From 1917 to 1991 in the former Russian Empire, and from 1945 to 1989 in the countries it dominated after the war, there was no real private ownership. No landowners, no developers, no “placemakers” - in half of Europe. Did this mean public space was done differently, and are attitudes to it different in those countries? [...] observed more closely, public space here is every bit as complex as it is elsewhere in Europe. — theguardian.com
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*Obviously Austin needs a transit system championed by a game designer. — Austin Business Journal
Back in August, Michael Theis highlighted plans by "a few private-sector entrepreneurs — including some with deep pockets", to address transit needs, especially in Central/downtown Austin. He also spoke with spokeswoman Cathy Conley of USA PRT Inc and later attended a presentation where...
The commercialisation of the urban landscape has resulted in the privatisation of public space. As city centres have become tributes to consumption, private interests have permeated these spaces. They have become awash with pseudo-public consumer spaces which belong to corporations rather than the citizenry. Although these places hold the semblance of being “public”, they are owned by corporate interests and are therefore under private control and not accountable to the public. — New Left Project
The disaster capitalists behind Eko Atlantic have seized on climate change to push through pro-corporate plans to build a city of their dreams, an architectural insult to the daily circumstances of ordinary Nigerians. — Guardian
Martin Lukacs argues that Eko Atlantic, a new privatized city to be built near Lagos, Nigeria, is the perfect illustration of how the super-rich will exploit the crisis of climate change to increase inequality and seal themselves off from its impacts.
Community activism that simply nibbles at the edges is not enough. Small-scale rebellions can raise consciousness and help bring needed improvements to cities, but what we really need is a revolution. — Dissent
In the Winter 2013 issue of Dissent (the quarterly magazine of politics and ideas), Alex Ulam follows a thread From the Gold Coast of New York to the Venice Biennale. He argues Spontaneous Interventions "was not an outlier at the Biennale" but indicative of a general movement in...
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