In his first solo exhibition in a New York museum since 1980, American artist James Turrell sets out to reimagine the iconic rotunda of Frank Lloyd Wright’s Guggenheim Museum in a dramatic transformation. The luminous and immersive site-specific work, Aten Reign, will be part of the upcoming exhibition James Turrell at NYC's Solomon R. Guggenheim Museum which opens on June 21, 2013. — bustler.net
A lot of Chinese people look up to the West as an ideal, so the construction of these towns could be seen as a way of accelerating their progress; a quick way of achieving through emulation. — psmag.com
The international ideas competition series POST+CAPITALIST CITY has announced the winners of its last quarter, 4#Move. Previous installments focused on the issues of 1#Shop, 2#Work, and 3#Live. — bustler.net
With the blank slate offered by a catastrophic attack, planners, soon joined by the mayor himself, saw a chance to re-establish a great crossroads: Fulton and Greenwich Streets, tying the second World Trade Center into New York — north, south, east and west.
Now, however, they see that vision slipping away, as security concerns trump urban planning. — cityroom.blogs.nytimes.com
For the first time since Henri Labrouste (1801-1875), currently the subject of an exhibition at the Museum of Modern Art, formulated the conception of the new, democratic library, the central library is fighting for survival. The relevance of these gloriously inflated book boxes is being questioned in an age that looks to the Internet for its intellectual resources. — online.wsj.com
The first life-size Barbie Dreamhouse opened in Berlin on Thursday and is being guarded by police after feminist groups and left-wing activists said they would picket the plastic villa. — globalpost.com
Related: Topless FEMEN Protesters Disrupt Barbie 'Dreamhouse Experience' Opening In Berlin Previously on Archinect: What can a toy do for architecture? Blueprint for Architect Barbie! Think pink – and give her a monster home Winner of the AIA Architect Barbie Dream House Design Competition...
The Hirshhorn Museum’s proposed Seasonal Inflatable Structure, also known as “the Bubble,” a project announced in 2009 and intended as an architecturally and culturally transformative space on the Mall, would operate at a loss in each of three scenarios examined in an assessment done by the Smithsonian. — washingtonpost.com
“We’ve said from the beginning, and the secretary [G. Wayne Clough] has said it, this is a bold project,” said Richard Kurin, the Smithsonian’s undersecretary for history, art and culture. “We’ve encouraged this, but it has to be raised by private money. In terms of doing that...
the 40-year-old architect has emerged as one of the country’s major creative voices, building an eclectic portfolio of work that includes a 10,000-square-foot neo-Brutalist palazzo, the master plan for an art-filled botanical garden and a spiritual refuge in the Jalisco Mountains. The projects vary wildly in attitude and style — NYT
Are cities becoming "greater" these days?
(Bernd Upmeyer, Editor-in-Chief, May 2013) — monu-magazine.com
Are cities becoming "greater" these days? When two years ago, in our 14th issue of MONU Magazine entitled "Editing Urbanism", we claimed that in the Western world, the need for new buildings and city districts was decreasing or even ceasing to exist altogether due to demographic changes and...
The Vatican’s presence at the Biennale is the brainchild of Cardinal Gianfranco Ravasi, an exuberant polymath who as president of the Pontifical Council for Culture since 2009 has tried to build bridges between the church and contemporary culture, two worlds that have often clashed. — nytimes.com
The New South China Mall was once promoted as the world's biggest mall, but it's now pretty much deserted. — edition.cnn.com
Design studio Nonotak—Noémi Schipfer and Takami Nakamoto—have created an installation, called Isotopes v.02, which is a reaction to the Fukushima nuclear meltdown that happened back in 2011.
The piece featured at Geneva's 2013 Mapping Festival and consists of projected light which entices the viewer to investigate further. But, once the unsuspecting visitor has headed towards the light like a moth to the flame, they become trapped in this beguiling maze... — thecreatorsproject.vice.com
In Venice, Sandmeier wanted to tell the story of a whole neighborhood, not just emphasize the architectural merits of any one structure, and in doing so build a history of architects and artists working together. "Buildings are important for different reasons. Sometimes it's the architecture, sometimes it is the history, and sometimes it is the context," she explains. "Venice is a place with such rich cultural context that underlies the whole community, there is a lot to talk about." — kcet.org
Mimi Zeiger reports from the self-guided tour "Venice Eclectic: Modern Architecture from the '70s and '80s", part of "Curating the City Modern Architecture in L.A.," the Conservancy's ongoing contribution to Pacific Standard Time: Modern Architecture in Los Angeles.
... how does using a different physical space have an impact on learning? Bosch argued that changing the environment helps teachers and students to break free from old habits: "One of the things you can do is create an environment where you cannot function the same way as you used to. What happens when you go out of the school into a theatre, you have to improvise. When you improvise, you start learning and developing." — guardian.co.uk
As Seagram’s director of planning, Lambert visited the site daily. “I had intended to go back to Paris, but I stayed in New York, convinced that if the one person who really cared about the building was not there, Mies would not build Seagram,” she says. With Lambert as his protector and Johnson as his assistant, Mies went on to create in 1958 the Seagram building, a landmark of 20th-century architecture. — wmagazine.com
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