[ROAR] is concerned about the effects of the $50 million project, which will drill 9,100 holes into the ground, some as deep as 30 feet, and require a crew of 3,000 workers to install over a 27-month period. The area is a habitat for Rocky Mountain Big Horn Sheep, bald eagles, and Peregrine falcons, and the livelihoods of many locals depend on it. — denverpost.com
Damien Hirst’s new art complex in south London, which will house Modern and contemporary works drawn from the artist’s collection as well as natural history objects, will be free of charge when it opens to the public in 2015. After more than a decade in development, the gallery, which runs the length of Newport Street in Vauxhall, is due to open in the summer.
[...] design by Caruso St John Architects, which converts and extends three Grade II-listed theatre carpentry workshops, in 2005. — theartnewspaper.com
a $25.4 million state grant that, matched with upwards of $30 million in private funds, will allow the Massachusetts Museum of Contemporary Art (MASS MoCA) to renovate another 140,000 square feet into gallery space on its 13-acre campus.
While this expansion will make it the largest contemporary art museum in the U.S., MASS MoCA has also been pioneering new economic models, civic engagement strategies and urban design interventions that are relevant for museums in much larger cities. — nextcity.org
Google announced today it’s making a platform available to museums that enables them to build mobile applications that take advantage of Google technology, including Street View and YouTube, to bring their exhibits to anyone with a smartphone. Through partnerships between museums worldwide and the Google Cultural Institute, there are now 11 museums and cultural institutions that have participated in this pilot project to date; their apps are live now on Google Play. — techcrunch.com
[Jeanne Gang] had just come back from a trip on which she’d been using binoculars with Swarovski lenses and had become intrigued by the optical aspect of the crystal company’s output. She had also become interested in James Balog’s Extreme Ice Survey, a long-term project that documents glacier shrinkage using time-lapse photography [...]
One challenge the studio faced was communicating the size of the glaciers photographed by Balog, and the extent of the devastation caused by global warming. — designmiami.com
And do you live with as much of the collection as you can?
Absolutely. I never keep fewer than five bronzes in my bedroom. It’s incredible that I have these things. I have them all round my bed—my little friends. I have very little money in the bank. I’m a hyper-materialist; enjoy it while you can. So many of my friends collect money in the way I collect art, but I don’t see the point. — theartnewspaper.com
Only 10 percent of arts graduates make a living from their creative practice. Artist William Powhida maps the institutional structures that keep most artists broke, and shares strategies for spreading the wealth. — Creative Time Reports
It’s all too clear that artists are willing to sacrifice everything for their art, including self-interest, an unfortunate consequence of an economy that trades in exposure. In our perilously unequal society, most artists are poor, and few understand how we might begin to change the situation...
Tate Worlds are exciting Minecraft ‘maps’ that present virtual environments inspired by artworks from Tate’s collection. The maps allow players of Minecraft to explore a range of paintings and sculpture, undertaking various activities and challenges that relate to the themes of the artworks, or exploring how they were made. Tate has teamed up with some of Minecraft’s best known mapmakers to create these virtual artworks, offering a unique combination of art, history and adventure. — Tate.org
The first two maps were released by the museum on November 24th and were based on two famous paintings of urban settings: Andre Derain’s 1906 painting of London, The Pool of London, and Christopher Nevinson’s 1920 painting of New York, Soul of the Soulless City.André Derain, the...
Until now the Amsterdam museum has usually presented its Van Goghs in a simple chronological sequence, set against white walls. This display originally seemed appropriate for the building’s architecture, a series of stark white galleries designed by Gerrit Rietveld, the leading Modernist architect of the De Stijl movement. The white-cube spaces have now been transformed by coloured walls, varying according to the artist's different periods [...]. — theartnewspaper.com
"The tradition I’m coming from is not pleasure. It’s a certain shamanistic excess" — NYT
Josef Albers’s Manhattan, a mural that enlivened the lobby of New York’s Met Life (previously the Pan Am) Building from 1963 until its controversial removal in 2000, could make a triumphant return to the city. Possible sites include the World Trade Center Transit Hub, The Art Newspaper understands. Finding a suitable home for the work is not the only obstacle: the original mural is in a landfill site in Ohio. — theartnewspaper.com
A newly completed 125 ft high mural painted by Stik on a condemned council owned tower block in Acton, West London is the tallest street artwork in the UK.
The artwork depicts a mother and child looking forlornly from their condemned council block at the luxury apartment complexes being built around them. [...]
Charles Hocking House was built for low income families in 1967 and is earmarked to be torn down in 2016. — streetartnews.net
The idea for Yandex. Street Photographer came to Daniill Maksyokov on a Friday night, while he was surfing the internet [...] “In Yandex.Maps there’s an analogue of Google Street View called Panoramas but it only has views of Russian cities and some former-Soviet countries [...]” say Maksyokov. “What’s more, faces, labels, registration numbers of vehicles and other personal data are not blurred … As a result you have a complete sense of presence and can see everything from a fresh perspective.” — calvertjournal.com
The Whitney Museum of American Art announced today that it will open its new home in Chelsea on 1 May 2015. With double the exhibition space of its "old" Marcel Breuer-designed building, the museum will be able to show far more of its collection of Modern and contemporary American art in its Renzo Piano-designed new space in the Meatpacking District. [...]
Weinberg told us that Piano saved the institution from making one decision that it would have lived to regret. — theartnewspaper.com
How did we come to live in an insular tribal sphere where unwritten rules and rigid moralities — about whom to like and dislike, what is permissible to say and what must remain unsaid — are strictly enforced via social media and online disapproval, much of it anonymous? When did this band of gypsies and relentless radicals get so conservative? — vulture
Could this be translated to architecture? Sure thing... I think architecture has a built in conservatism to begin with. Just look what the architects are pooling for.., fighting territories for things those really don't matter, blaming each other for handrail details and teaching values of the...
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