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The lawsuit filed by artist Mary Miss in federal court in Iowa last month has gained a preliminary injunction over the alleged breach of contract stemming from the Des Moines Art Center’s planned removal of her outdoor sculpture piece Greenwood Pond: Double Site (1996). The news was shared by... View full entry
Artist Mary Miss has filed a lawsuit in an ongoing dispute over the planned demolition of her outdoor installation Greenwood Pond: Double Site (1996) at the Des Moines Art Center in Iowa. A district court subsequently decided to issue a temporary restraining order against the... View full entry
Following last week’s look at an opening for a Project Manager at the Center for Zero Waste Design, we are using this week’s edition of our Job Highlights series to explore an opportunity on Archinect Jobs for a Construction Manager at the Skystone Foundation. The... View full entry
The long-awaited public opening of land artist Michael Heizer’s monumental earthwork City is just around the corner, and the Triple Aught Foundation, the group which manages its remote Lincoln County, Nevada site, has shared some amazing new photos that offer a sense of the scale and stasis of... View full entry
City, a vast complex of outdoor structures and landmasses the Land artist Michael Heizer began constructing in the desert of Nevada in 1970, will finally begin welcoming public visitors next month. The site’s opening on 2 September, more than 50 years after work at the site began, marks the fulfillment of Heizer’s most ambitious and career-defining project. — The Art Newspaper
Get ready to weep (assuming you are among the select art tourists willing to travel to the site-specific installation, as Heizer intended): The 50-year saga surrounding the National Mall-sized sculpture is over, and the Triple Aught Foundation, which manages the site, will begin accepting up to... View full entry
Beverly Pepper, the multi-talented artist who dabbled in monumental sculpture, land art, painting, and site design, has passed away at age 97. Over a career that stretches back over six decades, Pepper helped create a vast collection of large scale works that engaged materiality, form... View full entry
For the past 40 years, artist James Turrell has been working on creating his most massive project yet, a largely unseen network of installations built inside a dormant volcano in the Arizona desert. The ambitious land artwork aims to turn the 2.5-mile wide crater into a series of rooms and tunnels... View full entry
As City—Michael Heizer’s vast Land Art installation in the Nevada desert—nears completion, the fate of the federally protected land surrounding it could soon be decided. Ryan Zinke, the US Interior Secretary, visited the state on Sunday, 30 July, as part of a review of 27 national monuments ordered by President Donald Trump, which could result in some of these lands being reopened to development. — theartnewspaper.com
"A number of museums banded together to call for the site’s preservation," The Art Newspaper explains the background of City's current surroundings (previously also on Archinect), "and in 2015, Obama created the Basin and Range National Monument, which covers 704,000 acres in southern Nevada’s... View full entry
“My good friend Richard Serra is building out of military-grade steel. That stuff will all get melted down. Why do I think that? Incans, Olmecs, Aztecs—their finest works of art were all pillaged, razed, broken apart, and their gold was melted down. When they come out here to fuck my ‘City’ sculpture up, they’ll realize it takes more energy to wreck it than it’s worth.” — New Yorker
Heizer, a pioneer of the earthworks movement, began “City” in 1972. A mile and a half long and inspired by ancient ritual cities, it is made from rocks, sand, and concrete mined and mixed on site. “ ‘City’ is one of the most important works of art to have been made in the past... View full entry
"They have strong architectural properties: they create space, they provide shelter and shade, they change the thermal and acoustical properties of the surrounding context and thus they enable new activities and programs to take place. But also, they can live empty without looking like empty buildings...” — The Creators Project
Land art installations stand majestically against the pristine Montana landscape at the Tippet Rise Art Center, a working sheep ranch turned art destination that opened in June about an hour away from Billings and 2.5 hours north of Yellowstone. Ensamble Studio principals Antón García-Abril... View full entry
Early Land Art practices emerged as a protest against the commercialization of art at the end of the 1960’s and as a subsequent refusal of the museum or the gallery as a setting for artistic activity. (Oppenheim). — SOCKS
In addition to the examples in the article, my memory bank recalls one of my favorites, a 1986 Chris Burden piece at the inaugural show of then Temporary Contemporary, Exposing the Foundation of the Museum, 1986. MoCA-LA. View full entry