Online visitors from around the world can now explore the interior of the iconic Frank Lloyd Wright–designed Solomon R. Guggenheim Museum through Google Street View technology. Additionally, the Solomon R. Guggenheim Foundation, in collaboration with the Google Cultural Institute, has made available over 120 artworks from its collection for online viewing. [...]
The Guggenheim’s architecture presented unique challenges for Google’s engineers and Street View team. — guggenheim.org
Ready to immerse yourself? Click here to start your stroll down the rotunda.All images courtesy of Solomon R. Guggenheim Museum, New York. Related stories in the Archinect news:Google is letting you visit museums around the world using Street View and YoutubeGoogle Street View captures beautiful...
Congratulations are due to Olafur Eliasson who's just been given a Crystal Award for his "exemplary commitment to improving the state of the world".
Ahead of the World Economic Forum, which takes place later this week in Davos, Eliasson was singled out for particular praise major works including The New York City Waterfalls, Ice Watch, The Weather Project, and Riverbed. — phaidon.com
"Eliasson who joins fellow winners Leonardo DiCaprio (for his work publicising climate change) actress Yao Chen (for her work raising awareness of the refugee crisis) and will.i.am (for his leadership in creating educational opportunities for the underserved)."More of Eliasson in the Archinect...
For Katherine Craig, the mural is more than a marker of North End’s rising status. The so-called “bleeding rainbow” mural is a cornerstone of her career. And now, since the building’s owner aims to sell or redevelop the property, the artist is taking legal action to protect her work. [...]
The federal suit seeks an injunction that would bar the developer from destroying or otherwise altering The Illuminated Mural [...]. — citylab.com
Related news on Archinect:Muralists and the fragile relationship with the buildings they paint onDetroit issues arrest for "vandal" Shepard FaireyDetroit's struggle to distinguish between graffiti (boo!) and murals (yay!)
The Chinese artist and activist Ai Weiwei is visiting Lesbos to document the plight of thousands of refugees who arrive daily on the Greek island by boat from Turkey. For the past two days, Ai has been photographing orange rubber dinghies coming into shore, families huddled around fires, people queuing to register at the Moria refugee camp and piles of discarded lifejackets, among other scenes [...]
It is understood Ai will be creating a work in response to the refugee crisis. — theartnewspaper.com
Here are just a few of Ai Weiwei's recent photos from the Lesbos refugee camp; giving a human face to people and entire families escaping war and persecution in their home countries of Syria, Afghanistan, Iraq, Somalia, as well as documenting humanitarian workers, such as the Norwegian group, Drop...
In case you haven't checked out Archinect's Pinterest boards in a while, we have compiled ten recently pinned images from outstanding projects on various Archinect Firm and People profiles.(Tip: use the handy FOLLOW feature to easily keep up-to-date with all your favorite Archinect...
Built in 1962, the People’s Bank has distinct glossy, off-teal bricks and a sawtooth, vaulted rooftop. The building is not only one of the finest remaining examples of Googie commercial architecture in Kentucky — it is one of the finest examples in the nation. However, after years of neglect, locals are working to ensure that the building isn’t leveled into a movie theater parking lot. — hyperallergic.com
Related in the Archinect news:Only one vote left before Marina City can become official city landmarkL.A. City Council Officially Votes Norms Restaurant as "Historic and Cultural Landmark"Has preservation become too conservative and elitist?
Pedestrian crossings made up of fragments of famous works of avant-garde art have appeared in a residential area in the Russian city of Khimki, located just northwest of Moscow.
Fragments of the work of Piet Mondrian, Kazimir Malevich and Vasily Kandinsky feature on five pedestrian crossings in the “Gorod Naberezhniy” complex, chosen for their frequent use. Together with the zebra stripes, there are signs which provide information about the artwork and artist. — calvertjournal.com
Related in the Archinect news:New photo book documents the beautifully outlandish architecture of Soviet bus stopsHumanizing street design with 'shared space'Follow the yellow wooden road into Rotterdam's new Luchtsingel pedestrian park
The Milwaukee Art Museum is due to reopen on 24 November after a 14-month, $34m renovation that brings the institution back from the brink. When the museum made the unorthodox decision to begin planning an expansion at the height of the recession in 2009, mould flourished, floors buckled and ceilings leaked in the two buildings that housed the permanent collection. [...]
