“My growing interest in how cultural districts can shape cities led me to this new, exciting opportunity in New York City.” — New Cities Foundation, NY Times
Maxwell Anderson is returning to New York, to be Director of Grant Programs at The New Cities Foundation. Dallas' loss (and formerly Indianapolis' deeply felt loss) is good urbanism's gain. I am excited about this change in focus by someone who I know to be a great thinker.Press release from...
Here is a constant refrain: Why is so much new building junk? [...]
The truth is that architects don’t have that much power. Architects don’t design most buildings; they are designed by developers or contractors working from cookie-cutter plans. Perhaps an architect signs off. [...] In any number of ways—our building codes, our housing policies, our preservation statutes—we systemically encourage bad building. — artsblog.dallasnews.com
Related:Rachel Slade dares to ask: "Why is Boston so ugly?"The new 5 over 1 Seattle, where "everything looks the same"Blair Kamin not impressed by Chicago's latest housing developmentsJeff Sheppard calls downtown Denver's new housing developments "meaningless, uninspiring"
This post is brought to you by Facades+ Dallas.The Facades+ conference series is only one week away from holding its first event in Dallas, Texas on October 30 and 31. If you haven't registered yet, now is the time!Presented by The Architect’s Newspaper and Enclos, Facades+ Dallas is the ninth...
This post is brought to you by Facades+ Dallas.Registration is now open for Facades+ Dallas, happening on October 30-31, 2014. Presented by The Architect’s Newspaper and Enclos, Facades+ Dallas is the ninth event in the ongoing Facades+ conference series and is the first time it will take place...
Since 3xLP by Christopher Romano and Nicholas Bruscia won the most recent TEX-FAB SKIN Digital Fabrication competition, the installation was exhibited at TEX-FAB 5 in Austin and will travel to Houston and Dallas along with the other competition finalists this fall.
The SKIN competition paired emerging design research practices with fabrication industry leaders to create innovative solutions for facade systems using digital fabrication and parametric design tools. — bustler.net
A city that is connected -- in all senses of the word -- is a good city. The finalists of the Dallas Connected City Design Challenge offered numerous solutions in how Downtown Dallas can be linked to the Trinity River.
To guarantee a variety of ideas for Dallas' future development, the competition invited submissions in a Professional Stream and an Open Stream. Three Professional and 4 Open entries won. — bustler.net
Professional Stream finalists (selected by jury):Stoss + SHoP, Boston, MA: "HyperDensity/HyperLandscape"Ricardo Bofill Taller de Arquitectura, Barcelona, Spain: Dallas: "Downtown & Trinity"OMA*AMO, New York, NY: "2Rivers/2Datums"Open Stream finalists (selected by jury and public voting):Kohki...
Fisht reproduces Cowboys signature pair of arched trusses, and shares its bulbous, hump-back shape — albeit with a wave-like articulated roof of polycarbonate. What it appears not to share, at least from the images available online, is the sensitive way Cowboys Stadium hits the ground, slanting in to minimize its bulk. Fisht is a lot more ham-fisted, flaring out and surrounded by all manner of circulatory junk. — artsblog.dallasnews.com
The winners have just been revealed for the 39th annual KRob Architectural Delineation competition, the longest running architectural drawing competition in the world. Six winners, three juror citations, and 21 finalists were selected this year.
The 2013 jury was comprised of Alex Hogrefe (founder of alexhogrefe.com), sci-fi and fantasy artist Stephan Martiniere, and Perry Kulper (architect and associate professor at University of Michigan). — bustler.net
The annual KRob Architectural Delineation Competition is coming back for its 39th year. The competition was established in 1974 by the AIA Dallas Chapter and named after architect Ken Roberts who was recognized for his talent in ink perspective drawing. As the world's oldest architectural drawing competition currently in operation, KRob recognizes original works that best represent the artistic qualities of the medium in both hand-drawn and digital formats. — bustler.net
Click on the thumbnails below to see winning images from previous KRob competitions in recent years. You can also check out this article by Julien Meyrat, one of the KRob competition organizers at the AIA Dallas, for an insightful read on architectural drawing.
“Louvers won’t work, they reflect light too,” he wrote in June in a blog comment on dallasnews, “and retrofitting on a 42 story building has never been tried and the makers say they would rip off in high winds prevalent in Dallas.”
An honest opinion, except that there is no such Barry Schwarz.
This post and others proved to be the work of Mike Snyder, long a fixture in the city and now a public relations executive who had been hired by the tower’s outside law firm. — nytimes.com
Stern's architecture is always steeped in strategic references to past landmarks; there is no doubt he knows how to send, and shape, an architectural message. And the message the front entrance to the Bush Library delivers is clear: This is a building meant to honor a particularly blunt and plain-spoken kind of political power. — latimes.com
It is a thoroughly cynical piece of work, a building that uses a frenzy of architectural forms to endorse the idea that architecture, in the end, is mere decoration. Mayne's design appears to put innovative architecture on a literal pedestal — or a plinth, to be exact — while actually allowing it to become peripheral, noticeably separate from the heart of the museum and its galleries. — latimes.com
Museums, armatures for collective societal experience and cultural expression, present new ways of interpreting the world. They contain knowledge, preserve information and transmit ideas; they stimulate curiosity, raise awareness and create opportunities for exchange. As instruments of education...
This year both parties met to begin working toward some sort of solution. Negotiations soon turned sour; squabbles ensued. The tower people wanted the museum to modify its roof. The museum replied by saying, essentially, "we were here first." Tom Luce, a local lawyer and civic leader, agreed to act as a mediator. Late last month he stepped aside in frustration.
Only 15 of the 126 apartments (priced at $1.3 million to $4.5 million, not including the $20 million penthouse) have sold. — online.wsj.com
“One of the things that may come out of the study is that the design of those cones [the north-facing oculi] may have inadvertently or in some other way, you know, turned out to actually have reflections coming in when Renzo sold you a bill of goods that said it wouldn’t.”
That’s how Criswell remembers the exchange weeks later.... He is clearly proud that he stood up to Strick, a man who, he says, isn’t accustomed to having people talk back. And he’s proud that he insulted Renzo Piano." — D magazine
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