Fungal biofilm and water sealant failure have added a black patina to the Salk Institute's iconic teak paneling, making the material vulnerable to decay. In order to save what is considered to be one of the world's finest architectural projects (and coolest structural alignment of the sunset save...
Los Angeles wants to rethink its river. [...] And LA isn’t the only metropolis looking to reclaim its once-mocked waterway. Cities around the world are realizing that water can be a cultural and recreational asset, not something to hide or pillage, and it seems no waterway will be wasted for long. — wired.com
The greatest work of art at New Haven’s Yale Center for British Art is arguably the landmark building itself—and Louis Kahn’s last structure is due to reopen this month after a 16-month renovation of its public galleries and lecture hall, and an upgrade of its accessibility, security, mechanical and electrical systems. This is the third phase of a $33m conservation project that began in 2008. — theartnewspaper.com
The Italian government announced [May 2] that it is allocating €1bn [approx. $1.15B] to major restoration and building projects at 33 museums, monuments and archaeological sites across the country, including Pompeii, the earthquake-stricken city of L’Aquila and the Uffizi galleries in Florence. [C]ulture minister Dario Franceschini described the funding, which will continue until 2020, as the “biggest investment in cultural heritage” in Italy’s history. — The Art Newspaper
Public tours of a newly-restored Salvation Army shelter in Paris designed by Le Corbusier and his cousin Pierre Jeanneret start in April. The tour guides for the 11-storey building, known as the Cité de Refuge, will be the residents of the building themselves who have been trained by the Fondation Le Corbusier.
The Cité de Refuge, which opened in 1933..., is historically significant as Le Corbusier’s first urban housing project and one of only two completed buildings in Paris. — The Art Newspaper
A recently completed restoration project [of Spain's Matrera Castle] has provoked an incredulous reaction from some locals and a Spanish conservation group...
However, Carlos Quevedo, the architect who oversaw the restoration of the castle...pointed out that the project had been painstaking, professional, and legal...'I do think that some basic, accurate information can help avoid some of the prejudices that spring from a simple image.' — The Guardian
It is fervently hoped that when the 45th president takes the oath of office outside the Capitol on 20 January 2017, a $60m project to restore the building’s august cast-iron dome will have been completed. [...]
“There’s never been a major renovation of the dome. It’s important work and was long overdue. It apparently has a thousand cracks and pieces have been falling off for years but, once this work is done, it should be good for another 150 years. — theguardian.com
While some residents may be more concerned about their overflowing rubbish bins than maintaining ancient monuments, for many the survival of modern Rome will depend on the preservation of the past. — The Guardian
The non-profit group GreenWave, which won the prestigious 2015 Buckminster Fuller Challenge, is gaining attention for designing reportedly the world's first 3D multi-species ocean farms. Much like the group's marine-oriented initiatives, the ocean farm project aims to restore ocean ecosystems and...
Prospects look promising right now for the Glasgow School of Art as their plan to restore the historic Mackintosh Building from a devastating fire last May pieces itself together. After months of debate about whether to restore or replace the Mackintosh, locally based Page\Park Architects won the...
this is the deluxe rehabilitation package, a stark contrast to the mostly emergency work that's been done through the years to keep the building grunting along. [...]
“It's one of Frank Lloyd Wright's greatest works, and it's a masterpiece of modern architecture ... It's a building that changed a lot of architects' ideas about what architecture could do.”
During the [1964-65 World's Fair], the elliptical Tent of Tomorrow was used as a versatile performance space...But not much has been done to preserve the structure since the fair ended in 1965...At the moment, there are no formal proposals, and ['Modern Ruin' film director Matthew Silva] admits it’ll be hard to raise funds without one. But he hopes the film, as well as his advocacy group, will get people thinking about what can be done. — New York Magazine
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