In keeping with the Chicago Architecture Biennial theme “The State of the Art of Architecture”, Richard Meier’s architectural projects, exhibited at the MANA Contemporary, underscore the consistency of a language pursued over many years of intense architectural activity. — DOMUS
Far from reducing his workload or resting on his considerable laurels, the 80-year-old Meier and his partners are also wrapping up construction on several other projects, including the HH Resort and Spa in Gangneung, South Korea; the Leblon office building in Rio de Janeiro; the 140-unit Rothschild Tower in Tel Aviv; the Cittadella Bridge in Alessandria, Italy; and Teachers Village, a mixed-use development in Newark, New Jersey. — The Real Deal
"Come as you are in the family car" — Robert H. Schuller
"ARTESIA, Calif. (AP) — The Rev. Robert H. Schuller, a California televangelist and author who beamed his upbeat messages on faith and redemption to millions of followers from his landmarkCrystal Cathedral only to see his empire crumble in his waning years, has died. He was 88."The Rev...
When construction’s done in 2016, Teachers Village will consist of eight, low-rise buildings housing three charter schools and a daycare facility, 65,000 square feet of retail, and 205 residential units designed by the world-renowned Richard Meier, Newark’s native son and architect of the Getty Center in Los Angeles and the Barcelona Museum of Contemporary Art in Spain. — Politico
The first job I had after graduating from architecture school was in the office of Skidmore, Owings & Merrill. And I worked under the head person, Gordon Bunshaft, who was terrific. And, after I was there for six months, I was offered a position in the office of Marcel Breuer. So, I went and told Mr. Bunshaft, “I'm sorry that I've only been here a short time…” but I wanted to work in Breuer's office because it was smaller and more of the kind of office I had one day hoped to have for myself. — Esquire Magazine
But building the $2.25 million steel-and-glass structure he had in mind presented a number of challenges on Fire Island.
For starters, they had to dig 10 feet below sea level to bury the wood piles. Then they had to put a steel frame on top that could support 25 tons of glass.
Sam Wood, the contractor, had been working on Fire Island for 30 years and had never seen anything like it. “It’s built like a mini-skyscraper,” he said. — nytimes.com
A special construction material keeps concrete whiter than white. — CNN
That's a wrap for our Richard Meier Architect: Vol 6 giveaway. In case you missed it, Archinectors had a chance to win a beautiful hardcover copy of Richard Meier's new monograph.Out of over 200 entrants, our two winners are:Jonathan M. - Chicago, ILNathan B. - Seattle, WAAuthored by the architect...
Here's another chance to enter an Archinect giveaway! This time we're giving out two beautiful hardcover books of RICHARD MEIER ARCHITECT: Vol. 6, the latest addition to the monograph series from publisher Rizzoli New York.To be eligible for this random drawing, please fill out this survey...
Creating a cohesive connection between a shingle cottage and Richard Meier-designed contemporary house in Mount Kisco was the goal of the current owners, who have owned the property for 25 years — The Wall Street Journal
Richard Meier is returning to his roots with two new developments in New Jersey, where he grew up. — The New York Times
A 28-year-old Richard Meier received his first and by far most modest commission from the artist Saul Lambert back in 1962. “Lambert had purchased a very small site on the ocean, on Fire Island,” says Meier, “and said, ‘We don’t have very much money—actually, we have $9,000 to spend on the construction of this house. Could you design something for us?’ ” — New York Magazine
Meier supplied the project’s master plan, doing without the sculptural gymnastics he’s known for -- at the Getty Museum in Los Angeles and elsewhere -- to keep costs down.
The firm designed a clean-lined four-story box, one of the first two buildings that have opened for the present school term.
Rough and smooth brick patterns echo a mix of clear and translucent glass to make a surface composition as rich as a Mondrian painting. — Bloomberg
Balancing Meier’s familiar white metal panels with a rich, iron spot brick, the architects were careful to break down the massing of the contemporary buildings, not exceeding a height of 60 feet in front, in keeping with the Newark Living Downtown Plan. — Architectural Record
You learn with experience the things that are not worth doing. Most architects think, no matter what, they can make something out of any commission. For example, I don’t do prisons or hospitals, or restoration work. I do know, by now, who I am. And by now at least clients come to us with their eyes open. They don’t expect something we don’t do. — Architectural Record
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