I can’t think of a more fitting a place for an exhibition of art and representation that aims to capture the breadth of the world than the Queens Museum. [...]
The title of Bringing the World into the World, on view through October 12th, is inspired by Italian artist Alighiero Boetti’s assertion that art and the world contain and are contained by each other. As conceived, the exhibition couldn’t happen properly anywhere else. — urbanomnibus.net
5 Pointz, New York City’s “graffiti mecca,” is being demolished right now. This morning, a backhoe began tearing into the building that has served as a legal spot for aerosol artists for over two decades. In 2011, the property owner announced that he will be developing the site and transforming it into a massive residential condo complex. — animalnewyork.com
The difficulties faced by Moca in North Miami in recent years highlight the changing cultural landscape of Miami. Moca was once one of a very few contemporary art institutions in the wider metropolis, but it has faced increasing competition for resources and support in recent years. [...] The suit cites Art Basel Miami Beach and Pamm as posing “new challenges to the relevancy and reputation of Moca’s permanent art collection.” — theartnewspaper.com
A six-story-tall floating "Rubber Duck" is making its West Coast debut at the Port of Los Angeles, where it will lead more than a dozen battleships and sailboats in the Tall Ships Festival L.A. parade [...]
Dubbed the world's largest rubber duck, the giant inflatable was created by Dutch artist Florentijn Hofman.
"The friendly, floating Rubber Duck has healing properties," Hofman said on the event's website. "It can relieve the world's tensions as well as define them." — latimes.com
Adorable? Certainly. Humorous? Obviously. Architecture? Maybe.According to Hofman's website, the Rubber Duck "doesn't discriminate people and doesn't have a political connotation... The Rubber duck is soft, friendly and suitable for all ages!" This description accounts for all rubber duckies ever...
Olafur Eliasson has tried something else. For his latest site-specific project, which opens on 20 August, the artist has transformed the entire south wing of the Louisiana Museum of Modern Art in Denmark into a convincing riverbed – a messy, stony accumulation of sedimentary rock and watery channels that threatens to silt up the white space of the gallery entirely. The result is an uncanny collision of manmade and natural views, and a Sublime reminder of the slow power of nature to erode [...]. — apollo-magazine.com
The installation you see above is a project by Masakazu Shirane and Saya Miyazaki called "Wink," their entry into Kobe Biennial's Art Container Contest. The kaleidoscope concept uses mirrors (in keeping with Sir David Brewster's classic), but is also held together by zippers. Shirane and Miyazaki claim this makes it the first "architecture" based on zippers; proving you can create an adaptable, reconfigurable space using the same tech found in your pants. — engadget.com
Cuba is in talks with the Bronx Museum to organise the first major exhibition by a US museum in the country, according to local reports. The show would be part of the 12th edition of the Havana Biennial next year, and could be followed by an exhibition in New York in 2016 that would feature work by Cuban artists. [...]
During her opening remarks, Perera emphasised the role of culture in “breaking barriers imposed by governments that have nothing to do with the will of the artists” [...]. — theartnewspaper.com
But, with all this push to quantize and characterize, there are dangers. Cities clearly are more than a new kind of physics problem. They are also creations of the human imagination and, as such, they live or die by the quality of the imagination we bring to them.
Thats why no discussion of the health of cities can be complete without thinking about the role of art — public art. — npr.org
Next Saturday at 5 p.m., after a week of member previews, the 35-year-old Aspen Art Museum in Colorado will open the doors of its new building to the public and then keep them open for a 24-hour celebration.
There is much to celebrate. The four-story building is the first American museum designed by the innovative Japanese architect Shigeru Ban. — nytimes.com
The leading Saudi artist Ahmed Mater, who caused a stir with a series of photographs depicting the rampant redevelopment around Mecca, is due to take part in his first public talk in the UK at Sotheby’s London (12 August). Mater will also discuss this work in relation to other cities such as Jerusalem and Medina during the discussion, entitled “Contemporary photography and hybrid architecture”. — theartnewspaper.com
When Alfredo Jaar’s glittering “A Logo for America” video first played on a Times Square billboard in 1987, it riled up New Yorkers. [...] shows the words “This is not America” inside the outline of the United States. “A Logo for America” will receive a second life this week; beginning on August 1, the video will pop up on Times Square signs and screens between 11:57 pm and 12:00 am. But this 2.0 version loses some of the video’s original intent to reach a broad—and hopefully attentive—audience. — artfcity.com
The North Carolina Museum of Art on Tuesday received a $1.9 million grant from the State Employees’ Credit Union Foundation for art education research. The grant will establish a high-tech education center that will serve as a portal for accessing the museum’s collection, exhibitions and programs. — WRAL
On Cape Town's waterfront at the southern tip of Africa, the world's biggest museum of contemporary art from across the continent is being carved from a conglomeration of concrete tubes nine storeys high. The $50 million (36.7 million euro) project to transform the grim functionality of 42 disused colonial grain silos into an ultramodern tribute to African creativity is driven by an international team of art experts and architects. — Ahram Online
The project – the Zeitz Museum of Contemporary Art Africa – will be designed by British architect Thomas Heatherwick. "How do you turn 42 vertical concrete tubes into a place to experience contemporary culture?" the architect said. "We could either fight a building made of concrete tubes...
Damien Hirst’s art complex in south London, which was initially due to open this year, will take a little longer to complete. A spokeswoman for Science Ltd, Hirst’s company, says that it is now due to open “in May or June” next year. The centre, which is designed by Caruso St John architects, runs the length of Newport Street in Vauxhall. The former theatre carpentry and scenery production workshops will become six galleries. Office space and a restaurant are also planned. — theartnewspaper.com
Goldsmiths, which is part of the University of London and home to one of the UK’s leading art schools, plans to build a public art gallery behind the art department’s home, in an early 20th-century former public baths. To help raise the £2m needed to convert the old water tanks of the Laurie Grove Baths into an art space, the institution is asking its star alumni and emeritus professors [...] to donate works that will be auctioned by Christie’s, possibly next year. — The Art Newspaper
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