Architect Frank Gehry has been named the recipient of the 2016 Harvard Arts Medal, which will be awarded by Harvard University President Drew Gilpin Faust at a ceremony on Thursday, April 28. The ceremony, presented by the Office for the Arts at Harvard and the Board of Overseers of Harvard College, will include a discussion with Gehry moderated by actor John Lithgow, who is host of the event.
This marks the first time that the Harvard Arts Medal has been awarded to an architect. — gsd.harvard.edu
Online visitors from around the world can now explore the interior of the iconic Frank Lloyd Wright–designed Solomon R. Guggenheim Museum through Google Street View technology. Additionally, the Solomon R. Guggenheim Foundation, in collaboration with the Google Cultural Institute, has made available over 120 artworks from its collection for online viewing. [...]
The Guggenheim’s architecture presented unique challenges for Google’s engineers and Street View team. — guggenheim.org
Congratulations are due to Olafur Eliasson who's just been given a Crystal Award for his "exemplary commitment to improving the state of the world".
Ahead of the World Economic Forum, which takes place later this week in Davos, Eliasson was singled out for particular praise major works including The New York City Waterfalls, Ice Watch, The Weather Project, and Riverbed. — phaidon.com
For Katherine Craig, the mural is more than a marker of North End’s rising status. The so-called “bleeding rainbow” mural is a cornerstone of her career. And now, since the building’s owner aims to sell or redevelop the property, the artist is taking legal action to protect her work. [...]
The federal suit seeks an injunction that would bar the developer from destroying or otherwise altering The Illuminated Mural [...]. — citylab.com
The Chinese artist and activist Ai Weiwei is visiting Lesbos to document the plight of thousands of refugees who arrive daily on the Greek island by boat from Turkey. For the past two days, Ai has been photographing orange rubber dinghies coming into shore, families huddled around fires, people queuing to register at the Moria refugee camp and piles of discarded lifejackets, among other scenes [...]
It is understood Ai will be creating a work in response to the refugee crisis. — theartnewspaper.com
Here are just a few of Ai Weiwei's recent photos from the Lesbos refugee camp; giving a human face to people and entire families escaping war and persecution in their home countries of Syria, Afghanistan, Iraq, Somalia, as well as documenting humanitarian workers, such as the Norwegian group, Drop...
Built in 1962, the People’s Bank has distinct glossy, off-teal bricks and a sawtooth, vaulted rooftop. The building is not only one of the finest remaining examples of Googie commercial architecture in Kentucky — it is one of the finest examples in the nation. However, after years of neglect, locals are working to ensure that the building isn’t leveled into a movie theater parking lot. — hyperallergic.com
Pedestrian crossings made up of fragments of famous works of avant-garde art have appeared in a residential area in the Russian city of Khimki, located just northwest of Moscow.
Fragments of the work of Piet Mondrian, Kazimir Malevich and Vasily Kandinsky feature on five pedestrian crossings in the “Gorod Naberezhniy” complex, chosen for their frequent use. Together with the zebra stripes, there are signs which provide information about the artwork and artist. — calvertjournal.com
The Milwaukee Art Museum is due to reopen on 24 November after a 14-month, $34m renovation that brings the institution back from the brink. When the museum made the unorthodox decision to begin planning an expansion at the height of the recession in 2009, mould flourished, floors buckled and ceilings leaked in the two buildings that housed the permanent collection. [...]
Roberts says: “People who know our museum will not believe that this is the same museum.” — theartnewspaper.com
Related news on Archinect:Private money attracts big-name architects to design new museums in BeirutLeading up to its September-20 opening, Christopher Hawthorne reviews the new Broad museumA black museum for "The White City of the North": Moreau Kusunoki Architectes selected to design Guggenheim...
Earlier this week, the online street art community was abuzz about an article by Rafael Schacter for The Conversation, From dissident to decorative: why street art sold out and gentrified our cities. [...]
Basically, Schacter argues that street art isn’t rebellious anymore. Rather, that it’s most notable form is as a tool used by corporations to spur gentrification. Agree or disagree, the article is a must-read. — Vandalog
Selldorf and the curators were forced to strategically navigate the strict installation stipulations attached to each piece — and still create a dynamic space for viewing. [...]
“We wanted a very calm background,” Selldorf says. “It is the quality of the work that makes the show exciting, so rather than creating additional noise, we really focused on making spaces that were quiet and measured in such a way that the focus of attention was on the paintings.” — nytimes.com
For an artist who used to chop up cows and ambush people with his foreskin, his new south London HQ is notably subdued. The facade is not encrusted with dead butterflies nor diamond skulls, nor is there the clinical air that his eerie white production facility in Gloucestershire exudes. In fact, it looks a bit like a block of luxury docklands apartments – a couple of old brick warehouses with a polite in-keeping brick extension. Has the 50-year-old prankster finally grown up? — theguardian.com
While Burning Man really is a one-of-a-kind, temporary event, there are communities full of similarly minded radical folk across the globe. — ajc.com
Of course, San Francisco has much to offer. The clothing stores, the cable cars, the botanical gardens. My neighbor the conveyor operator, Alan. The libraries, the sports bars, the bus stations. Sigh. — Leaving Everywhere
“I helped change one neighbourhood into a hipster place, and then we got priced out of there.” Artist Jim Walker is describing the shift in fortunes of the Fountain Square district of Indianapolis, where his Big Car arts collective was born a decade ago – and of the artists and residents who have been forced to move on by the neighbourhood’s gentrification. [...]
Is there a more equitable way? That’s just what Walker is trying to find out with his latest arts-led Indianapolis project. — theguardian.com
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