Bardell and Howe have been working together for the past decade and have started executing guerrilla-style living sculptures in the river, a project they call the River Liver Series. [...]
“One of the things that keeps us here is how exciting we think the next 10 years is going to be,” Howe says of L.A. “When they actually do this river revitalization, it’s going to be L.A.’s Central Park. Culturally, I think it’s the spot to be on the West Coast.” — laweekly.com
It once seemed like a herculean, if not insurmountable, challenge – raising $600 million or more for an ambitious modernist building to serve as the new home for the Los Angeles County Museum of Art.
Skeptics abounded when plans were first announced three years ago. But momentum now seems to be shifting in LACMA's favor with the announcement this week of two major donations that will push the fundraising campaign near the halfway point. — Los Angeles Times
Höller wanted to show that you don’t necessarily get to know a sculpture better by literally travelling through it; that once inside it begins to look like something else entirely... The Slide, a permanent fixture at London’s Olympic Park, will give people a full 40 seconds to experience this and decide for themselves as they make their way down the 178m chute at an estimated 15mph. — wallpaper.com
... instead of its standard Kohler toilet, it will have a solid 18-karat-gold working replica of one, a preposterously scatological apotheosis of wealth whose form is completed in its function: You could go into the restroom just to bask in its glow, Mr. Cattelan said, but it becomes an artwork only with someone sitting on it or standing over it, answering nature’s call. — nytimes.com
Borderlife is a street art intervention by Biancoshock in which three abandoned manholes in Milan’s Lodi district have been transformed into miniature dwellings. [...]
With Borderlife the street artist wants to make us aware about the distressing living conditions of many fellow humans who are forced to live in confined spaces, especially manholes. He got his inspiration from the reportedly hundreds of people that are occupying manholes and sewer systems in the Romanian capital Bucharest. — popupcity.net
Images of the BORDERLIFE street art intervention via Biancoshock's website.Related stories in the Archinect news:Giant "calligraffiti" mural unites community in Cairo slumSubterranean theme park: photographer Richard John Seymour captures the new life inside an ancient Transylvanian salt mineWith...
He seems hungry for a serious discussion on everything from the refugee crisis – “a really bad combination of European arrogance and North African ignorance” – to the state of contemporary architecture – “the vast majority of architects are just filling up our society with trash” – and has a habit of speaking about his art in overwhelmingly conceptual terms. “Are we consumers of space?” he asks himself at one point. “Or are we in fact producers of space?” — telegraph.co.uk
Who the fuck cares what Banksy’s real name is. You should care about his art instead, what he’s given you, and stop trying to take more than what’s to be had. Don’t deny yourself great artistic creativity simply to satisfy the curiosity of some blip of an itch that will deny him his anonymity to create. Doing that will make you less than the worst, you wouldn’t even be a super villain scientist, but a spectator searching for a sport to watch that you’re too inept to participate in. — davidchoe.com
Amid Cairo's brick buildings and heaping piles of trash is a sprawling work of art, which, at first, looks messy and incoherent.
But when you stand on the nearby hillside and read the spray-painted Arabic "calligraffiti," as its creator Tunisian-French artist eL Seed calls it, the message reads loud and clear: "If one wants to see the light of the sun, he must wipe his eyes."
[...] in total secrecy from the Egyptian government due to the country's strict laws forbidding artistic expression. — techinsider.io
The basilica of Siponto [...] in Italy’s Puglia region, has long been easy to miss—just another church among the thousands around the country. But these days, the 12th century structure attracts a crowd, sometimes even queues. [...]
Adjoining the newly renovated basilica, standing on the ruins, towers a full blown cathedral—with its imposing arches, columns, and volumes—completely built in iron-wire mesh. It gives the appearance of a hologram, or a 3D charcoal drawing of a time that was. — qz.com
I’ve been asked to do a lot of direct-action things, but have been hesitating to commit to anything. I feel like I need a strategy for this next step so I don’t get mired in the social activism and lose track of the art and architecture. It doesn’t mean that activism isn’t important, but it is a slippery slope to start advocating all the time instead of using my unique lens to focus on these issues. — design.newcity.com
Larry Gagosian’s new 4500 square foot space, designed by Kulapat Yantrasast, is set to open up on May 18, 2016, on 657 Howard Street, right across the street from SFMoMA. The inaugural exhibition there will focus on the relationships between modern and contemporary sculpture and drawing, featuring work from Picasso and Joe Bradley, among others. — Art Forum
The average crow takes less than two hours to travel from Sing Sing maximum-security prison to the Whitney Museum of American Art, institutions separated by just 32 miles of land along New York’s Hudson river. Yet few humans journey between them – museums and prison are at opposite ends of our society’s self-imaginings, and their populations tend not to intersect. — The Guardian
Deborah Berke’s appointment last year as the first female dean of the Yale School of Architecture might have brought her into the limelight, but the architect and interior designer had already been getting attention for her work on 21c Museum Hotels, a small chain of boutique properties doubling as art galleries. [...]
In old buildings, you’re taking what you find and complementing that with the architecture and design of today. — nytimes.com
Stephen Lund considers the Canadian city of Victoria his canvas and a bicycle his brush. And the paint? Strava, a GPS tracking system which marks his routes with crimson lines.
So far, he has pedaled around in the shapes of critters such as an angler fish, giraffe, giant anteater, and nine-banded armadillo; mythical and interplanetary creatures such as the Siren of the Salish Sea, the Sea Serpent of Haro Strait, and the Dark Lord of the Sith. — atlasobscura.com
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