Creating a cohesive connection between a shingle cottage and Richard Meier-designed contemporary house in Mount Kisco was the goal of the current owners, who have owned the property for 25 years — The Wall Street Journal
Richard Meier is returning to his roots with two new developments in New Jersey, where he grew up. — The New York Times
A 28-year-old Richard Meier received his first and by far most modest commission from the artist Saul Lambert back in 1962. “Lambert had purchased a very small site on the ocean, on Fire Island,” says Meier, “and said, ‘We don’t have very much money—actually, we have $9,000 to spend on the construction of this house. Could you design something for us?’ ” — New York Magazine
Meier supplied the project’s master plan, doing without the sculptural gymnastics he’s known for -- at the Getty Museum in Los Angeles and elsewhere -- to keep costs down.
The firm designed a clean-lined four-story box, one of the first two buildings that have opened for the present school term.
Rough and smooth brick patterns echo a mix of clear and translucent glass to make a surface composition as rich as a Mondrian painting. — Bloomberg
Balancing Meier’s familiar white metal panels with a rich, iron spot brick, the architects were careful to break down the massing of the contemporary buildings, not exceeding a height of 60 feet in front, in keeping with the Newark Living Downtown Plan. — Architectural Record
You learn with experience the things that are not worth doing. Most architects think, no matter what, they can make something out of any commission. For example, I don’t do prisons or hospitals, or restoration work. I do know, by now, who I am. And by now at least clients come to us with their eyes open. They don’t expect something we don’t do. — Architectural Record
Richard Meier is the last of the New York Five architects to keep working in minimalist white. Now that theme will be towering over Tel Aviv - the American's luxury high-rise is almost finished. — Haaretz
I’m very happy to see all the works on display, and we’re busier now than we were then. We’re looking at things that we’re doing in the future. I think it’s good to be able to share so much of the work we have done that people wouldn’t otherwise come in contact with it. The exhibitions are good in that respect. We have all this stuff. Why keep it in the office? Send it out. — Artinfo
One of the real challenges, since we’re working in so many places—Mexico, Japan, Brazil—is understanding variations, both in terms of culture and context. It’s important to understand differences in scale and environment. — Architectural Digest
"Sometimes if you do a competition, you know you’re taking a risk of it not happening. Many of them that we’ve done remain unbuilt for us, and unbuilt for anyone. We always look at competitions very carefully to try and determine whether it’s just emotion on the part of the sponsors or it's something real." — DWELL
Richard Meier & Partners’ mixed-use building was selected in an international competition topping submissions by Foster + Partners and Zaha Hadid Architects. The challenge, Bernhard Karpf, associate partner-in-charge, said was to create a hybrid building that was “like a city in itself,” which creates “property lines” that carves out distinct areas for rentals, offices, and shops, but still comes together in a unified and coherent design. — The Architect's Newspaper
With the latest edition of the Showcase series, Archinect highlighted House Yagiyama in Sendai, Japan by Kazuya Saito Architects. The one-story house for an old couple, located in Sendai's hilly Yagiyama district was photographed by Yasuhiro Takagi. NewsZaha Hadid Architects was awarded a...
Developers in San Francisco are loath to take architectural risks because the city’s approval process for new development is long and rigorous, perhaps the most onerous in the country, architects say.
It’s hard to fault their caution when you consider how small San Francisco really is — 47 square miles (Manhattan alone is 23 square miles) — with much of the area consumed by neighborhoods zoned for single-family homes. — The New York Times
Illustrious modernist Richard Meier and multi-disciplinary creator Massimo Vignelli reflect on their respective crafts, city life, and enduring friendship in this mesmeric film by Johnnie Shand Kydd. — NOWNESS.com
Richard Meier is managing partner of New York's Richard Meier & Partners Architects. His residential designs, starting with the Smith House in Darien Conn., in 1967, are known for their white surfaces, floor-to-ceiling windows and views of the landscape. He recently spoke to Marc Myers about his East Hampton farmhouse. — The Wall Street Journal
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