[AC-CA] recently announced the results of their [SYDNEY] Container Vacation House competition. Entrants had to design a waterfront vacation house on Bondi Beach in Sydney, Australia using only a freight container. — bustler.net
Out of 307 proposals, the jury chose three winners: 1st prize (US$3,500): Ales Javurek, Czech Republic (see cover pic) 2nd prize (US$1,700): Eunjin Koh and Jonghyun Kim, South Korea 3rd prize (US$800): Andrew Nicolle and James Moulder, Australia Images courtesy of [AC-CA].
The Seacliff House by Chris Elliott Architects is a residential house built for Chris Elliott's family on the famous Bondi Coogee to Coastal Walk in Sydney, Australia. Aside from maximizing both the narrow block space it is built on and the views of its coastal surroundings, the Seacliff House recently received two residential category 2013 Sydney Design Awards among others. — bustler.net
If Jørn Utzon did not exist, we would have to invent him. His story, mostly the legend of that single and singular building, the Sydney Opera House, provides the enduring foundational myth for all contemporary architectural practice. Utzon is our sage Kenobi, our renegade Solo, our heroic Skywalker, all in one. He looked the part, too: an architect out of central casting in the Gary-Cooper-as-Howard-Roark mould, as tall as Rem Koolhaas, as beautiful as Jacques Herzog, as Danish as Bjarke Ingels. — architectmagazine.com
The leggy damsel with raven hair and Doc Martens to match is unequivocal. ''No,'' she tells the small, freckled boy. ''You can't climb here. Go in there where it's safe.'' [...]
But the boy - not recognising her livery - can be forgiven his mistake. To him, the large, gridded edifice that she guards promises infinite climbability. [...]
The climbing frame in question is in fact art. It is this summer's Serpentine Pavilion, by Japanese architect Sou Fujimoto. — smh.com.au
What role should interactivity play in art? Should public opinion decide what is and isn't art? Can good art also have utility? These are a few polemics posed in the Sydney Morning Herald by columnist Elizabeth Farrelly, reacting to Sou Fujimoto's Serpentine Gallery Pavilion, featured...
The City of Sydney has just announced the winning team in the international competition to design a new library and plaza for Green Square, one of the city's major new developments. The jury, including famed architects John Denton, George Hargreaves, and Pritzker Prize winner Glenn Murcutt, selected the entry by Stewart Hollenstein in association with Colin Stewart Architects from a field of 167 entrants from 29 countries. — bustler.net
Billionaire businessman, James Packer has shortlisted four of the world’s best architects (Adrian Smith + Gill Architecture, Kohn Pedersen Fox Associates, Renzo Piano and Wilkinson Eyre Architects) to bid to design and build the urban masterpiece that will be Crown Sydney.
The proposed $1 billion six-star Crown Sydney resort will be a dramatic addition to Sydney’s skyline and be built across a giant 6,000 square metre site in Barangaroo. — DesignBuild Source
Destination Sydney led by Lend Lease with Australian firm HASSELL Studio, Dutch office OMA and Populous (formerly HOK), has been unveiled as the winning consortium for the redevelopment of the Sydney Entertainment Centre, Convention Centre and Exhibition Centre at Darling Harbour. — australiandesignreview.com
The moment whereby a burning crane which caught fire on a construction site snapped and fell on top of the University of Technology Sydney (UTS) building on Broadway in inner Sydney this morning has been caught on tape.
A video, which was filmed by a passer-by and supplied to Channel Nine, shows the upper portion of the crane above the main boom tip collapsing onto the building rooftop. — DesignBuild Source
The Herald was granted a first look at a mock-up of the facade on Thursday. It will be built brick by brick, rather than using a cheaper "brick curtain" method, which would have detracted from the fluid, undulating design, Professor Milbourne said.
It is due to be completed in mid-2014. Construction will be a "bespoke", at times slow process, said the managing director of Lend Lease's project management and construction business, Murray Coleman. — smh.com.au
IN THE hands of Urbanscreen, buildings become toys in a surreal world in which Salvador Dali or Lewis Carroll's Alice would feel at home.
Structures get torn apart, turned to ice or covered with ants and are made to disintegrate, pulsate, morph into strange shapes or become a gigantic pinball machine. — smh.com.au
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