As last week's episode was taken up by Pritzker-hooplah, this episode takes a look back at the major news items of the last week(ish) and gets you caught up with what's been happening in Archinect news.We discuss: the recent photo exhibition on homelessness at USC (which closes tomorrow!); the...
The hotel plan by the Procaccianti Group Inc. [...] is being welcomed by construction-trades unions, city officials and surrounding business owners. But Ned Connors, an architect and historian of the Weybosset urban renewal project, says he will miss the Fogarty building.
It’s not ugly, he said, it’s just … different. At about 50 years old, he said the Fogarty building is in the most dangerous time in a structure's life: when it’s too old to be hip but too young to be venerated. — providencejournal.com
Sadly the architectural design of the proposed extended stay high-rise hotel that has been OKed by Providence City Council last December to replace the Fogarty building could not be any more generic and bland. What do you think, Archinectors? Do we have Providence locals here among our readers...
Brutalism lost the good fight in 2015. [...]
Demolition on another building by Johansen began late last year as well: Stage Theater, once known as the Mummers Theater, in Oklahoma City. The Oklahoman‘s Steve Lackmeyer called the 1970 project the number-one modernist building in the city that should have been spared. [....] Preservationists had hoped to turn it into a children’s museum. Models of the building show what a delightful museum it might have made [...]. — citylab.com
Brutalike stories in the Archinect news:Orange County legislators fail to save Paul Rudolph's Government CenterArt college professor suggests makeover for brutalist Boston City HallBrutalism: the great architectural polarizerNew movement urges to call Brutalism 'Heroic' instead
There’s the legacy of Brutalism being such a negative term. It begins the conversation with negativity about these buildings, and this falls into the misreading of them as harsh, Stalinist, or some other kind of monstrous, mean architecture. The name plays into that mischaracterization that’s grown around a lot of them. I think “Heroic’” is a better title for what their actual aspirations were. The architects had a real sense of optimism. They were developing architecture for the civic realm. — citylab.com
Related news on Archinect:Brutalism: the great architectural polarizerArt college professor suggests makeover for brutalist Boston City HallFuture of Paul Rudolph's brutalist Orange County building still uncertain
These are confusing times in the business of protecting the country’s architectural heritage. [...]
Recently, two large modernist buildings were up for consideration for listing: the British Library in St Pancras, and an East End council estate, Robin Hood Gardens. Both have been controversial [...]
Yet the library has been granted the immortality of a Grade I listing, while the estate has been denied recognition and is set to be demolished. — theguardian.com
Related on Archinect:Robin Hood Gardens residents dare Lord Rogers to spend a night in the blighted estateRobin Hood Gardens Set For DemolitionPostmodern No 1 Poultry divides architects in debate over recent heritage
Goldfinger’s [brutalist] buildings were decreed “soulless.” Inhabitants claimed to suffer health problems and depression from spending time inside of them. Some of Goldfinger’s buildings were vacated because occupants found them so ugly. Yet, architects praised Goldfinger’s buildings. [...]
This divide—this hatred from the public and love from designers and architects—tends to be the narrative around buildings like Goldfinger’s. Which is to say, gigantic, imposing buildings made of concrete. — slate.com
Roman Mars, host of the design-centric podcast "99% Invisible", blogs for Slate on the polarizing quality of brutalist architecture – beloved by architects and hated by pretty much everyone else. Discussing the history of concrete in building architecture, Mars also puts brutalism in perspective...
“Musings about a Brutalist building’s friendliness quotient are a distraction” - Anthony Carfello, artist — LA Forum Architecture / Urban Design
Los Angeles Forum for Architecture and Urban Design Summer 2015 Newsletter surveys and critiques LA's own collection of high-quality brutalist buildings in a 'must be collected" issue that grew out of its own google map “Brutalism Los Angeles” and other resources.The Newsletter features a...
