terms of the story, we wanted to distill experience to a shape, a volume, instead of a literal space-type (“castle” or “gingerbread house,” etc.) We chose this path in part because the structure of the story wasn’t accessible, the events were scattered, random and untethered to a place. So we had to find the rope, make the place, invent a story-space outside the tale itself. — Places Journal

We tend to think of architecture as solid, stable, enduring, something that at its best will outlast us and possibly say something about us to future generations. Demolition makes powerfully evident the vulnerability, the mortality, of all things standing. — Places Journal

Conditions of scarcity demand new ways of thinking, an expansion of the role of the architect and designer outwards in order to function more broadly and imaginatively as spatial agents. In contrast to the regimes of austerity ... the territory of processes and networks opened up by scarcity is far more conducive to creative intervention. It is here that scarcity — which can seem at first a bleak prospect — can become the inspiration and context for constructive and transformative action. — Places Journal

The root cause of diminishing public resources and the privatization of urban public space today is precisely the privatization of our political system — a crisis that cannot be addressed simply by creating more public spaces or by making these public spaces more inclusive and accessible. This deeper crisis requires the attention and intervention of a much more active and engaged public, a public willing and capable of speaking up and mobilizing politically to change the system. — Places Journal

Yet women architects in Latin America — as in North America — continue to confront gender-based inequities. Partly this seems due to entrenched cultural attitudes, and partly to the traditional connections between architecture, engineering and capital, which can make it difficult to progress to a less patriarchal culture of building and design. — Places Journal

As Occupiers posted links, updates, photos and videos on social media sites; as they deliberated in chat rooms and collaborated on crowdmaps; as they took to the streets with smartphones, they tested the parameters of this multiply mediated world. What is the layout of this place? What are its codes and protocols? Who owns it? How does its design condition opportunities for individual and collective action? — Places Journal

For those of us who have long fought for greater diversity in architecture, the slow pace of change is less alarming than the emergence of cynical voices that dismiss the viability of architecture as a profession. At the final Van Alen roundtable, Dagmar Richter relayed the opinion, expressed by some in the field, that the declining status of the discipline is reflected in the growing presence of women in architecture schools — in other words, women are making headway because men are bailing. — Places Journal

Let’s mentor a new generation of architects who are as proud to be women as they are proud to be designers. And let’s start by taking back the “architectress,” by infusing that cringe-inducing, condescending, mid-century term of opprobrium with some born-this-way, kick-ass, grrrl-power, retro cool. Imagine Architectress t-shirts and Architectress tattoos, Architectress blogs and Architectress fansites, Architectress flash mobs and Architectress meetups. Imagine Architectress going viral. — Places Journal

At the 1928 Amsterdam games, athletes were accommodated in spare rooms in boarding houses and aboard ships. The first Olympic Village was built in 1932, in the Baldwin Hills neighborhood of Los Angeles, but it was dismantled after the games and virtually no trace survives today. Not until the 1952 Olympics in Helsinki did host cities began to plan and develop permanent structures for housing athletes. — Places Journal

Revolutionary guards who are denied entry to an apartment have been known to scale a building’s walls with grappling hooks to dismantle receivers. It may seem like something out of a spy novel, but this cat-and-mouse game tells the deeper story of a complex exchange between the Islamic Republic and citizens of Tehran. In the absence of legitimate public space for discourse or demonstration, the satellite receiver opens a space for political dissent and cultural protest. — Places Journal

But despite the many and varied predictions of the death of criticism — of architecture as well as other forms of culture — it seems to me that a radical rethinking of critical practice might be prompted by the potentials of writing for online media, and that this rethinking might result in a new belle-lettrism. — Places Journal

In the future the wisest zone entrepreneurs will question this central feature and ask: Why enclave? What types of incentivized urbanism will actually benefit from physically segregated infrastructure—from being separate and even distant from the dense and dynamic central spaces of existing cities? Given that the zone is now generating its own urban programs — aspiring to be a city—what economic and technical benefits can result from constructing what is in effect a double or shadow of the city? — Places Journal

So, to re-pose the question: what is the radical aesthetic consequence of the cultural desire for sustainable performance? Is it something that expresses itself in a set of formal rules, like the Modern response to the development of the steel frame? Or is it something — because it is essentially about performance — requiring entirely different means to fruition? Well, as with uncharted territory: here there be dragons. — Places Journal

For retailers, daylight offered one additional advantage the advertisements did not mention: the implication of moral virtue. Large department stores were described as cesspools of fraud, filth, poor working conditions, child labor, anti-competitiveness, potential press censorship (because of their advertising clout), disease, drunkenness, savagery, prostitution, suicide and darkness. A well-lit interior, it was said, could do much to counter such negative associations. — Places Journal

As contemporary governments and citizens increasingly demand that reclaimed landfills be many things to many people — energy producers, social nodes, memorials — and also that they interface with local infrastructure, we would do well to study the historical precedent of Monte Testaccio... [whose] longevity and vitality make it an ideal model of what a landfill can become: an agent of civic engagement and an urban catalyst. This is the promise of landfill reclamation. — Places Journal