The Whitney Museum of American Art announced today that it will open its new home in Chelsea on 1 May 2015. With double the exhibition space of its "old" Marcel Breuer-designed building, the museum will be able to show far more of its collection of Modern and contemporary American art in its Renzo Piano-designed new space in the Meatpacking District. [...]
Weinberg told us that Piano saved the institution from making one decision that it would have lived to regret. — theartnewspaper.com
How did we come to live in an insular tribal sphere where unwritten rules and rigid moralities — about whom to like and dislike, what is permissible to say and what must remain unsaid — are strictly enforced via social media and online disapproval, much of it anonymous? When did this band of gypsies and relentless radicals get so conservative? — vulture
Could this be translated to architecture? Sure thing... I think architecture has a built in conservatism to begin with. Just look what the architects are pooling for.., fighting territories for things those really don't matter, blaming each other for handrail details and teaching values of the...
Neighborhoods of contemporary New York are primarily defined by the choices and actions of the people who call them home. They are collages fashioned from layer upon layer of small accretions that we plaster and paint onto our environments. Sometimes, this paint is literal [...] rich diversity of murals in memoriam found throughout Bedford-Stuyvesant, Brooklyn — public artworks that reflect a particular history of violence, racial prejudice, and, in some cases, the mixture of the two. — urbanomnibus.net
The first blows to bring down the Berlin Wall were struck nearly 25 years ago to the day. This was after almost three decades of the concrete barricade cutting through the heart of Berlin and splitting the city in two. Today, Berlin is once again divided, this time by an 11-foot-tall wall of illuminated balloons.
The Lichtgrenze (translation: “border of light”) will stretch for 10 miles along the same path as the original 96-mile structure. — wired.com
In case you haven't checked out Archinect's Pinterest boards in a while, we have compiled ten recently pinned images from outstanding projects on various Archinect Firm and People profiles.(Tip: use the handy FOLLOW feature to easily keep up-to-date with all your favorite Archinect...
As the recipient of Design Miami/’s inaugural Design Visionary award this month, Marino has been celebrated for decades for forward-thinking designs that are the perfect blend of art, fashion and architectural design. “He is a true modernist character [...]” internationally renowned curator Jérôme Sans tells BLOUIN Lifestyle. Sans is curating “One Way: Peter Marino,” an exhibition at the Bass Museum of Art that explores the renowned American architect’s multifaceted relationship with art. — blouinartinfo.com
“He didn’t like people coming into the studio and seeing the paintings before they were finished,” he said. “This is one of the most ambitious artworks ever envisioned, certainly in the United States.”
Heizer's mammoth masterpiece in the desert is called "City."
“It was in 1994 when I first saw it, unfinished,” Govan said. “You do cry. You think, what an incredibly beautiful ambition.” — ksl.com
“People used to complain that people went to New York to buy what they could buy in LA,” said Kathy Halbreich, the associate director of the Museum of Modern Art in New York. “I don’t think that happens anymore. I think there’s a recognition that the city matters, that the people aren’t just there for the weather. You see a level of ambition that’s been ratcheted up.” — theguardian.com
Throughout the past decade, Portuguese artist VHILS – born Alexandre Farto [Lisbon, 1987] – has been making a name for himself by taking apart and reassembling found objects. He uses a multitude of materials and formats to voice his stance on the city, which he bases on his experience of...
Welcome to prison, and a celebration of liberty. Ai Weiwei, the big man of Beijing, has spent years discovering pockets of freedom in the most straitened circumstances, resisting every effort by the Chinese government to shut him down.
This week he opens a major new exhibition in a place that makes that resistance literal: on Alcatraz [...]. The United States has the highest incarceration rate on the planet. But this prison is decommissioned, and Ai is using it to extraordinary effect. — theguardian.com
In July, Anasagasti hired a lawyer and filed a copyright-infringement lawsuit, accusing American Eagle of stealing his work and seeking monetary damages. If it sounds novel to apply copyright to graffiti art, that’s because it is: Lawyers who work in this area say it’s not clear anyone has ever tried this in court. Copyright law, as its name suggests, lays out the rules for when it’s okay to copy something. But does it extend to art that's on public walls? — theatlantic.com
190 Bowery is a mystery: a graffiti-covered Gilded Age relic, with a beat-up wooden door that looks like it hasn’t been opened since La Guardia was mayor. [...]
With the Bowery Hotel and the New Museum, the Rogan and John Varvatos boutiques, 190 is now an anomaly, not the norm. Why isn’t some developer turning it into luxury condos?
Because Jay Maisel, the photographer who bought it 42 years ago for $102,000, still lives there, with his wife, Linda Adam Maisel, and daughter, Amanda. — New York Magazine
Grassroots, place-based arts initiatives got a boost yesterday when the artist Rick Lowe was named a 2014 MacArthur Fellow. Earlier this week, I profiled Lowe’s dynamic approach to arts-driven revitalization in “Street Makeover: Artists Bring Visibility to a Low-Lit Alley.” Lowe is currently working as a multi-year resident of the Pearl Street Project, an alleyway transformation launched by Philadelphia’s Asian Arts Initiative. — nextcity.org
The conceptual storefront Prada Marfa, 2005, by Elmgreen & Dragset, has a new lease on life. The Texas Department of Transportation reached an agreement last week with the foundation Ballroom Marfa to preserve the sculpture after nearly one year of negotiations. The government threatened to shut down the work because it could be considered an illegal roadside advertisement under state law. [...] the foundation plans to lease the land underneath Prada Marfa and register it as an art museum. — theartnewspaper.com
The São Paulo Biennial, which opened on September 6, is traditionally a contemporary art festival, but this year’s event puts new emphasis on architecture. Chief curator Charles Esche commissioned nearly 70 percent of the exhibition’s artworks, collaborating with a five-person curatorial team that included an architect for the first time in the biennial’s 63-year history (fun fact: it’s the world’s second-oldest contemporary art biennial). — blouinartinfo.com
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