Roberts says: “People who know our museum will not believe that this is the same museum.” — theartnewspaper.com
Related news on Archinect:Private money attracts big-name architects to design new museums in BeirutLeading up to its September-20 opening, Christopher Hawthorne reviews the new Broad museumA black museum for "The White City of the North": Moreau Kusunoki Architectes selected to design Guggenheim...
Earlier this week, the online street art community was abuzz about an article by Rafael Schacter for The Conversation, From dissident to decorative: why street art sold out and gentrified our cities. [...]
Basically, Schacter argues that street art isn’t rebellious anymore. Rather, that it’s most notable form is as a tool used by corporations to spur gentrification. Agree or disagree, the article is a must-read. — Vandalog
Vandalog author RJ Rushmore reached out to some of the influential figures in street art and muralism to get their reactions to Schacter's claim that street art has sold out and become complicit in the corporate gentrification of our cities. He received responses from Buff Monster, Living Walls...
Selldorf and the curators were forced to strategically navigate the strict installation stipulations attached to each piece — and still create a dynamic space for viewing. [...]
“We wanted a very calm background,” Selldorf says. “It is the quality of the work that makes the show exciting, so rather than creating additional noise, we really focused on making spaces that were quiet and measured in such a way that the focus of attention was on the paintings.” — nytimes.com
More on Annabelle Selldorf:Give and Take: Michael Kimmelman and Annabelle Selldorf discuss architectural ethics in urban environmentsNYC Landmarks Commission Debates New Annabelle Selldorf BuildingQ&A: Annabelle Selldorf On the New Clark Art Institute
For an artist who used to chop up cows and ambush people with his foreskin, his new south London HQ is notably subdued. The facade is not encrusted with dead butterflies nor diamond skulls, nor is there the clinical air that his eerie white production facility in Gloucestershire exudes. In fact, it looks a bit like a block of luxury docklands apartments – a couple of old brick warehouses with a polite in-keeping brick extension. Has the 50-year-old prankster finally grown up? — theguardian.com
Previously on Archinect:Opening of Damien Hirst’s new London art space scheduled for OctoberDamien Hirst's gallery development draws closer to completitionDamien Hirst's London art space due to open next spring
While Burning Man really is a one-of-a-kind, temporary event, there are communities full of similarly minded radical folk across the globe. — ajc.com
Burners 'round the globe will soon make the pilgrimage to Black Rock City, a "temporary metropolis dedicated to art and community" in Nevada's desert. The psychedelic social experiment born of "radical self-reliance" known as Burning Man begins this Sunday, and in its nearly 30-year history has...
Of course, San Francisco has much to offer. The clothing stores, the cable cars, the botanical gardens. My neighbor the conveyor operator, Alan. The libraries, the sports bars, the bus stations. Sigh. — Leaving Everywhere
"Leaving Everywhere" is a piece of net art that spits out "break-up" letters with cities by citing randomly-selected data from the US Census Bureau. Made by Darius Kazemi, the letters are all essentially Mad Libs for arguing about cities, where Kazemi's algorithm fills in the blanks.The letters...
“I helped change one neighbourhood into a hipster place, and then we got priced out of there.” Artist Jim Walker is describing the shift in fortunes of the Fountain Square district of Indianapolis, where his Big Car arts collective was born a decade ago – and of the artists and residents who have been forced to move on by the neighbourhood’s gentrification. [...]
Is there a more equitable way? That’s just what Walker is trying to find out with his latest arts-led Indianapolis project. — theguardian.com
Related news on Archinect:Venice Beach's ongoing grapple with the tech titan invasionAre apps the virtual gateway to physical gentrification?Gentrification through a cinematic lensLocals welcome The 606, a.k.a. Chicago's "High Line", but anxiety for its future remains
Rumors have been circulating around the internet for a few days, but later this week Banksy is now set to open a new pop-up exhibition entitled "Dismaland" at in Weston-Super-Mare, UK.
The venue is called "Tropicana", a 10,200-square-foot site to be transformed into "Dismaland", a probable attack on American entertainment giant Disney. [...]
As usual with Banksy, the details are very scarce, but earlier this morning Iain Brimecome and Jon Goff were able to fly their drone above the site [...]. — streetartnews.net
Another aerial view of "Dismaland," expected to open later this week. Photo: Iain Brimecome & Jon Goff, image via streetartnews.net.Photo via @francisclarke on Twitter.Banksy in the Archinect news:After Banksy: the parkour guide to GazaAn interview with man behind the “Stealing Banksy?”...
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