In conjunction with the symposium, "Test Sites: Experiments in the History of Space", the California College of the Arts (CCA) Architecture Division will stage the first exhibition devoted exclusively to the recent works of artisans and historians who harness scents, essences and fragrances in the reconstruction and preservation of historical spaces — An Olfactory Archive. — California College of the Arts
Probably the most under-appreciated sense in the experiential toolbox (unless you count proprioception), smell is often maligned by aesthetic criticism as too ephemeral, too fleeting, to substantiate anything meaningful. But what if it opened the nostrils and minds of the sniffers to imagine...
A giant purple structure believed to be the world's first inflatable concert hall is to open on Japan's disaster-hit north eastern coast.
British sculptor Anish Kapoor and Japanese architect Arata Isozaki created the unusual Ark Nova, a balloon made of a coated polyester material that has been erected at a park in the town of Matsushima.
The structure, which organisers say is a world's first, measures about 18m and 35m wide when fully inflated with room for about 500 guests. — dailymail.co.uk
When aircraft Shelter 610 opens its ruthless doors, a monstrous black behemoth slowly comes driving out. The object revives the mysterious atmosphere of the Cold War and its accompanying terrifying weaponry. At an almost excruciatingly slow pace, the artwork uses its caterpillar tracks to cross the seemingly infinite runway. — Rietveld Landscape
Lending a new meaning to "think tank", the formidable Secret Operation 610 is now slinking its way across Airbase Soesterberg in the Netherlands. Both art piece and educational practice, the structure is designed by Studio Frank Havermans and Reitveld Landscape for SKOR |...
Nearly eight years after opening, Prada Marfa has been classified by the Texas Department of Transportation as an “illegal outdoor advertising sign” because it displays the Prada logo on land where that is prohibited. This could lead to forced removal of the installation, although the department has not yet decided what action it will take. — nytimes.com
Art Critique Of Gramsci Monument: A Work in Public Space by Thomas Hirschhorn at Forest Houses, the Bronx, New York. — newcriterion.com
Thomas Hirschhorn’s Gramsci Monument, a temporary public art work sponsored by the Dia Foundation now on view at Forest Houses in the Bronx, reportedly cost $500,000 to construct.1 If you try accounting for its material costs in plywood, nails, tarps, and packing tape, and still come up...
“It has long been our goal to ensure that the contemporary artworks in the Broad collections are seen by the broadest possible public,” said Eli Broad. “We believe that free general admission to The Broad will help draw visitors to all of the cultural institutions along Grand Avenue.”
The Broad, Los Angeles’s newest contemporary art museum on Grand Avenue in downtown Los Angeles, will offer free general admission when it opens in late 2014, founders Eli and Edythe Broad announced today. At a hard hat tour and preview of the museum, the Broads were joined by Los Angeles...
The Los Angeles City Council voted [...] to tentatively rescind a decade long ban on murals. [...]
One of the biggest of supporters of the ordinance was muralist Kent Twitchell, he painted the Freeway lady along the 101, the LA Marathon Mural, and giant Los Angeles Conservancy portraits next to the 110 freeway in Downtown LA. Twitchell also co founded the Mural Conservancy of Los Angeles. — scpr.org
Swiss firm BUREAU A recently won first prize in Architecture in the Swiss Art Awards 2013 for one of their latest projects, "Parole - Champ-dollon 1/24." Although the project looks like a simple mouse cage, it comes with a strong message about complex social issues. "Parole" is a sculptural cage...
“It is amazing to realize you could walk around the site not knowing if there is a body underneath you,” Nelson said. “How do you commemorate that?” — The Seattle Times
Of the approximately 200 people buried at Saar Pioneer Cemetery, there are 89 unmarked graves, each unable to inform visitors of their presence and the role they played in Kent history. Collaborative artists Frances Nelson and Bradly Gunn seek to mark the unmarked by creating a series...
The fate of five Picasso murals on buildings damaged in the Anders Breivik bombing in Oslo in 2011 has led to a heated debate in Norway.
A panel of experts has recommended demolishing the buildings and removing the murals.
But art experts say that as the murals were designed by Picasso for those specific buildings, they should remain where they are.
The artworks were Picasso's first attempts at concrete murals. — bbc.co.uk
New York-based artist Thomas Doyle has made a career of crafting minuscule models of houses [...] and uprooting (sometimes literally) a handful of them via apocalyptic chaos. Sometimes, wrap around porches of butter yellow farmhouses fall into sinkholes and blue country homes get caught by tornados. — curbed.com
Many of his works—which, one could probably say are depictions of the fragility of the American dream—are on display next month at the Ronchini Gallery in London, as part of the space's Dream No Small Dreams series [...].
The leggy damsel with raven hair and Doc Martens to match is unequivocal. ''No,'' she tells the small, freckled boy. ''You can't climb here. Go in there where it's safe.'' [...]
But the boy - not recognising her livery - can be forgiven his mistake. To him, the large, gridded edifice that she guards promises infinite climbability. [...]
The climbing frame in question is in fact art. It is this summer's Serpentine Pavilion, by Japanese architect Sou Fujimoto. — smh.com.au
What role should interactivity play in art? Should public opinion decide what is and isn't art? Can good art also have utility? These are a few polemics posed in the Sydney Morning Herald by columnist Elizabeth Farrelly, reacting to Sou Fujimoto's Serpentine Gallery Pavilion, featured...
Artist and architect Tomás Saraceno [...] created a massive layered installation that’s suspended more than 25 meters (approx. 82 feet) in the air of the Kunstsammlung Nordrhein-Westfalen museum in Düsseldorf, Germany. “in orbit” stretches across the piazza under the mammoth glass ceiling of the K21 Ständehaus with its three levels of steel wire netting. Situated on the three levels are six inflated spheres that range in size, with the largest being 27 feet in diameter. — design-milk.com
Philip Beesley is a Canada-based architect who has spent years blurring the lines between nature and technology. In 2008, he began work on the Hyozolic series — a collection of immersive installations that react to, and evolve with, the movements of people who pass through them. The idea, according to Beesley, is to create a "metabolic architecture," whereby manmade structures are seen not as inanimate, fixed objects, but as living, breathing entities, capable of regeneration and growth. — theverge.com
“What I find so fascinating about the Presidio is that, in the heart of this military machine, there was a huge planting programme,” Goldsworthy says, referring to the fact that the park’s 300-acre forest was planted by the US military between 1886 and 1900. “They had quite a sophisticated sense of landscape,” he says. “They read the landscape in the way that sculptors do—or at least the way I do.” — theartnewspaper.com
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