Prime Minister Shinzo Abe says he wants Japan to showcase its cutting-edge technology in the new national stadium being built for the 2020 Tokyo Olympics and Paralympics.
Abe made the remark on Monday at a meeting with a study panel on the stadium. [...]
Prime Minister Abe [...] said he wants to hear people in other countries calling the new stadium great.
Some people have raised concerns about high maintenance costs for the new facility. — NHK WORLD News
While some of that Japanese cutting-edge technology (for example 3D projection) will be found in the entertainment department, other features, like facial recognition, could enable ticketless entrance and serve security and counterterrorism efforts.Previously
“They don’t want a foreigner to build in Tokyo for a national stadium. On the other hand, they all have work abroad. Whether it’s Sejima, Toyo Ito, or Maki or Isozaki or Kengo Kuma.”
Last month Isozaki, 83, wrote an open letter to the Japan Sports Council, the government body in charge of plans for the 2020 Games, in which he attacked the “distorted” process that has led to “a dull, slow form”. — theguardian.com
Fujimoto’s goal isn’t just to make spaces—the basic function of architecture—but to make people relate to spaces in new ways. Watching the couple move around the house, approaching everyday activities with the finesse the unusual design requires, suggests he is well on his way to achieving it. — online.wsj.com
It was supposed to represent a dynamic future vision for Tokyo, flaring up out of the city’s Meiji Jingu park in sinuous white arcs. But Zaha Hadid’s design for the 2020 Olympic stadium [...] now facing its fiercest public attack yet. [...]
In a lengthy open letter to the Japan Sports Council [...] Isozaki rails against the “distorted” process that has led to “a dull, slow form, like a turtle waiting for Japan to sink so that it can swim away”. — theguardian.com
MUJI HOUSE, the architectural entity of Japanese design brand Muji, recently released their latest prefab house in Tokyo called the Vertical House. The slender 3-story structure was primarily designed for urban dwellers living within Tokyo's tight living spaces.Designed with simple white walls and...
Acclaimed architect Steven Holl received the Praemium Imperiale International Arts Award medal for architecture in a ceremony in Tokyo today. Japan's Prince Hitachi, honorary patron of the Japan Art Association, formally presented the awards to each of the 2014 laureates. Created in 1988, the prestigious Praemium Imperiale recognizes lifetime achievement in the arts in categories that aren't covered by the Nobel Prize. — bustler.net
The 2014 laureates also include: South African playwright Athol Fugard, Estonian composer Arvo Pärt, French painter Martial Raysse, and Italian sculptor Giuseppe Penone. The 2014 Grant for Young Artists (5 million yen, or US$50,000) was given to the Zinsou Foundation in Benin, West...
Every night in Tokyo, the few remaining residents of the Nakagin Capsule Tower bed down to sleep in the once-futuristic white pods they call home.
Unlike the tiny, coffin-like cabins of Japan's numerous capsule hotels, where office workers who have missed the last train can catch a few hours' sleep, the 140 units at Nakagin represent a special part of the history of architecture, and one that is worth protecting against plans to tear it down, say campaigners. — globalpost.com
"We're going to collect donations from all over the world. We're trying to buy each capsule one by one. Each room counts as one vote, to decide what to do," said Masato Abe, founder of the Save Nakagin Capsule Tower Project.
News of the planned destruction of the Hotel Okura building in Tokyo to make way for a larger 38-story glass tower has brought cries of protest in Japan and elsewhere in the world. Monocle, the wide-ranging global magazine, has started a petition to save the old Okura on behalf of “all lovers of modern Japanese architecture.” — nytimes.com
The installation you see above is a project by Masakazu Shirane and Saya Miyazaki called "Wink," their entry into Kobe Biennial's Art Container Contest. The kaleidoscope concept uses mirrors (in keeping with Sir David Brewster's classic), but is also held together by zippers. Shirane and Miyazaki claim this makes it the first "architecture" based on zippers; proving you can create an adaptable, reconfigurable space using the same tech found in your pants. — engadget.com
As Okinawa and Kyushu prepare to take the brunt of what was until Monday categorized as a “super typhoon,” local infrastructure will be pushed to its limits, especially in Kyushu, where the area is saturated from heavy rains last week. — The Diplomat
Typhoon Neoguri is the strongest typhoon of the 2014 season, thus far. As it barrels through the Ryukyu island chain and towards mainland Japan, the storm is already taking its toll. Reports claim 25 people have been injured, thousands are without electricity, and 540,000 have been ordered to...
Oita, a medium-sized manufacturing city in the southwest of Japan, hopes to make its mark next summer as the host of the first Toilennale—an arts festival celebrating toilets. [...]
Tourism is the main focus of the art exhibit, but the Toilennale also promises to improve city services by renovating and beautifying bathrooms throughout downtown, beyond the 12 being turned into installations. — qz.com
Is it too late for Koolhaas to include the Toilennale in the "toilets" Fundamentals tome?Get up to date on Venice Biennale news (toilet and non-toilet):Terri Peters' coverageRound-up of critical reactions from architectural publications
Tokyo’s extreme housing production and resulting market is a product of Japan’s uniquely liberal zoning rules. Taken along with its dense network of profitable, private railways, Tokyo is the closest thing this planet has to a city that has completely surrendered itself to market forces. And its construction numbers show it. — nextcity.org
That's because, as the economists Richard Koo and Masaya Sasaki show in a report, 15 years after being built the average house is worth nothing. [...] "It's not environmentally sustainable but also not financially sustainable. People work very hard to pay off a mortgage that's ultimately worth zero."
[...] It has also produced a huge number of architects, who are kept busy by buyers wanting a new house that reflects their lifestyle. — theguardian.com
Rooftop farms have been established all over the world to enable growing food in dense urban areas. In Japan, a whole new kind of an urban rooftop farm was opened recently. Soradofarm is an urban agriculture project that uses the rooftops of train stations to accommodate urban gardens for waiting train passengers that want to use their transfer time to relax and train their gardening skills. — popupcity.net
What is “micro public space”?...To date, Atelier Bow-Wow have presented, in exhibition settings, numerous installations featuring small structures, furniture and so on...More than just small buildings, these works are devices supporting the interaction and activities of all sorts of people, and while compact in size, create places open to a diverse audience". — The Hiroshima City Museum of Contemporary Art
Starting February 15 and running through May 6, 2014, a new exhibition grants a close look at the practice of Atelier Bow-Wow. The exhibit will explore various approaches to public spaces – via a combination of numerous “micro-public-space” works actually able to be...
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