Many in the art world were staggered by recent reports that the Italian curator Germano Celant is being paid €750,000 to organise a pavilion for the Milan Expo 2015. Celant’s fee, and the incredulity it provoked, raises questions about how much curators are typically paid for organising biennials and large-scale international exhibitions.
The Art Newspaper surveyed around 40 international curators and biennial organisers [...]. — theartnewspaper.com
[...] the Crystal Bridges acquisition reflects an increasingly popular attitude toward architecturally significant homes among private collectors. Such buyers now see that historic homes can be collected, preserved, and appreciated much like fine art. — blouinartinfo.com
The exploration of new ways of thinking about the built environment is at the heart of a new exhibition at St. Louis', MO Bruno David Gallery which opened June 27.Key piece of the show is M-velope by artist Michael Jantzen (read Archinect's 2009 interview with Jantzen here), an art retreat...
Buildings perform a variety of functions: They shelter, illuminate, and obscure surrounding people and landscapes. The fundamentally pragmatic purpose of architecture endows edifices with a wide range of functions, but rarely does architecture speak. Curator Joanna Warsza, however, organizes performances and interventions that implore architecture to speak back. — blouinartinfo.com
"Buildings in paintings have too often been viewed as background or as space fillers which play a passive or at best supporting role, propping up the figures that carry the main message of the picture. By looking afresh at buildings within paintings, treating them as active protagonists, it becomes clear that they performed a series of crucial roles." — online.wsj.com
The piece was completed last Friday and it consists of a single, diminutive swimming pool located somewhere in the southern Mojave Desert between Joshua Tree and Apple Valley. The public is allowed to use the pool, but in order to do so visitors need the key that unlocks it (it is kept covered) as well as the GPS coordinates. Only once you have the key, which is kept at the MAK Center, are you given the coordinates. — latimes.com
For some meals, it's not the food that makes it special, but how it was prepared. A cake made by a dear friend can taste better than the one bought from the bakery; instant oatmeal becomes transcendent made over a campfire in the woods. The traditions of cooking that we abide by are part...
Architect Peter Zumthor has dramatically revised his design for a new Los Angeles County Museum of Art, creating a new bridge-like section of the building that would span Wilshire Boulevard.
The new design is meant to address concerns that the original plan would encroach on, and potentially damage, the La Brea Tar Pits at the neighboring Page Museum, casting a shadow over the largest pit. — latimes.com
Switzerland’s two largest art museums are building extensions, although Basel is moving faster than its neighbour and sometimes rival, Zürich. In Basel, construction is proceeding apace on the Kunstmuseum’s project, across the street from the original museum. [...]
Meanwhile Zürich’s Kunsthaus has become embroiled in a dispute which has halted work this month. The Swiss environmental group Archicultura is objecting, and permission to build is being withheld by a canton court. — theartnewspaper.com
On Friday afternoon, a young American in Tübingen had to be rescued by 22 firefighters after getting trapped inside a giant sculpture of a vagina. The Chacán-Pi (Making Love) artwork by the Peruvian artist Fernando de la Jara has been outside Tübingen University's institute for microbiology and virology since 2001 and had previously mainly attracted juvenile sniggers rather than adventurous explorers. — theguardian.com
Using images provided by cultural organizations worldwide, some of which were captured with Google’s Street View camera technology, [the Google Cultural Institute's Street Art Project] includes street art from around the globe, including work that no longer exists [...]
Google is the latest organization to wade into debates about how or whether to institutionalize, let alone commercialize, art that is ephemeral and often willfully created subversively. — nytimes.com
The Wall Street Journal calls this "Fighting Urban Blight With Art". Liz Thomas, the curator of the project, calls it "an experience that asks people to think about this space that they hurtle through every day".
The project is not actually fighting blight, of course - only the ability of Amtrak customers to see it. — Al Jazeera
Reminds me of NYC in the 1980's when the city put large vinyl decals depicting shutters, potted plants, Venetian blinds and window shades over the yawning windows of abandoned city-owned buildings that face the Cross Bronx Expressway.
The collection of the Detroit Institute of Arts (DIA) is inching closer to safety. The Michigan State Legislature agreed yesterday to contribute $350m over the next 20 years to protect the museum’s works of art and shore up Detroit’s ailing pension funds. The state’s governor Rick Snyder is expected to sign the bill, which is part of a package to help settle the city’s bankruptcy, by the end of the week. — theartnewspaper.com
Jersey City-based art center Mana Contemporary—the exhibition branch of the Mana Fine Arts art storage, shipping, and packing empire—is building a street art museum in a former ice factory in Jersey City [...].
In addition to a rotating program of special exhibitions inside the institution, MMUA will boast specially-commissioned murals on its exterior walls, a large billboard where artists will create new works, and a full range of educational and community outreach programs. — news.artnet.com
It was an artistic collaboration delayed by some 25 years: The London architect Zaha Hadid responded as much to Frank Gehry’s Walt Disney Concert Hall in Los Angeles as she did to “Così Fan Tutte” when she designed her undulating all-white set for the Los Angeles Philharmonic’s performance of Mozart’s opera this week (it closes on Saturday). “We were responding to the context, to Frank’s design,” Ms. Hadid said in a telephone interview from London. — nytimes.com
SUBMIT NEWS: submit in 60 seconds!