The Len Lye Centre in New Plymouth, Taranaki in New Zealand stands as an emblem of the sculptural works and philosophy of acclaimed artist Len Lye, who was a prominent figure in the kinetic sculpture and experimental film movements throughout the 20th century. Celebrating its grand opening late...
This week, the Queen Elizabeth Olympic Park in London announced that “the world’s longest and tallest tunnel slide” will wrap around Anish Kapoor’s “ArcelorMittal Orbit.” When the sculpture went up in 2009 after winning a design challenge, it proceeded to receive mostly scathing reviews — and a spot on the shortlist of the 2012 Carbuncle Cup [...]. Today, Kapoor revealed that the slide is actually a work of art, designed by none other than Carsten Höller at Kapoor’s own invitation. — hyperallergic.com
Architect Frank Gehry has often talked about the influence artists have had on his building designs. [...] An early work from the 1960s by sculptor Larry Bell in the Frank Lloyd show offers a partial template for a Gehry design built three decades ago in Toluca Lake.
Gehry's World Savings and Loan branch at Riverside Drive and Mariota Avenue is a sky-lighted, one-story hall framed by tall facades out front and in the back, as if a full second story had been planned but never built. — latimesblogs.latimes.com
Richard Serra’s new sculpture, 'East-West/West-East,' is a set of four standing steel plates rolled in Germany, shipped via Antwerp, and offloaded, trucked, and craned into place in the middle of the western Qatari desert...the steel is the same that he’s used in his other pieces, and it will oxidize in the same way, albeit more quickly in the hot, salty conditions of the Brouq Nature Reserve. The plates will [ultimately] turn a dark amber—approximately the same color...as the Seagram Building. — The New Yorker
Related:Richard Serra is the first artist to receive the President's Medal from the Architectural League of New York“Serra Gate” salutes to Taksim Square protests in Istanbul, will tour city next year
Dressed in reflective yellow construction gear while working under the cover of darkness early Monday, a small group of artists installed a tribute to NSA-leaker Edward Snowden in a Brooklyn park.
But it was gone by midday.
The Snowden bust stood atop a column at the Prison Ship Martyrs Monument in Fort Greene Park, a site built to honor more than 11,000 American prisoners of war who died aboard British ships during the American Revolutionary War. — mashable.com
Located in Garden Valley, Nevada, Michael Heizer’s City is one of the most significant works of art in the United States. Begun by Heizer in 1972, the project is now in its final stage of completion. It will, in the future, be accessible by the public. [...]
To see the land developed into a site for military, energy, or waste purposes, would ruin it forever. After 43 years of work, can it really be destroyed like this? — unframed.lacma.org
Notable American museums publicly expressed their support on Twitter via #protectCITY. The LACMA petition to protect Michael Heizer's City and the Basin and Range can be reached here.Previously on Archinect: Michael Heizer's massive desert sculpture, "City", will make you cry
"Textscape" by interdisciplinary artist and University of Hawaii at Manoa educator Hongtao Zhou is a visually engaging work of 3D text documents that nods to one of the Four Great Inventions of Ancient China: printing. The letter-sized documents examine how the role of printing has shifted from...
Here's one for you lovers out there: in the annual Times Square Valentine Heart Design contest, Brooklyn-based, Venezuelan-born firm Stereotank just came out as the winner with their entry "HEARTBEAT."
The interactive installation is scheduled to open for an entire month to couples and singles alike on February 9. — bustler.net
"The tradition I’m coming from is not pleasure. It’s a certain shamanistic excess" — NYT
At first glimpse, the House of Mirrors looks like a misplaced stack of wiry boxes randomly cast away along the Australian coast. Up close, the cubical structure further engages passersby as its steel frame draws them right to its mirrory middle, which appears to float inside as it reflects its coastal surroundings. — bustler.net
The House of Mirrors by London and Melbourne-based design studio NEON was recently displayed at the Sculpture by the Sea Bondi 2014, a large public outdoor exhibition that takes place along the Bondi to Tamarama shoreline in Australia.For more details, head over to Bustler.
“He didn’t like people coming into the studio and seeing the paintings before they were finished,” he said. “This is one of the most ambitious artworks ever envisioned, certainly in the United States.”
Heizer's mammoth masterpiece in the desert is called "City."
“It was in 1994 when I first saw it, unfinished,” Govan said. “You do cry. You think, what an incredibly beautiful ambition.” — ksl.com
The conceptual storefront Prada Marfa, 2005, by Elmgreen & Dragset, has a new lease on life. The Texas Department of Transportation reached an agreement last week with the foundation Ballroom Marfa to preserve the sculpture after nearly one year of negotiations. The government threatened to shut down the work because it could be considered an illegal roadside advertisement under state law. [...] the foundation plans to lease the land underneath Prada Marfa and register it as an art museum. — theartnewspaper.com
Since the announcement this past March, Chilean architect Smiljan Radic has unveiled the 14th Serpentine Pavilion at the Serpentine Gallery's Kensington Gardens in London. For the past 14 years, the Serpentine Gallery has invited famous architects like Sou Fujimoto, Jean Nouvel, SANAA, and Frank...
On Friday afternoon, a young American in Tübingen had to be rescued by 22 firefighters after getting trapped inside a giant sculpture of a vagina. The Chacán-Pi (Making Love) artwork by the Peruvian artist Fernando de la Jara has been outside Tübingen University's institute for microbiology and virology since 2001 and had previously mainly attracted juvenile sniggers rather than adventurous explorers. — theguardian.com
Practitioners create visually dazzling and unexpected forms that’re seemingly unrelated to anything as prosaic as function or context. They exploit advances in design and construction technology to build ever more visually arresting and extraordinary buildings.
The future of this movement is likely to be limited because the law of diminishing returns inevitably applies to the search for ever-newer and ever-more unexpected architectural forms. — INDAILY
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