'Let us turn the whole country into a socialist fairyland,'...Throughout the city, you now encounter the recurring colour schemes of salmon and teal, or pink and baby blue...These new spaces look like they have been assembled from crisp, unreal planes of colour and exude an anaesthetising aesthetic, candy-coloured decoys that distract from a reality of mass poverty across the country. — The Guardian
More on Archinect:This Wes Anderson-designed bar is retro with a capital RBuilding Wes Anderson's "Grand Budapest Hotel" out of 50,000 LegosChristopher Hawthorne reflects on the spatial design in "Citizenfour" and other Oscar nomineesArtist Charles Young crafts mini paper metropolis on the daily
Filmmaker Wes Anderson has a knack for creating fictional spaces with attention paid to the last excruciating detail. His latest space is real, though, and even better, you can get a drink there. [...]
Three new buildings, which were part of a century-old distillery and transformed by renowned Dutch architect Rem Koolhaas, will now house art rather than alcohol. But for the thirsty there’s also a new bar, called Bar Luce, that Anderson designed himself. — qz.com
Most people would probably be envious of the lucky DJs that got to spin tunes in The Mothership (I know I am). Ann Arbor-based practice Anya Sirota + AKOAKI looked to legendary funk collective P-Funk and their iconic album Mothership Connection to design the swanky modular DJ and broadcast booth...
[...] One of its latest projects: Inviting a North Korean architect to imagine the future of local design for travel.
The Jetsons-style results include hovercraft hotel rooms and cone-shaped mountain villas connected by ski slopes. Nothing looks like it would be that out of place in a 1950s magazine, down to details like an old-fashioned rotary phone. This is what the future looks like to someone living in a place that's been cut off from the rest of the world since 1948. — fastcoexist.com
The project Utopian Tours, initiated by English-born landscape architect turned Beijing-based North Korea tour operator Nick Bonner, was part of the Korean Peninsula’s “Crow’s Eye View” pavilion for the 2014 Venice Biennale (previously on Archinect).
MVRDV just completed the Glass Farm, a multi-purpose building in the village square of Schijndel, the Netherlands. The exterior is printed glass with a collage of typical local farms; a monument to the past but 1.6 times larger than life. The architects see this concept as a possible contemporary response to retro-architecture whilst respecting the public's wish for vernacular authenticity. — bustler.net
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