It’s a reminder that decommunisation is a project which might actually be physically impossible to execute in full, which hopefully begs the question — if Soviet Ukraine can't be wished away, what should be conserved, and what should be rejected? [...]
The nationalist purging of any traces of socialism from the landscape is a fool’s errand at best, gross historical revisionism at worst. — calvertjournal.com
Related on Archinect:Owen Hatherley on the mass housing history of Moscow’s suburbsMoscow skaters reclaiming hidden spaces on top of Soviet-era buildingsParadise lost? The enduring legacy of a Soviet-era utopian workers’ district
“Let us usher in a great golden age of construction,” exhorts one of the 310 official patriotic slogans published this year. The ambition is already evident in the number of cranes that dot the skyline [...]. The most prominent structures are the 47-storey shafts of the Changjon Street apartments, an 18-tower complex completed last year in less than 12 months and nicknamed “Pyonghattan” by foreign diplomats. But other emerging skyscrapers go undiscussed and unphotographed [...]. — theguardian.com
Related stories on Archinect and our sister site Bustler:“Crow’s Eye View”, from the 2014 Venice Biennale Korean Pavilion, returns as a NY exhibition (Bustler)North Korean architect of new Pyongyang airport reportedly executed by Kim Jong UnNorth Koreans hesitate to move into Kim Jong Un's...
To [Hatherley], architecture is the physical manifestation of politics. It is power literally in bricks and mortar. In this respect he is unusual and, I believe, right. But he is handicapped at every turn by his belief, worn on his sleeve, in the nobility of the socialist cause. This can be an asset as he wrestles manfully to evoke the spirit of places from which most of us would turn in horror. — wsj.com
More from British architecture writer Owen Hatherley here, and on communist architecture:The promises and problems of a Cuban architecture marketProtesting context, not form, of Ottawa's "victims of communism" memorialCreepy Photos of Russia’s Crumbling Communist ArchitectureCzech Communist...
Would-be investors would face other obstacles even if the embargo were lifted... Cuba is still tightly controlled by its Communist government. [...]
In any case, most architectural work in Cuba today focuses on the restoration of Havana’s immense historic building stock—two-thirds of which is in disrepair—and on bringing Havana into the 21st century without imperiling its heritage. — architectmagazine.com
More on Cuba:Take a virtual tour of Havana's modern architecture"American Disruption, at Home and Abroad": Gehry's Facebook HQ opens and Airbnb comes to Cuba on Archinect Sessions Episode #24Airbnb now open for business in Cuba, despite anemic internet accessA glimpse at Havana's rooftop dwellers...
Blumberg doesn’t understand why a memorial to victims of communism was given such an “incredibly prominent, almost sacrosanct” site. “It is so centrally placed that it would seem to quite overshadow Canada’s true history.” [...]
"I have a massive problem, a huge problem, with this memorial going on that site. I think it completely misrepresents and skews what Canada is all about.” — ottawacitizen.com
ABSTRAKT Studio Architecture was chosen to design Canada's future National Memorial to Victims of Communism in Ottawa...The team was selected out of six finalists at the end of the two-phase national design competition held this summer. The memorial will pay tribute to the more than 100 million people around the globe who suffered or perished under communist dictatorship, as well as educate the public about the heavy consequences caused by communism. — bustler.net
As a national memorial, it will also signify Canada's role in offering refuge to those who escaped that oppression. It will be located on Confederation Boulevard beside the Supreme Court of Canada, the Library and Archives Canada, the Peace Tower, and other key federal...
The sterility of the photos, especially the images of prisoner bedrooms, hints at the degree to which the Stasi kept a tight lid on dissenters. In prison culture (or at least prison culture as it’s portrayed in the movies), there’s a lot of graffiti: on the walls, in library books, between cells. “We were searching for any scratching or anything in the cells—usually you would think they were sending messages—but it was very clear you couldn’t see anything” — wired.com
English photographer Rebecca Litchfield braved radiation and KGB-style interrogation techniques to capture the beauty of this bygone era in a series called Soviet Ghosts.
Her work took her to schools, hospitals, factories, and accidentally, a top secret radar installation. “Many of the abandoned buildings are pretty unknown to the public, they are hidden behind tall fences and gates, I think it is easy to just pass without knowing what is inside,” says Litchfield. — wired.com
Buildings perform a variety of functions: They shelter, illuminate, and obscure surrounding people and landscapes. The fundamentally pragmatic purpose of architecture endows edifices with a wide range of functions, but rarely does architecture speak. Curator Joanna Warsza, however, organizes performances and interventions that implore architecture to speak back. — blouinartinfo.com
The new commission for cultural heritage protection, an adviser to the Czech National Heritage Institute (NPÚ) director, has recommended that the state start protecting relatively young works of architecture from the second half of the 20th century [...]
“Unlike the architecture of the interwar Czechoslovakia, the post-war architecture has been omitted by protection programs so far, also because its valuable pieces are more difficult to distinguish." — praguepost.com
The most visible legacy of Communist rule, the grand and often eye-catching buildings have become a source of heated debate in Poland with critics condemning them as an ugly and unwanted reminder of a past best forgotten. Defenders stress their architectural merits and argue that the buildings are now part of the national heritage. — economist.com
Still, Bezjak hasn't refrained entirely from commenting on the architecture. He developed strict formal guidelines for his series, photographing it all with a large-format camera and always with the same lens. "I photographed everything that fit within this frame -- in terms of the buildings' dimensions, but also in terms of the possibilities for distancing oneself from the building -- and not the rest," he says. — Der Spiegel
The photographer Roman Bezjak spent five years traveling around Eastern Europe taking pictures of communist-era buildings. Born in Slovenia but raised in West Germany, he set out to document the everyday qualities of communist buildings. His book recently published book "Sozialistische Moderne...
Artist's assistants and wife released but his whereabouts not disclosed by Beijing authorities — guardian.co.uk
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