When construction’s done in 2016, Teachers Village will consist of eight, low-rise buildings housing three charter schools and a daycare facility, 65,000 square feet of retail, and 205 residential units designed by the world-renowned Richard Meier, Newark’s native son and architect of the Getty Center in Los Angeles and the Barcelona Museum of Contemporary Art in Spain. — Politico
This would be the first U.S. tower for Snøhetta, founded in Norway but on the rise in the United States since being selected in 2004 to design the pavilion for the National Sept. 11 Memorial & Museum.
Snøhetta will replace an even better-known architect for the corner: Richard Meier, the Pritzker Prize-winning designer of the Getty Center in Los Angeles, whose firm has been working on a tower in the same location since 2008. —
The site in question is directly adjacent the Civic Center's metro stop on Market St., and a large part of the developer's plans revolve around shifting this existing stop one block north, to avoid (in the SFGate author's words) the "squalid even by neighborhood standards" area. The residential...
The first job I had after graduating from architecture school was in the office of Skidmore, Owings & Merrill. And I worked under the head person, Gordon Bunshaft, who was terrific. And, after I was there for six months, I was offered a position in the office of Marcel Breuer. So, I went and told Mr. Bunshaft, “I'm sorry that I've only been here a short time…” but I wanted to work in Breuer's office because it was smaller and more of the kind of office I had one day hoped to have for myself. — Esquire Magazine
But building the $2.25 million steel-and-glass structure he had in mind presented a number of challenges on Fire Island.
For starters, they had to dig 10 feet below sea level to bury the wood piles. Then they had to put a steel frame on top that could support 25 tons of glass.
Sam Wood, the contractor, had been working on Fire Island for 30 years and had never seen anything like it. “It’s built like a mini-skyscraper,” he said. — nytimes.com
Not unlike his buildings—with their uncompromising linearity, precise use of natural light, and stark white facades—Richard Meier is a striking figure. In his signature round spectacles, a perfectly pressed suit, and with that recognizable shock of white hair, the Pritzker Prize-winning modernist invited filmmaker Barbara Anastacio on a tour of the newly opened Richard Meier Model Museum. — NOWNESS
I saw him a week ago [Tuesday], and he was sitting at his desk going through some of the thousands of letters and notes that people have sent to him wishing him well. He just had this incredible spirit about him, this attitude that everything was going to be all right. He was amazing.” — Artinfo
The trend began a decade ago, when apartments in two towers on New York's Perry Street were snapped up by buyers like Calvin Klein and Martha Stewart.
"When Perry Street was sold, your name was kind of on the marquee," said Mason.
"That's right, for better or worse," laughed Pritzker Prize-winning architect Richard Meier. He is now working on a new high-end project on the ocean in Miami Beach. — CBS News
A special construction material keeps concrete whiter than white. — CNN
Architect Richard Meier's new residential building will feature his signature jutting planes and surfaces carved from white steel and glass. The 37 apartments, starting at about $2 million, are 73% sold even though ground won't be broken until June. The project, named Vitrvm, and the buzz surrounding it, is what you might expect from the designer of L.A.'s Getty Center except for one thing: It is in Bogotá, Colombia. — The Wall Street Journal
Creating a cohesive connection between a shingle cottage and Richard Meier-designed contemporary house in Mount Kisco was the goal of the current owners, who have owned the property for 25 years — The Wall Street Journal
Richard Meier is returning to his roots with two new developments in New Jersey, where he grew up. — The New York Times
A 28-year-old Richard Meier received his first and by far most modest commission from the artist Saul Lambert back in 1962. “Lambert had purchased a very small site on the ocean, on Fire Island,” says Meier, “and said, ‘We don’t have very much money—actually, we have $9,000 to spend on the construction of this house. Could you design something for us?’ ” — New York Magazine
Meier supplied the project’s master plan, doing without the sculptural gymnastics he’s known for -- at the Getty Museum in Los Angeles and elsewhere -- to keep costs down.
The firm designed a clean-lined four-story box, one of the first two buildings that have opened for the present school term.
Rough and smooth brick patterns echo a mix of clear and translucent glass to make a surface composition as rich as a Mondrian painting. — Bloomberg
Balancing Meier’s familiar white metal panels with a rich, iron spot brick, the architects were careful to break down the massing of the contemporary buildings, not exceeding a height of 60 feet in front, in keeping with the Newark Living Downtown Plan. — Architectural Record
You learn with experience the things that are not worth doing. Most architects think, no matter what, they can make something out of any commission. For example, I don’t do prisons or hospitals, or restoration work. I do know, by now, who I am. And by now at least clients come to us with their eyes open. They don’t expect something we don’t do. — Architectural Record
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