The Whitney Museum of American Art has yet to open its doors in a new location in the meatpacking district, but on Tuesday night it unwittingly played host to its first radical art exhibition. At 11 p.m., activists from groups including Occupy Museums and Occupy the Pipeline gathered on the street in front of the museum for a performance art-style demonstration about a natural gas pipeline that is adjacent to the $422 million building and its vast art collection. — NY Times
Protestors against low-income housing demolition are not just fighting for their homes, but often for their ability to stay in London at all. The small amount of “affordable” housing being discussed as a replacement is really a figleaf. — citylab.com
Now the barracks plan has been revived. [...] Will one of central Istanbul’s few remaining green spaces become a symbol of consumerist might and the weakness of people power?
Activists have pledged to take to the streets should the plan go forward. “If this project really comes to pass despite the high level of objection from the public, that will create a second wave of uprisings, and this time it will be more influential,” said Eyup Muhcu, the head of Turkey’s main architects’ union. — nextcity.org
Two nights before New Year’s Eve, more than a thousand Macedonians gathered in the snow to hold hands and form a ring around a large shopping mall in the capital city of Skopje. That may sound like the beginning to some strange joke, but the crowd was assembled in earnest, to express its love of the modernist building known as GTC, and to protest a government plan to give it a new, baroque façade. — hyperallergic.com
... in a city whose architecture is mostly modernist, all of the Skopje 2014 building is being done in a strictly neoclassical style, from a brand new triumphal arch to a towering sculpture of a man on a horse — presumably, but not explicitly, Alexander the Great — atop a column adorned with...
NYC has been the focal point for recurrent demonstrations over the last couple of weeks, with large, long marches, die-ins and rallies. This is not surprising, since NYC is the most populous city in the country. But even more than that, the urban environment — dense, centralized, vertical, walkable — creates spaces that are conducive for these protests to pick up steam. The existence of public spaces, such as Union Square and Washington Square Park, function as easily accessible rallying points. — america.aljazeera.com
Ash-har Quraishi reports on why some Chicagoans oppose a plan for a museum for the ‘Star Wars’ creator’s artwork — Al Jazeera
A newly completed 125 ft high mural painted by Stik on a condemned council owned tower block in Acton, West London is the tallest street artwork in the UK.
The artwork depicts a mother and child looking forlornly from their condemned council block at the luxury apartment complexes being built around them. [...]
Charles Hocking House was built for low income families in 1967 and is earmarked to be torn down in 2016. — streetartnews.net
We call it “destructoporn” (since 2007, according to Urban Dictionary) and it comes, unbidden, via digital media. Where did I see that Tod Williams and Billie Tsien’s Folk Art Museum, just thirteen years old, was down to steel and rubble? The art critic Jerry Saltz’s Instagram. [...]
The dailiness, even hourliness, of social media makes it a perfect vehicle for documenting each thump of the wrecking ball, each crunch of the backhoe. Its visual slant is ideal for activism wrapped up in pictures. — newyorker.com
Welcome to prison, and a celebration of liberty. Ai Weiwei, the big man of Beijing, has spent years discovering pockets of freedom in the most straitened circumstances, resisting every effort by the Chinese government to shut him down.
This week he opens a major new exhibition in a place that makes that resistance literal: on Alcatraz [...]. The United States has the highest incarceration rate on the planet. But this prison is decommissioned, and Ai is using it to extraordinary effect. — theguardian.com
Friday, August 22:Zaha Hadid sues architecture critic Martin Filler over book review: Hadid is responding to allegedly defamatory comments made by Filler regarding her 2022 World Cup stadium in Qatar.The Demolition of 5 Pointz Has Begun: The "Graffiti Mecca" was slated for demolition last...
Moscow City Hall has formally prohibited the moving or reassembly of a Soviet architectural landmark that has been under threat of demolition blamed by conservationists on real estate developers. [...]
The radio tower's materials, architectural composition, structural elements and location all fall under the conservation order by City Hall's heritage department, published by Consultant.ru judicial database.
This puts an end to earlier proposals to move or dismantle and rebuild the tower. — themoscowtimes.com
In late May of 2012, my friends and I travelled up to Montreal from upstate New York for the first time, only vaguely aware of the escalating student demonstrations there. When we arrived, we found ourselves in a sea of red. The students we stayed with all had little red felt squares pinned to...
Traditionally, young people have energized democratic movements. So it is a major coup for the ruling elite to have created societal institutions that have subdued young Americans and broken their spirit of resistance to domination. — FILMS FOR ACTION
When Alfredo Jaar’s glittering “A Logo for America” video first played on a Times Square billboard in 1987, it riled up New Yorkers. [...] shows the words “This is not America” inside the outline of the United States. “A Logo for America” will receive a second life this week; beginning on August 1, the video will pop up on Times Square signs and screens between 11:57 pm and 12:00 am. But this 2.0 version loses some of the video’s original intent to reach a broad—and hopefully attentive—audience. — artfcity.com
The story of Boyle Heights reminds us that urban highway teardowns don't always end in victory. [...]
"What we don't know, however, is the story of the losers, the urban men and women who fought the freeway, unsuccessfully, on the conventional terms of political struggle, who weren't able to pack up and move on, and who channeled expressive cultural traditions to register their grievances against the presence of unwanted infrastructure." — citylab.com
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