"The public sector stopped making public space a long time ago," Los Angeles architect Jon Jerde told Wired magazine rather matter-of-factly in 1999. [...]
A little more than two decades later, there is something quaintly fatalistic about Jerde's attitude toward the frail state of public space. In Los Angeles, at least, it has returned pretty dramatically to health. — latimes.com
[RIBA] has launched the contest to create a self-sustainable future for those living on Tristan, a tiny community “ruled by the weather”, part of the Tristan da Cunha group of islands. [...]
Tristan’s government, led by Alex Mitham, called in Riba to manage the process of finding an architect to overhaul residential property as well as carry out urgent replacement of the government buildings, currently little more than agricultural sheds which “are nearing the end of their useful life”. — independent.co.uk
Proponents of the Underline bicycle route and linear park that would replace the threadbare M-Path under the Metrorail tracks from Dadeland to the Miami River have picked the co-designer of the wildly popular elevated High Line in Manhattan to draw up a master plan for their idea.
James Corner Field Operations was selected by a local jury from among 19 architectural teams that submitted entries in a competition. — Miami Herald
...last week at an economic development conference, the Egyptian government announced it was planning a giant new building project to the east of Cairo. The new city, which could eventually cover 700 km sq, doesn't currently have a name, and is being referred to simply as "The Capital"...If all goes to plan, the city will serve as the new administrative and financial capital of Egypt. — City Metric
When construction’s done in 2016, Teachers Village will consist of eight, low-rise buildings housing three charter schools and a daycare facility, 65,000 square feet of retail, and 205 residential units designed by the world-renowned Richard Meier, Newark’s native son and architect of the Getty Center in Los Angeles and the Barcelona Museum of Contemporary Art in Spain. — Politico
In overcrowded Central Havana and in the historic quarter, the shortage of places to live and play and find much-needed privacy pushed the city upward, spilling onto the rooftops.The technical term for it is 'parasitic architecture.' The Cuban government doesn’t encourage the practice, but in the city’s oldest and most dilapidated neighborhoods, longtime roof-dwelling families...were usually allowed to stay. The parasites became permanent. — The Washington Post
Located in Garden Valley, Nevada, Michael Heizer’s City is one of the most significant works of art in the United States. Begun by Heizer in 1972, the project is now in its final stage of completion. It will, in the future, be accessible by the public. [...]
To see the land developed into a site for military, energy, or waste purposes, would ruin it forever. After 43 years of work, can it really be destroyed like this? — unframed.lacma.org
Notable American museums publicly expressed their support on Twitter via #protectCITY. The LACMA petition to protect Michael Heizer's City and the Basin and Range can be reached here.Previously on Archinect: Michael Heizer's massive desert sculpture, "City", will make you cry
It's a special building because it lives, grows, breathes and changes over time. Its terraces are dotted with 150 tall trees which together with 50 plants in the court produce about 150,000 liters per hour of oxygen, at night absorbing about 200,000 liters of carbon dioxide per hour. Also slashing particulate matter caused by cars, protecting from noise, following the natural cycle of the seasons, growing day by day, creating an ideal microclimate. — Divisare
An unregulated squatter settlement, Slab City is home to perhaps 150 year-round residents — refugees from mortgages and bill collectors, former hippies, rebels and self-identified misfits — who live in personal camps made from old trailers, truck campers and crude lean-tos, and call themselves Slabbers. From October to April, the population swells to perhaps 2,000 as snowbirds, attracted by the guaranteed sunshine and zero fees, arrive in sometimes majestic motor homes. — NY Times
But now, as the New York Times article documents, the residents of Slab City are divided over the fate of their shared home. After news began to percolate that the California State Land Commission might sell the land, the "Slabbers" began to debate what to do. Should they band together to try to...
Places Journal has long targeted an interdisciplinary readership — practitioners, scholars, and students in architecture, landscape, and urban design.This week the journal has launched a new tool — Reading Lists — that promises to strengthen ties between the design disciplines and related...
Leading scholars from around the world will convene in Chicago, April 15–19, to present new research on the history of the built environment at the 68th Annual International Conference of the Society of Architectural Historians. But the conference isn’t just for academics. SAH aims to engage...
thresholds 44: workspaceeditors: christianna bonin | nisa ariCALL FOR SUBMISSIONSWhen an employee at Google’s Mexico City office takes a post-lunch plunge into the on-site ball pit, is she working or playing? And when an employee in one of Foxconn’s factory sites in China leaps from his...
There aren’t many architects you would believe could hold back seas and save the world from being drowned by Biblical floods. But when you meet Bjarke Ingels, anything seems eminently possible. [...]
If New York has to build 10 miles of flood defences to protect the city from another Hurricane Sandy, why not conceive the barrier as a brand new waterfront park? Climate security as leisure amenity. You can almost hear the standing ovation and all-American whooping in the background. — theguardian.com
Seattle-based architect [Katrina Spade], originally from New England, has a vision that could radically reshape not just the death-care industry but the way we think about death itself.
She calls her plan the Urban Death Project, and it proposes a middle road between burial and cremation: compost. [...]
The centerpiece of the idea is an approximately three-story-high building in an urban center where people could bring their dead. — thestranger.com
Los Angeles is a place that is “conducive to making ideas and forms at the same time,” asserted Michael Maltzan during a talk yesterday at the A+D Architecture and Design Museum in Los Angeles. Part of the museum’s ongoing lecture series inCOLLABORATION, Maltzan’s talk focused on the...
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