The thousands of new old houses in New Orleans reveal the ethos of a people in a place nearly destroyed. New Orleanians have embraced their city’s architectural heritage as they’ve rebuilt for an uncertain future. — Places Journal
The company promised to “faithfully reproduce” several beloved artifacts in the lobby, including wall tapestries, paper lanterns and sliding doors, the lacquered furnishings and map of time zones...But those plans have done little to assuage the concerns of preservationists, many of whom contend that Tokyo is destroying its greatest postwar architectural assets to accommodate the 2020 Olympics and a recent surge in tourism. — The New York Times
'Let us turn the whole country into a socialist fairyland,'...Throughout the city, you now encounter the recurring colour schemes of salmon and teal, or pink and baby blue...These new spaces look like they have been assembled from crisp, unreal planes of colour and exude an anaesthetising aesthetic, candy-coloured decoys that distract from a reality of mass poverty across the country. — The Guardian
Filmmaker Wes Anderson has a knack for creating fictional spaces with attention paid to the last excruciating detail. His latest space is real, though, and even better, you can get a drink there. [...]
Three new buildings, which were part of a century-old distillery and transformed by renowned Dutch architect Rem Koolhaas, will now house art rather than alcohol. But for the thirsty there’s also a new bar, called Bar Luce, that Anderson designed himself. — qz.com
[...] One of its latest projects: Inviting a North Korean architect to imagine the future of local design for travel.
The Jetsons-style results include hovercraft hotel rooms and cone-shaped mountain villas connected by ski slopes. Nothing looks like it would be that out of place in a 1950s magazine, down to details like an old-fashioned rotary phone. This is what the future looks like to someone living in a place that's been cut off from the rest of the world since 1948. — fastcoexist.com
MVRDV just completed the Glass Farm, a multi-purpose building in the village square of Schijndel, the Netherlands. The exterior is printed glass with a collage of typical local farms; a monument to the past but 1.6 times larger than life. The architects see this concept as a possible contemporary response to retro-architecture whilst respecting the public's wish for vernacular authenticity. — bustler.net
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