Balance. For decades we’ve had an art culture that tries to wow us with too muchness — blockbusters, biennials, bank-breaking museum buildings no one needs — and that ends up delivering way too little. Could it be that the day of just enough is upon us, and that Yale’s just right museum is a bellwether? — NYT
Holland Cotter reviews the final results of the $135 million renovation and expansion of Yale’s museum complex. The entire refurbished complex — a block-and-a-half-long stretch that is itself a museum of changing architectural styles — officially re-opened two weeks ago... View full entry »
The architects recognize that the armory as an exhibition space is a far cry from conventional “white cube” galleries, or what Mr. Herzog called “egocentric, architecturally driven museums.” But he said the spaces are likely to inspire artists, not limit them. “Artists have increasingly started to like strange places to put their art,” he said. “The specific conditions are unique and interesting and every artist is challenged to put his paintings or performances in such historic conditions.” — New York Times
Restoration work on one of Buckminster Fuller’s most iconic structures, the 24 foot Fly’s Eye Dome, was completed yesterday, and the restored dome was unveiled to the public at Goetz Composites in Bristol, RI. Patented in 1965, Fuller created two prototypes of this structure... View full entry »
Wiel Arets Architects have shared with us a recently completed renovation/restoration of a former wine storage warehouse located on the edge of Amsterdam’s 17th century UNESCO canal ring. De Nieuwe Liefde (‘The New Love’) is a theatre and community centre located in a... View full entry »
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