The Tom Bradley International Terminal at LAX debuted this week three new public art commissions designed to greet departing and arriving passengers and provide a measure of calm and reflection amid the chaos of air travel.
The artists involved all have strong ties to Los Angeles -- Mark Bradford, Pae White and the Ball-Nogues studio each resides or works in the L.A. area. — latimes.com
The project, called Underline, will include the underground’s first music commission and a plan by the Turner prize-nominated architectural collective Assemble to improve what is regarded as one of the most unloved station exits on the entire network, at Seven Sisters in north London. — theguardian.com
Organized by "Art on the Underground", a group that curates contemporary artworks for display in the London Underground, the new project will bring a variety of art, music and architectural interventions to the Victoria Line. Commissions selected to be part of the Underline are not simply public...
Opening in October, Newport Street Gallery is the realisation of Hirst’s long-term ambition to share his diverse collection – which includes over 3,000 works – with the public. [...]
Designed by architects Caruso St John, Newport Street Gallery spans 37,000 square feet, which includes a restaurant and shop. Its construction has involved the conversion of three listed Victorian buildings [...]. — Damien Hirst
Herzog & de Meuron, the Basel-based architecture studio that designed London’s Tate Modern, is due to redevelop Berlin’s famous art squat Tacheles. The massive warehouse, in the now fashionable Mitte district, was occupied by artists after the fall of the Berlin Wall in 1989. A symbol of the city’s subculture, Tacheles became a major tourist attraction. In 2012, the authorities closed the art centre amid widespread protests by artists and anti-gentrification campaigners. — theartnewspaper.com
“Money is not an issue here” is the motto that leaps out at you in both the Prada and Vuitton Foundation museums, although in Paris it is thrown into high relief on the building’s facade by the almost vulgar silver logo of Louis Vuitton—the star company in the LVMH group. — The Art Newspaper
You might be unsure of exactly what you’re looking at when you first see the images in Roland Fischer’s series “Facades.” [...]
“I noticed all these new buildings mushrooming everywhere, giving the impression that they could as well be from any other major town in the world,” Fischer wrote via email. “I thought that this was a new urban visual experience, a consequence naturally of the then still new process of globalization.” — slate.com
Cicil Street, Singapore, 2002, 180 x 125 cm (71 x 49 1/4 inches)Highschool, Utrecht, 2013, 180 x 125 cm (71 x 49 1/4 inches)Suntory Tokyo, 2014, 180 x 125cm (71 x 49 1/4 inches)Bank of America, Atlanta, 2005, 180 x 125 cm (71 x 49 1/4 inches)WTC, NY, 1999, 180 x 125 cm (71 x...
Dasha Zhukova’s Garage Museum for Contemporary Art is due to open the doors of its new $27m home in Gorky Park to invited guests on 10 June and the public two days later. The museum is housed in a Soviet-era pavilion that has been converted by the Dutch architect Rem Koolhaas [...].
In another riff on the building’s architecture, Garage will be hosting a conference in October on Soviet Modernism, a project of the Austrian curator Georg Schöllhammer [...]. — The Art Newspaper
To learn more about Garage's new Gorky Park building, click here.Previously on Archinect:Rem Koolhaas and Dasha Zhukova share what's in store for the new Garage MuseumGarage Museum Teaches an Old Building New Tricks
The Frick Collection has yielded.
Facing a groundswell of opposition to a proposed renovation that would have eliminated a gated garden to make way for a six-story addition, the museum — long admired for its intimate scale — has decided to abandon those plans and start over from scratch. [...]
With the proposed renovation, designed by Davis Brody Bond, the Frick, on East 70th Street in Manhattan, had sought to increase its exhibition space [...]. — nytimes.com
The police in Venice closed an art installation in the form of a functioning mosque on Friday morning, after city officials declared the art project a security hazard and said that the artist who created it, Christoph Büchel, had not obtained proper permits and had violated laws by allowing too many people inside the mosque to worship. — NYT
"There is no mosque in Venice, so the thousands of Muslim tourists visiting Venice must pray in a converted factory in Mestre, which is the polluted part of Venice.This until the swiss artist Buechler converted an abandoned and unused former catholic church into a functioning mosque for the...
Nouvel’s aspirations for 53W53, scheduled for completion in fall 2018, sound almost modest: “It’s going to try to hold its place, [...]
It’s going to try to be good enough for New York … it’s going to try to make its own small contribution, and it’s done in a way that ensures this contribution is readable, understandable, and it’s maybe a bit more precious than others. And it’s a little linked to this notion – a fairly disputed notion these days – that architecture is still an art, sometimes.” — theguardian.com
The Armenian pavilion at this year’s Venice Biennale has won the Golden Lion for best national pavilion. The pavilion, Armenity, features a group exhibition by 18 diaspora Armenian artists and grandchildren of survivors of the Armenian genocide, who the jury praised for “forming a pavilion based on a people in diaspora, each artist engaging their specific locality as well as their heritage”. [...]
American artist Adrian Piper was awarded Golden Lion for best artist. — calvertjournal.com
Instagram may very well have enabled a whole generation of false artisans—and even encouraged cliché street imagery by promoting hashtags like #middleoftheroad and #strideby through its Weekend Hashtag Project—but the effect may not be so terrible. Quoted in The Telegraph in 2011, Teru Kuwayama, a photojournalist who is now photo community manager at Facebook, compared the rise of Instagram to the advent of electronic music, both of which stimulated “amateur expression.” — americanphotomag.com
While the museum describes the 42,000-square-foot addition as something that would “further fulfill Henry Clay Frick’s long-standing vision to offer public access to its works of art," others, including a group of 51 prominent artists and architects — Jeff Koons, Cindy Sherman [...] among them — think it would undermine exactly what they love about the place.
Under the banner of Unite to Save the Frick, this group sent a letter to the city, copied to the museum, expressing their displeasure. — vulture.com
Here's the letter that Unite to Save the Frick sent to NYC leaders today:May 6, 2015Dear Mayor de Blasio and Chair Srinivasan:The residential scale of the Frick Collection exerts a special power over those who walk its halls. To have visitors experience the feeling of living with art was the...
It’s a Thursday morning in Beijing, and the world’s most famous living artist, Ai Weiwei, is sitting with one of the world’s most controversial technologists, Jacob Appelbaum, in the second-floor lobby of the East Hotel. [...]
On a whim, Ai suggests that they call Wikileaks founder Julian Assange, who has been living for the last two years at the Ecuadorian embassy in London. [...]
Ai and Assange talk for several minutes about the mundanities of the dissident life. — fusion.net
This lively effort — mapping — is the subject of a rich exhibition organized by the Brooklyn Historical Society (BHS) and BRIC [...] that pairs the work of 18 contemporary artists with 23 historical maps dating back as far as 1562. For Mapping Brooklyn, BHS opened its collection to the invited artists [...]. The goal of uniting these two components — map and art — is to uncover the common ground: to render, through judgment and artistic process, the world legible. — urbanomnibus.net
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