This month, audiences will be able to check out the first program to emerge from Vergne's nascent administration: Step and Repeat, a multidisciplinary festival of performing arts, takes place at the Geffen Contemporary at MOCA over four Saturday evenings, beginning Sept. 13 [...] Step and Repeat will feature a unique nightly lineup of poetry readings, noise/experimental music, performance art, stand-up comedy, live bands and deejays, all presented side by side. — LA Weekly
The news that performance and other public programming will return to the Museum of Contemporary Art (MOCA) is a sign for some that the new director, Philippe Vergne, is already returning the embattled museum to its former strength. Vergne replaced the former director Jeffrey Deitch, whose...
The North Korean government has approved plans by two Norwegian artists to open an art academy in the country. Henrik Placht and Morten Traavik travelled to North Korea together for the first time in August to flesh out the proposal and to look for potential sponsors. So far they have received financial support from the Prince Claus Fund. [...]
“One of the reasons for us going to North Korea is that we don’t believe in sanctions and the boycott of art,” Placht tells The Art Newspaper. — theartnewspaper.com
In collaboration with fifteen poets and community activists from StartUp Box South Bronx, I recently created Memories of the Future, a location-based cinema project viewed on mobile phones. The group experimented with spoken word poetry, site specific performance, and on-site spectatorship to reframe the predominant view of Hunts Point and speak about possibilities for its future from a position of power. — urbanomnibus.net
There has long been a subculture of so-called “urban explorers” who have made a game of accessing off-limits places. [...] Urban explorers take photos mainly to document that they’ve been there, while for Deas the image is the whole point. The outlaw Instagrammers have more in common with graffiti artists, another subculture of underground creatives who make their work in the cracks of the urban landscape. — nymag.com
I can’t think of a more fitting a place for an exhibition of art and representation that aims to capture the breadth of the world than the Queens Museum. [...]
The title of Bringing the World into the World, on view through October 12th, is inspired by Italian artist Alighiero Boetti’s assertion that art and the world contain and are contained by each other. As conceived, the exhibition couldn’t happen properly anywhere else. — urbanomnibus.net
5 Pointz, New York City’s “graffiti mecca,” is being demolished right now. This morning, a backhoe began tearing into the building that has served as a legal spot for aerosol artists for over two decades. In 2011, the property owner announced that he will be developing the site and transforming it into a massive residential condo complex. — animalnewyork.com
The difficulties faced by Moca in North Miami in recent years highlight the changing cultural landscape of Miami. Moca was once one of a very few contemporary art institutions in the wider metropolis, but it has faced increasing competition for resources and support in recent years. [...] The suit cites Art Basel Miami Beach and Pamm as posing “new challenges to the relevancy and reputation of Moca’s permanent art collection.” — theartnewspaper.com
A six-story-tall floating "Rubber Duck" is making its West Coast debut at the Port of Los Angeles, where it will lead more than a dozen battleships and sailboats in the Tall Ships Festival L.A. parade [...]
Dubbed the world's largest rubber duck, the giant inflatable was created by Dutch artist Florentijn Hofman.
"The friendly, floating Rubber Duck has healing properties," Hofman said on the event's website. "It can relieve the world's tensions as well as define them." — latimes.com
Adorable? Certainly. Humorous? Obviously. Architecture? Maybe.According to Hofman's website, the Rubber Duck "doesn't discriminate people and doesn't have a political connotation... The Rubber duck is soft, friendly and suitable for all ages!" This description accounts for all rubber duckies ever...
Olafur Eliasson has tried something else. For his latest site-specific project, which opens on 20 August, the artist has transformed the entire south wing of the Louisiana Museum of Modern Art in Denmark into a convincing riverbed – a messy, stony accumulation of sedimentary rock and watery channels that threatens to silt up the white space of the gallery entirely. The result is an uncanny collision of manmade and natural views, and a Sublime reminder of the slow power of nature to erode [...]. — apollo-magazine.com
The installation you see above is a project by Masakazu Shirane and Saya Miyazaki called "Wink," their entry into Kobe Biennial's Art Container Contest. The kaleidoscope concept uses mirrors (in keeping with Sir David Brewster's classic), but is also held together by zippers. Shirane and Miyazaki claim this makes it the first "architecture" based on zippers; proving you can create an adaptable, reconfigurable space using the same tech found in your pants. — engadget.com
Cuba is in talks with the Bronx Museum to organise the first major exhibition by a US museum in the country, according to local reports. The show would be part of the 12th edition of the Havana Biennial next year, and could be followed by an exhibition in New York in 2016 that would feature work by Cuban artists. [...]
During her opening remarks, Perera emphasised the role of culture in “breaking barriers imposed by governments that have nothing to do with the will of the artists” [...]. — theartnewspaper.com
But, with all this push to quantize and characterize, there are dangers. Cities clearly are more than a new kind of physics problem. They are also creations of the human imagination and, as such, they live or die by the quality of the imagination we bring to them.
Thats why no discussion of the health of cities can be complete without thinking about the role of art — public art. — npr.org
Next Saturday at 5 p.m., after a week of member previews, the 35-year-old Aspen Art Museum in Colorado will open the doors of its new building to the public and then keep them open for a 24-hour celebration.
There is much to celebrate. The four-story building is the first American museum designed by the innovative Japanese architect Shigeru Ban. — nytimes.com
The leading Saudi artist Ahmed Mater, who caused a stir with a series of photographs depicting the rampant redevelopment around Mecca, is due to take part in his first public talk in the UK at Sotheby’s London (12 August). Mater will also discuss this work in relation to other cities such as Jerusalem and Medina during the discussion, entitled “Contemporary photography and hybrid architecture”. — theartnewspaper.com
When Alfredo Jaar’s glittering “A Logo for America” video first played on a Times Square billboard in 1987, it riled up New Yorkers. [...] shows the words “This is not America” inside the outline of the United States. “A Logo for America” will receive a second life this week; beginning on August 1, the video will pop up on Times Square signs and screens between 11:57 pm and 12:00 am. But this 2.0 version loses some of the video’s original intent to reach a broad—and hopefully attentive—audience. — artfcity.com
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