In keeping with the designer's forest-themed interior motif, a pair of homesteader cabins from the late 1800s are being installed in Twitter's new digs in the historic Western Furniture Exchange and Merchandise Mart building, a 1937 art deco landmark on Market Street. [...]
In this spirit of reuse and reclamation, Lundberg saw the cabins as a novel way of breaking up the wide open spaces of a gutted floor in the old furniture mart that will become a casual dining area. — Marin Independent Journal
Taking architectural anachronism to a whole new level, Twitter turns the open-plan office on its head by installing original one-room wood cabins from Montana as lunching spaces. Designers for Twitter's offices feel the choice is coherent with the company values of reuse and reclamation, while...
The commercialisation of the urban landscape has resulted in the privatisation of public space. As city centres have become tributes to consumption, private interests have permeated these spaces. They have become awash with pseudo-public consumer spaces which belong to corporations rather than the citizenry. Although these places hold the semblance of being “public”, they are owned by corporate interests and are therefore under private control and not accountable to the public. — New Left Project
To get a sense of the kind of hotel they wanted, Mr. Stockhausen did extensive research with Mr. Anderson. This included looking at vintage images at the Library of Congress of hotels and European vacation spots. They also looked through hotel archives and studied the architecture of locales like the Grandhotel Pupp in Karlovy Vary, Czech Republic. — nytimes.com
The art and technology center Eyebeam has selected WORK Architecture Company (WORKac) to design its future home in Brooklyn, another addition to the Brooklyn cultural district in Fort Greene.
“It’s a great moment in Eyebeam’s trajectory to think about the relationship between art and technology,” said Dan Wood, a principal in WORKac, with Amale Andraos — both of whom worked on the cultural district’s master plan. — artsbeat.blogs.nytimes.com
"I have nothing to do with the workers," said Hadid. "I think that's an issue the government – if there's a problem – should pick up. Hopefully, these things will be resolved."
Asked if she was concerned, Hadid added: "Yes, but I'm more concerned about the deaths in Iraq as well, so what do I do about that? I'm not taking it lightly but I think it's for the government to look to take care of. It's not my duty as an architect to look at it. — theguardian.com
Archinect is delighted to present 5468796 Architecture's travelogue for their award-winning research project, Table for Twelve. The Winnipeg-based firm received the 2013 Professional Prix de Rome in Architecture from the Canada Council for the Arts, awarded to emerging Canadian...
For 76 years, the gray steel eastern span of the Bay Bridge was cursed and reviled but mostly just taken for granted. [...]
At least two groups of artists and architects have mounted campaigns to spare some of the steel from the recyclers so that they can transform it into artworks that might include a home, a public gathering space and an Airbnb rental space - with a view of the new Bay Bridge. — sfgate.com
The city of Los Angeles is considering a proposal from Councilman Bernard Parks that would pass the cost of retrofitting apartment buildings on to tenants. Currently, only 50% of major renovation costs may be passed along to tenants, with landlords and building owners paying the cost of retrofitting. — scpr.org
Your assignment is to come up with an idea so revolutionary that it could be considered an important advance in industrial design.
Students at Rice University in Houston accomplished that with plans for a floating city that is being considered by one of the world's largest oil companies. Last year, the students won the inaugural Odebrecht Award for a radical design of man-made floating islands where as many as 25,000 oil workers and their families could live. — npr.org
Previously featured in our Student Works and Screen/Print series, "The Petropolis of Tomorrow" proposes a new style of floating company towns to aid Brazil in offshore oil findings. NPR now reports that the project has surpassed its academic role to be considered by Petrobas, a Brazilian...
The long and varied history of waste and its removal in New York from the 18th century onwards is the subject of Elizabeth Royte’s 2005 book Garbage Land and of the Urban Omnibus City of Systems video she narrates. In the video, Royte describes how her research into where exactly her trash was going after she threw it out has led her to become a more ecological citizen, with “a systems view” of our interconnected processes of manufacturing, transportation, disposal and re-use. — Urban Omnibus
As more journalists are being arrested in Egypt, artists are under threat as well. [...]
Political slogans and portraits of people who have died since the January 25 revolution are painted over by the government and replaced immediately by artists. The walls of Mohamed Mahmoud Street leading to Tahrir Square are layers of colorful murals over asymmetrical blotches of white paint. And despite its attempt to silence, the dictatorial white ironically makes a great primer for many of the artworks. — blog.vandalog.com
Photography & Architecture makes the work of architectural photographers more transparent, offering information and resources on what the industry and its professionals are like. More than ever, the reputation of an architect rests upon images of their built work, but the professional...
Yesterday, art lovers around the world were shocked when someone strolled into the Pérez Art Museum Miami and destroyed a $1 million vase by Ai Weiwei. [...]
The vandal is actually Maximo Caminero, a well-known local painter who has shown works at the Fountain Art Fair. He tells New Times that he destroyed the vase to make a point. — blogs.miaminewtimes.com
"I did it for all the local artists in Miami that have never been shown in museums here," he says. "They have spent so many millions now on international artists. It's the same political situation over and over again. I've been here for 30 years and it's always the same."
The 3D model renderings of architect, illustrator, and digital artist Joakim Dahlqvist are a tug-o'-war between reality and imagination — a constant tension reflected in the never-ending quest for design innovation. The smartly arranged objects in Dahlqvist's 3D renderings would have one...
Call them members of the permanent intern underclass: educated members of the millennial generation who are locked out of the traditional career ladder and are having to settle for two, three and sometimes more internships after graduating college, all with no end in sight. — The New York Times
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