Using images provided by cultural organizations worldwide, some of which were captured with Google’s Street View camera technology, [the Google Cultural Institute's Street Art Project] includes street art from around the globe, including work that no longer exists [...]
Google is the latest organization to wade into debates about how or whether to institutionalize, let alone commercialize, art that is ephemeral and often willfully created subversively. — nytimes.com
The Wall Street Journal calls this "Fighting Urban Blight With Art". Liz Thomas, the curator of the project, calls it "an experience that asks people to think about this space that they hurtle through every day".
The project is not actually fighting blight, of course - only the ability of Amtrak customers to see it. — Al Jazeera
Reminds me of NYC in the 1980's when the city put large vinyl decals depicting shutters, potted plants, Venetian blinds and window shades over the yawning windows of abandoned city-owned buildings that face the Cross Bronx Expressway.
The collection of the Detroit Institute of Arts (DIA) is inching closer to safety. The Michigan State Legislature agreed yesterday to contribute $350m over the next 20 years to protect the museum’s works of art and shore up Detroit’s ailing pension funds. The state’s governor Rick Snyder is expected to sign the bill, which is part of a package to help settle the city’s bankruptcy, by the end of the week. — theartnewspaper.com
Jersey City-based art center Mana Contemporary—the exhibition branch of the Mana Fine Arts art storage, shipping, and packing empire—is building a street art museum in a former ice factory in Jersey City [...].
In addition to a rotating program of special exhibitions inside the institution, MMUA will boast specially-commissioned murals on its exterior walls, a large billboard where artists will create new works, and a full range of educational and community outreach programs. — news.artnet.com
It was an artistic collaboration delayed by some 25 years: The London architect Zaha Hadid responded as much to Frank Gehry’s Walt Disney Concert Hall in Los Angeles as she did to “Così Fan Tutte” when she designed her undulating all-white set for the Los Angeles Philharmonic’s performance of Mozart’s opera this week (it closes on Saturday). “We were responding to the context, to Frank’s design,” Ms. Hadid said in a telephone interview from London. — nytimes.com
How exactly did the faceless tower block become the inspiration for contemporary Russian visual culture?[...]
Large estates are like fractals, or a space created by facing mirrors. Building 8 is exactly the same as building 14, and its young inhabitants must perhaps have the same preoccupation: to someday acquire a similar cell in one of these purpose-built units around town. Can creativity come from places like that? In contemporary Russia, somehow, it does. — theguardian.com
The Korea pavilion has been a part of the Venice Architecture Biennale since 1993, when the optimism of the post-Berlin Wall era made reunification between North and South Korea seem plausible. But getting equal representation from both Northern and Southern architects in 2014 has proved nearly...
What used to be the fortress of the family and the individual is now a marketable asset in the economy, which leads to wonder whether the online marketplace for short-term lodging hasn't changed the home for good. [...]
The AIRBNB Pavilion critically engages with the corporations owning the means of our identity, providing the infrastructure for our everyday lives and redefining the private realm and national borders. — AIRBNB Pavilion
Initiated independently from the Venice Biennale, a concurrent exhibition known as the "AIRBNB Pavilion" will occur in the homes of neighboring Venetians from June 4th to 6th, during the Biennale's opening week. While not apparently affiliated (officially speaking) with Airbnb, the Pavilion means...
At the Barbican Center in London, the Curve gallery is an example of an unusually shaped art space in the middle of a traditional, rectiform center. Its 90-degree curved design, wrapping around the back of the performing arts center's main hall, has been by turns a challenge and a blessing, and its function continues to evolve even after 30 years' experience. — nytimes.com
As the ranks of the super-rich swell, pride in property has expanded from the house and its trappings to the grounds. Bulldozers are mounding hill and dale, while hydraulic lifts heave massive trees into place and landscape designers orchestrate the creation of a new wave of artful estates. [...]
Why marvel at the scenery of a Romantic plein-air painting, when one can commission one’s own version of the sublime? — nytimes.com
Ai’s studio, called 258 Fake, has become China’s equivalent of Andy Warhol’s Factory. And Ai himself has increasingly taken on Warholian overtones: there is now little distinction between Ai the artist who creates artworks, and Ai the dissident who gets beaten by the cops. (In 2009, police pummelled his face, causing a cerebral haemorrhage.) Both are merged in an ongoing performance in which the man has become the art, and the art is the man. — aeon.co
We're always very excited to discover new work by Swiss artist, Zimoun, known for his "architecturally-minded platforms of sound." His latest site-specific installation, 36 ventilators, 4.7m³ packing chips, recently opened at the Art Museum Lugano, Switzerland. The show still runs until July 11. — bustler.net
As announced yesterday on Archinect, the Vancouver Art Gallery has selected the Swiss firm Herzog & de Meuron to design their new building. The new museum’s site will double the footprint of the old neoclassical building, and relocate the museum to a newly densifying area of Vancouver’s...
"Buildings in paintings have always been treated as a background, as something subordinate to the figures themselves," says co-curator of Building the Picture, a new exhibition at the National Gallery that aims to put the architecture of Renaissance paintings on centre stage. "We're arguing that the buildings are active protagonists. They're not just propping up the characters, but are also capable of carrying key messages and performing a series of crucial roles themselves." — theguardian.com
Next week in London, The Sincura Group will be holding a similar auction of street pieces formally by Banksy. That’s the same company that last year successfully sold the Banksy “Slave Labour” wall at auction for just over $1 million. They’ve titled their auction Stealing Banksy? and it will include approximately 18 works, at least 7 of which are street pieces formally by Banksy that have been removed from their original locations, some of them specifically removed for this sale. — blog.vandalog.com
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