Designed by the Pritzker Prize-winning architect Richard Meier, the 556-unit building, 685 First Avenue, is going up just south of the United Nations headquarters on the westernmost lot of the long-dormant site, which stretches along the Franklin D. Roosevelt Drive from 35th Street to 41st Street. It will be the first building that Mr. Meier, known for his Modernist style and white aesthetic, has designed in black. — The New York Times
Until recently, though, Mr. Meier had never broken ground in South Korea. He checked that off his list with the newly opened Seamarq Hotel, a towering white complex overlooking the East Sea in the city of Gang-neung. “Our client chose a really magnificent site,” Mr. Meier said from his New York office. — The Wall Street Journal
The biggest names impacting New York’s skyline come together to discuss the projects that now epitomize the city, the ever-evolving real estate market and what’s next for New York’s neighborhoods. — 92Y
In keeping with the Chicago Architecture Biennial theme “The State of the Art of Architecture”, Richard Meier’s architectural projects, exhibited at the MANA Contemporary, underscore the consistency of a language pursued over many years of intense architectural activity. — DOMUS
Far from reducing his workload or resting on his considerable laurels, the 80-year-old Meier and his partners are also wrapping up construction on several other projects, including the HH Resort and Spa in Gangneung, South Korea; the Leblon office building in Rio de Janeiro; the 140-unit Rothschild Tower in Tel Aviv; the Cittadella Bridge in Alessandria, Italy; and Teachers Village, a mixed-use development in Newark, New Jersey. — The Real Deal
"Come as you are in the family car" — Robert H. Schuller
When construction’s done in 2016, Teachers Village will consist of eight, low-rise buildings housing three charter schools and a daycare facility, 65,000 square feet of retail, and 205 residential units designed by the world-renowned Richard Meier, Newark’s native son and architect of the Getty Center in Los Angeles and the Barcelona Museum of Contemporary Art in Spain. — Politico
The first job I had after graduating from architecture school was in the office of Skidmore, Owings & Merrill. And I worked under the head person, Gordon Bunshaft, who was terrific. And, after I was there for six months, I was offered a position in the office of Marcel Breuer. So, I went and told Mr. Bunshaft, “I'm sorry that I've only been here a short time…” but I wanted to work in Breuer's office because it was smaller and more of the kind of office I had one day hoped to have for myself. — Esquire Magazine
But building the $2.25 million steel-and-glass structure he had in mind presented a number of challenges on Fire Island.
For starters, they had to dig 10 feet below sea level to bury the wood piles. Then they had to put a steel frame on top that could support 25 tons of glass.
Sam Wood, the contractor, had been working on Fire Island for 30 years and had never seen anything like it. “It’s built like a mini-skyscraper,” he said. — nytimes.com
A special construction material keeps concrete whiter than white. — CNN
That's a wrap for our Richard Meier Architect: Vol 6 giveaway. In case you missed it, Archinectors had a chance to win a beautiful hardcover copy of Richard Meier's new monograph.Out of over 200 entrants, our two winners are:Jonathan M. - Chicago, ILNathan B. - Seattle, WAAuthored by the architect...
Creating a cohesive connection between a shingle cottage and Richard Meier-designed contemporary house in Mount Kisco was the goal of the current owners, who have owned the property for 25 years — The Wall Street Journal
Richard Meier is returning to his roots with two new developments in New Jersey, where he grew up. — The New York Times
A 28-year-old Richard Meier received his first and by far most modest commission from the artist Saul Lambert back in 1962. “Lambert had purchased a very small site on the ocean, on Fire Island,” says Meier, “and said, ‘We don’t have very much money—actually, we have $9,000 to spend on the construction of this house. Could you design something for us?’ ” — New York Magazine
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