I’m very happy to see all the works on display, and we’re busier now than we were then. We’re looking at things that we’re doing in the future. I think it’s good to be able to share so much of the work we have done that people wouldn’t otherwise come in contact with it. The exhibitions are good in that respect. We have all this stuff. Why keep it in the office? Send it out. — Artinfo

One of the real challenges, since we’re working in so many places—Mexico, Japan, Brazil—is understanding variations, both in terms of culture and context. It’s important to understand differences in scale and environment. — Architectural Digest

"Sometimes if you do a competition, you know you’re taking a risk of it not happening. Many of them that we’ve done remain unbuilt for us, and unbuilt for anyone. We always look at competitions very carefully to try and determine whether it’s just emotion on the part of the sponsors or it's something real." — DWELL

Richard Meier & Partners’ mixed-use building was selected in an international competition topping submissions by Foster + Partners and Zaha Hadid Architects. The challenge, Bernhard Karpf, associate partner-in-charge, said was to create a hybrid building that was “like a city in itself,” which creates “property lines” that carves out distinct areas for rentals, offices, and shops, but still comes together in a unified and coherent design. — The Architect's Newspaper

Developers in San Francisco are loath to take architectural risks because the city’s approval process for new development is long and rigorous, perhaps the most onerous in the country, architects say.

It’s hard to fault their caution when you consider how small San Francisco really is — 47 square miles (Manhattan alone is 23 square miles) — with much of the area consumed by neighborhoods zoned for single-family homes. — The New York Times

Illustrious modernist Richard Meier and multi-disciplinary creator Massimo Vignelli reflect on their respective crafts, city life, and enduring friendship in this mesmeric film by Johnnie Shand Kydd. — NOWNESS.com

Richard Meier is managing partner of New York's Richard Meier & Partners Architects. His residential designs, starting with the Smith House in Darien Conn., in 1967, are known for their white surfaces, floor-to-ceiling windows and views of the landscape. He recently spoke to Marc Myers about his East Hampton farmhouse. — The Wall Street Journal

"I was very fortunate because the first building in Germany was the Museum for Applied Art, which was a competition that I won. After that I was invited to do other competitions. There's an appreciation for architecture in Germany that doesn't exist in many other places." — Deutsche Welle

In a telephone interview, Mr. Meier said he was “open minded” about the aesthetic of the new crossing, and said that he hoped the final product would be “something people think of in a positive manner.”

“When you think of the great bridges in New York City, you think of the Brooklyn Bridge, right?” he said. “From any point of view, it’s a beautiful bridge, and one would hope that what happens here is of that quality.” — The New York Times

“I always thought that shorts were inappropriate for a federal courthouse,” Ms. Leal said. “But it’s either wearing it, or melting away.” — NYT

“It was not typically a type of project we normally do,” says Dukho Yeon, the firm’s associate partner-in-charge on Teachers Village. “This was part of basically everybody including the investors giving back to the city of Newark.” — Fast Company

Style among the office's 60 employees tends to favor clean lines and a neutral palette. "The rumor is that you have to wear a white top with black—commonly what Richard himself wears," said Alison Macbeth, a junior designer at the firm. "But it's not that way." — The Wall Street Journal

After spending last year traipsing below the border to break ground on his first few projects in Mexico, Richard Meier is heading below the equator to start his first South American project: a light, modernist office building in the beach-lined metropolis and future Olympic host city Rio de Janeiro. — ARTINFO

The proposal would replace a parking lot and a low building near the northwest corner of Market and Van Ness with a 34-story, 400-foot residential tower designed by New York's Richard Meier & Partners. — San Francisco Chronicle