New York-based artist Thomas Doyle has made a career of crafting minuscule models of houses [...] and uprooting (sometimes literally) a handful of them via apocalyptic chaos. Sometimes, wrap around porches of butter yellow farmhouses fall into sinkholes and blue country homes get caught by tornados. — curbed.com
Many of his works—which, one could probably say are depictions of the fragility of the American dream—are on display next month at the Ronchini Gallery in London, as part of the space's Dream No Small Dreams series [...].
The leggy damsel with raven hair and Doc Martens to match is unequivocal. ''No,'' she tells the small, freckled boy. ''You can't climb here. Go in there where it's safe.'' [...]
But the boy - not recognising her livery - can be forgiven his mistake. To him, the large, gridded edifice that she guards promises infinite climbability. [...]
The climbing frame in question is in fact art. It is this summer's Serpentine Pavilion, by Japanese architect Sou Fujimoto. — smh.com.au
What role should interactivity play in art? Should public opinion decide what is and isn't art? Can good art also have utility? These are a few polemics posed in the Sydney Morning Herald by columnist Elizabeth Farrelly, reacting to Sou Fujimoto's Serpentine Gallery Pavilion, featured...
Artist and architect Tomás Saraceno [...] created a massive layered installation that’s suspended more than 25 meters (approx. 82 feet) in the air of the Kunstsammlung Nordrhein-Westfalen museum in Düsseldorf, Germany. “in orbit” stretches across the piazza under the mammoth glass ceiling of the K21 Ständehaus with its three levels of steel wire netting. Situated on the three levels are six inflated spheres that range in size, with the largest being 27 feet in diameter. — design-milk.com
Philip Beesley is a Canada-based architect who has spent years blurring the lines between nature and technology. In 2008, he began work on the Hyozolic series — a collection of immersive installations that react to, and evolve with, the movements of people who pass through them. The idea, according to Beesley, is to create a "metabolic architecture," whereby manmade structures are seen not as inanimate, fixed objects, but as living, breathing entities, capable of regeneration and growth. — theverge.com
“What I find so fascinating about the Presidio is that, in the heart of this military machine, there was a huge planting programme,” Goldsworthy says, referring to the fact that the park’s 300-acre forest was planted by the US military between 1886 and 1900. “They had quite a sophisticated sense of landscape,” he says. “They read the landscape in the way that sculptors do—or at least the way I do.” — theartnewspaper.com
Euphony, a dramatic installation of suspended stainless-steel ball chains by Ball-Nogues, has been created for Nashville's Music City Center. The studio, headed by Benjamin Ball and Gaston Nogues, intersects the disciplines of architecture, art and industrial design. We talk to Benjamin Ball about Euphony and the process of its construction. — frameweb.com
In celebration of Hopper Drawing, a life-size window installation of Edward Hopper’s Nighthawks (1942) is on view inside the landmark Flatiron Building's prow, one of the original architectural inspirations for the iconic painting. We recommend viewing it at sunset! — whitneymuseum.tumblr.com
A turn of events took place for Cité Radieuse in 2010, when the building’s rooftop gym and solarium went up for sale. Designer Ito Morabito, who goes by Ora-Ito, purchased it as a collector might. “Like you buy a piece of art, but architecture,” he noted. After the acquisition, it became Ora-Ito’s self-appointed mission to honor the iconic structure.
Ora-Ito transformed the rooftop of Cité Radieuse into MAMO, a contemporary art center dedicated to exhibitions and creative ateliers. — knstrct.com
When companies go bankrupt, the medicine can be harsh for staff members and the local tax base, yet the effects are temporary. A bankrupt city can’t fire citizens who pay taxes but already receive worse than subsistence services like one-hour police response times.
Large cities don’t disappear or die, they just waste into chronic basket cases, like Camden, New Jersey; Gary, Indiana; and East St. Louis, Illinois. — bloomberg.com
He was best known for large-scale outdoor works that often involved simple if rather extravagant ideas or gestures: a SoHo loft filled with two feet of earth, for example, or a solid brass rod two inches in diameter and one kilometer long driven into the ground in Kassel, Germany, so that only its smooth top was visible (a work consistent with an artist who once noted that “the invisible is real”). — New York Times
The artist also explained why he needs three museums for his 48-year retrospective. "It's only 23 works," he said, quicly [sic] adding that these are "works that luxuriate in space, and it takes a lot of space to do that." — phaidon.com
"So Leandro we are sitting on a window ledge in Dalston. Can you tell us why we're here?
"The idea is to create a facade that will resemble the architecture of the . . . neighborhood and um - that has always been part of my interest to bring the ordinary architecture as a stage for the public to participate in a kind of fiction that would be built through the experience." — The Guardian
Though edging on the sphere of art, Erlich's Dalston House provides a publicly accessible perversion of what would otherwise be banal architecture. This project uses that unexpected architectural content to foster rich narratives both as unique experiences and serendipitous performances. As...
Anya Sirota + AKOAKI, a design studio based in Michigan, has installed two monumental stars in a defunct tannery in Amilly, France. Titled POP IT UP, the installation is open to the public through September 29, 2013. — bustler.net
In case you haven't checked out Archinect's Pinterest boards in a while, we have compiled ten recently pinned images from outstanding projects on various Archinect Firm and People profiles. Today's top images (in no particular order) are from the board Art-chitecture. ↑ The Cathedral by...
... we have turned the Gherkin into the worlds tallest penis. A penis that is being gratified by our parliament with a sexual act. A 180m high erection for deregulation and global capitalism. We have created this art work for all those that are suffering cuts to their budgets, benefits, working hours, rights, freedoms and quality of life as Parliament perpetuates the age old practice of taxing the poor for the mistakes of the rich. — vimeo.com
SUBMIT NEWS: submit in 60 seconds!