At what cost? The LAVA plan could be difficult to manage structurally, cost a significant amount of money and see Sirius occupants relocated anyway. But it could also be a more sustainable option than knocking down and rebuilding. — architectureanddesign.com.au
SIRIUS in 2014.Alas, the curse of the "brutalist eyesore" continues with the historic SIRIUS apartment building in Sydney, designed by architect Tao (Theodore) Gofers in 1978-79. Adding a third option to the demolish-preserve debate that typically ensues, local architecture firm LAVA proposed the...
Some architects consider the design a stunning example of the modern Brutalist style, but for many Bostonians it’s the building they have long loved to hate.
[...] why can’t we make changes that are easily reversible, while simultaneously acting to protect and preserve the structure?
Here’s one simple, obvious and cost-effective solution: Sheath the building with a tinted glass curtain wall — but not to create another modernist glass box. — The Boston Globe
The stadium will be wrapped in a cage of slender concrete and brick columns that will rise to a zig-zagging profile, before folding over to form the roof – as if the architects’ tangle of struts in Beijing’s Bird’s Nest stadium had been straightened out and neatened up. — theguardian.com
Herzog & de Meuron's design for the Football Club stadium in Chelsea takes fandom to the level or religious zealotry, borrowing dramatic gothic elements from Westminster Abbey – the structure that formerly stood on the same site. The design's heavy masonry, brick and railway-style vaults...
In case you haven't checked out Archinect's Pinterest boards in a while, we have compiled ten recently pinned images from outstanding projects on various Archinect Firm and People profiles.(Tip: use the handy FOLLOW feature to easily keep up-to-date with all your favorite Archinect...
Yesterday, legislators in Orange County, New York failed to stave off the demolition of Paul Rudolph's Orange County Government Center. In January, county executive Steven M. Neuhaus vetoed a proposal that would entertain outside bids like Manhattan architect Gene Kaufman's, to purchase, restore, and repurpose the structure. Kaufman also proposed designing a new government center next door, with a proposed budget less than that of the county's current plan [...]. — curbed.com
Previously:Michael Kimmelman on why Paul Rudolph's brutalist Orange County building is worth savingFuture of Paul Rudolph's brutalist Orange County building still uncertainPaul Rudolph's brutalist Orange County gem to be repurposed as "arts hub"Gwathmey Siegel's Kaufman wants to buy Paul Rudolph's...
Michael Kimmelman’s column this week, about the debate over plans to demolish a midcentury Paul Rudolph building in Goshen, N.Y., makes the case for why it should be saved. It is only one example of his taking up a cause. As The Times’s architecture critic, he has not been shy about advocacy.
Here, he describes why he’s been outspoken in supporting this building, which doesn’t have the profile of other fights he has taken up. — nytimes.com
UPDATE: Orange County legislators fail to save Paul Rudolph's Government CenterPreviously:Future of Paul Rudolph's brutalist Orange County building still uncertainPaul Rudolph's brutalist Orange County gem to be repurposed as "arts hub"Rethinking a Spurned LandmarkGwathmey Siegel's Kaufman wants...
“There was an intense flowering of experimental and futuristic architecture in the 1960s and 70s, which the young African countries used to express their national identities,” says [Swiss architect Manuel] Herz, who has curated an exhibition of more than 80 buildings from sub-Saharan Africa, showing at the Vitra Design Museum in Weil am Rhein, Germany, until May. “But we simply don’t know about it... we wanted to show this incredible cultural wealth that also exists.” — The Guardian
Usually the projects of African "big man" leaders, the modernist buildings were often constructed for propagandistic purpose and tended to be designed by European architects. Noted architectural photographer Iwan Baan took many of the photographs in Herz's exhibit.
On December 21, 2014, the Berkeley Art Museum permanently closed its iconic Modern building in preparation for a move to a nearby new building in 2016. Considered by many to be the Bay Area’s most remarkable example of Brutalism [...]. Although the building is a local landmark and listed on the National Register, its intricate concrete forms pose seismic safety risks, leaving a future for the building unclear. — docomomo-us.org
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