Paris is not only the City of Lights, but also one of the great repositories of Brutalist buildings. "Brutalist Paris Map," a new architectural guide book put together by photographer Nigel Crow and edited by Robin Wilson of the Bartlett, marks the sixth in a series of publications touring various...
Depending on the level of surreality you favor in your coloring book exercises, The Brutalist Colouring Book from Belgian graphic designer Marc Thomasset allows you to create wildly imaginative or strictly literal renderings of various famous brutalist landmarks, including works by William Pereira...
Protesters gathered in Sydney’s historic Rocks district on Saturday to rally against the New South Wales government’s plans to sell off the Sirius building – which contains 79 social housing tenants – to developers for more than $100m. The 1970s Brutalist building was nominated for heritage listing by the NSW National Trust in 2014 but the government has refused to grant it, saying the proceeds from the sale are needed to build more public housing elsewhere in Sydney — The Guardian
Poland-based studio Zupagrafika has a thing for modernist and Brutalist architecture. And to share that passion, it has created playful illustrated paper cutout models of Brutalist buildings in London; modernist buildings in Warsaw; and a new series, Paris Brut, featuring Brutalist architecture from the 1950s–70s located in the city center and outlying banlieues. — Slate
Brutalism lost the good fight in 2015. [...]
Demolition on another building by Johansen began late last year as well: Stage Theater, once known as the Mummers Theater, in Oklahoma City. The Oklahoman‘s Steve Lackmeyer called the 1970 project the number-one modernist building in the city that should have been spared. [....] Preservationists had hoped to turn it into a children’s museum. Models of the building show what a delightful museum it might have made [...]. — citylab.com
Goldfinger’s [brutalist] buildings were decreed “soulless.” Inhabitants claimed to suffer health problems and depression from spending time inside of them. Some of Goldfinger’s buildings were vacated because occupants found them so ugly. Yet, architects praised Goldfinger’s buildings. [...]
This divide—this hatred from the public and love from designers and architects—tends to be the narrative around buildings like Goldfinger’s. Which is to say, gigantic, imposing buildings made of concrete. — slate.com
At what cost? The LAVA plan could be difficult to manage structurally, cost a significant amount of money and see Sirius occupants relocated anyway. But it could also be a more sustainable option than knocking down and rebuilding. — architectureanddesign.com.au
SIRIUS in 2014.Alas, the curse of the "brutalist eyesore" continues with the historic SIRIUS apartment building in Sydney, designed by architect Tao (Theodore) Gofers in 1978-79. Adding a third option to the demolish-preserve debate that typically ensues, local architecture firm LAVA proposed the...
“We can now get back to doing the public’s business and return a functioning Government Center to Goshen,” the Orange County executive, Steven M. Neuhaus, said in a statement. “It is my hope that this delay will not impact the bid prices.” — artsbeat.blogs.nytimes.com
On December 21, 2014, the Berkeley Art Museum permanently closed its iconic Modern building in preparation for a move to a nearby new building in 2016. Considered by many to be the Bay Area’s most remarkable example of Brutalism [...]. Although the building is a local landmark and listed on the National Register, its intricate concrete forms pose seismic safety risks, leaving a future for the building unclear. — docomomo-us.org
After it was built, some tenants pushed to have the building painted dark brown so it would look more "finished." Architect publicly protested this step, and the bank remained its simple, and quite effective, Brutalist self.Take it for what it is. I think it is 10 stories too short.Under The Radar...
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