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In Mexico City, a set of urban parks have been built on the city's outskirts to revitalize the neglected suburban neighborhoods in which they reside. Designed by Francisco Pardo Arquitecto, the Mexico City-based firm has replaced a once contaminated water stream and paved lots with basketball... View full entry
As Moscow’s Zaryadye Park approaches its first birthday next month, the city’s chief architect, Sergei Kuznetsov, is defending the Diller Scofidio + Renfro-designed green space for an unexpected feature: its aphrodisiacal properties. Just a stone’s throw from the Kremlin, the firm’s carefully crafted experiment in “wild urbanism” has lived up to its billing, apparently, becoming something of a hotbed for outdoor lovemaking. — news.artnet.com
Moscow's one year old $245 million public park by Diller Scofidio + Renfro was meant to bring freedom of exploration and a feeling of comfort within the urban setting. The space provides visitors with an amphitheater, flora-covered terraces, green spaces with views of the city, and a 230 foot... View full entry
O’Herlihy’s “same old stuff” is, in actuality, bringing plenty of fresh thinking to the issue of density at a time in which Los Angeles is building up instead of out — a time when changes in zoning, especially along transit lines, is adding more condos and apartments to the skyline, transforming the landscape of single family homes for which the city is known.
Over the last 15 years, LOHA has made a name for itself by working on projects that make innovative use of tight urban spaces.
— latimes.com
Lorcan O'Herlihy Architects (LOHA) has been designing spaces for 24 years with an array of projects ranging from residential complexes to bus stations. Rather than creating luxury living, the firm has chosen to focus on affordable housing, dormitory, and non profit projects. Dormitory building... View full entry
After the tragedy, [a statue of Confederate general Robert E. Lee in Charlottesville, Va.] and another honoring Stonewall Jackson were shrouded, but only temporarily. Around the country, similar monuments have been removed. In some cases, only their pedestals remain.
We asked artists to contemplate these markers of our country’s racist and violent history — the space they take up, physically and psychically — and imagine what should happen when they are gone.
— The New York Times
Around the US many statues and monuments celebrating racism in our country's history have been removed, either partially or fully. The question currently remains on what we as a culture should do concerning the spaces these historical monuments inhabit[ed]. The New York Times asked artists to... View full entry
After pothole gardeners and pavement crack fillers, the Guerilla Grafters are the next urban hacking collective that wants to make streets a better places for everyone. The collective sees grafting branches of fruit trees onto trees in the streets as an opportunity to provide free access to food to urbanites. The process of adding a small branch to an existing city tree is considered vandalism. However, that doesn’t stop the Guerilla Grafters [...]. — Pop-Up City
"The Guerrilla Grafters are not welcomed by everyone," writes Doris Tielemans for Pop-Up City about this branch (no pun intended) of Fruit Activism. "Most trees in cities don’t grow fruit for a reason." View full entry
With more options that ever for getting around cities, and finite space, the question of how we use this infrastructure, and who controls it, is more important than ever. By regulating how these new transportation options evolve, cities can potentially bring about a more sustainable, multimodal, and less car-centric transit future. — curbed.com
Our city curbs are transportation battles for space in the flow of traffic. While private tech startups are producing popular transportation solutions, such as Bird's electric scooters, the city is the one paying to build and maintain these public spaces. An upswing in dockless vehicles has far... View full entry
NEW YORK’S MUSEUM of Modern Art is under siege. Well, a virtual siege, at least. A group of renegade artists has co-opted the brightly-lit Jackson Pollock gallery on the museum’s fifth floor, turning it into their personal augmented reality playground. [...] those that have downloaded the MoMAR Gallery app on their smartphones, the impressionist's iconic paintings are merely markers—points of reference telling the app where to display the guerilla artists’ works. — Wired
MoMAR's augmented reality app and the unauthorized accompanying group show Hello, we're from the internet explore the intersection of private physical space and the public digital realm. "MoMAR is an unauthorized gallery concept aimed at democratizing physical exhibition spaces, museums, and the... View full entry
Dominique Coulon & Associés, based in the east of France, is famous for its masterful use of color. The firm recently completed a sports hall, a performing arts center, and a media library all in France. Check out these stunning public projects below: 'Human Rights' Sports Center, located... View full entry
After winning the Municipality of Rome's invite-only competition in 2007, architects Maria Claudia Clemente and Francesco Isidori of Labics revitalized a former bus depot at the edge of town into a mixed-use complex called the Città del Sole, or “City of Sun”. Working with local public... View full entry
[...] the ever increasing mallification of our environment threatens to undermine the public common ground on which our societies were founded: public places should address an abstract, inclusive notion of the public, instead of a defined, limited, and exclusive (in the literal sense of the word) audience. Conversely, we should not confuse or conflate trite stores (even if they place trees inside and call themselves town squares) to be an ersatz public domain. — Failed Architecture
Janno Martens' essay for Failed Architecture explores the many deaths and resurrections of the shopping mall and highlights three phenomena of mallification — the creeping privatization of public spaces and replacement of the organically grown city with an imagineered 'experience' of what only... View full entry
Announced on Wednesday, the two-level glass-walled pavilion was unveiled with a promise from Apple that the planned project "increases public space and provides a daily program of activity to inspire and educate the community."
But it's this element of public space that has people a little concerned.
— Mashable
Residents of Melbourne are angered by Apple's plans to locate its new flagship store at Federation Square, a public center commonly used to house gatherings, protests, sports screening, concerts and Council-organized events. The site is also home to the Australian Centre for the Moving Image, the... View full entry
[...] hostile architecture -- a controversial type of urban design aimed at preventing people from using public spaces in undesirable ways. [...]
CNN invited architect James Furzer, whose designs try to combat hostile architecture, to debate this issue with Dean Harvey, co-founder of the Factory Furniture: a company that produces many of the offending benches.
— CNN
"Is it really a bad thing that you're encouraging people to hang around those spaces?," asks architect James Furzer in his CNN debate with Dean Harvey of Factory Furniture, maker of the controversial Camden bench. "Is that not what architecture and design are about? If we designed a building... View full entry
Otherwise known as POPS or POPOS, pseudo-public space is often offered up by developers in exchange for the city giving them permission to add more floors or density than the current zoning allows for. An incentive pioneered in NYC's 1961 zoning ordinance revision, today, there are more than... View full entry
Over 20 years after being commissioned, Richard Meier & Partners finally completed the new Cittadella Bridge in Alessandria, Italy. As the practice's first bridge (which they worked on with Dante O. Benini & Partners Architects), the 185-meter-long structure reconnects the city with an... View full entry
There has never been a more important time in society to celebrate what unites us rather than divides us, and that can be through culture and, more simply, through the creation of public spaces where people can come together. — CNN Style
Amanda Levete reflects on the Brexit referendum and the election of Donald Trump. She argues for the responsibility of architects to create spaces of intersections and conversations across thresholds in the contemporary political climate. View full entry