Many have challenged the logic of a Swiss building in Los Angeles [...]
In a sense, all of the criticisms can be boiled down to a single accusation: quality architecture does not belong in Los Angeles. [...]
Contextualism in Los Angeles requires more innovation than matching roof heights or aligning cornices; its ecology is one of large and oversized cultural objects that act as signposts amid sprawl. — lareviewofbooks.org
Situating LACMA in "master builder" Peter Zumthor's career overall, architects Sharon Johnston and Mark Lee (of the LA-based firm Johnston Marklee) discuss what distinguishes his work in a city with a somewhat confused attitude towards icons and context.More on Zumthor's LACMA:Is Zumthor's...
Julia Ingalls reviewed "Work on Work" the current exhibition at Los Angeles’ Architecture + Design Museum, co-organized by Gensler and UCLA’s cityLAB. Therein she writes "This feeling of being at an un-airconditioned business conference is not helped by the next section of the exhibit, in...
“I hate to throw things away,” explained the Pritzker Prize-winning architect Shigeru Ban to a packed audience at the Los Angeles County Museum of Art last night. On the projection screen, one of his first works as an architect was displayed: an exhibition of the work of Alvar Aalto, who Ban...
What will Zumthor's plan do for the museum's art and its audience? An art museum presents our histories in visual form; is LACMA making room for enough stories? [...]
Los Angeles is one of the world's four major centers of art production. Yet the museum has no permanent-collection galleries that tell a California-authored story of contemporary art. [...]
The proposed Zumthor building is also awfully expensive given its modest gain in exhibition space. — latimes.com
Senior editor Orhan Ayyüce published the first in a series of mini-interviews for a new feature Touching Base: In which he profiled Volkan Alkanoglu, founding principal of Volkan Alkanoglu | DESIGN LLC. It was a reminder for Donna Sink of how small the world is, as her "husband's company...
Not to worry, Gowan said, we’ll just pop in extra entrances if and when we need them. — Los Angeles Review of Books
Veteran architecture critic Joseph Giovannini writes a long format, meticulous, repetitious, detailed, campy, foxy, fundamental, accurate, conjectural, civic, economic, organizational, institutional, back of the house, sobering, exemplifying, nerdy and most serious to date criticism of LACMA...
As the museum turns 50 this year and debate continues about LACMA Director Michael Govan's plan to replace the Pereira buildings (and a later addition by Hugh Hardy) with a giant new wing by Swiss architect Peter Zumthor, it's worth remembering how the original LACMA campus was greeted — as well as a few things about the Los Angeles into which it was born. — latimes.com
For the latest edition of Working out of the Box Archinect talked with Abraham Burickson, founder of Odyssey Works. He explained "Architecture school required total commitment, and in Odyssey Works that’s the case as well – absolute, total commitment. Because otherwise nothing new is...
It’s been a strange week, especially in Indiana. On this episode, before getting to the RFRA-ff, we hit on a neat architectural inversion: LA-heavyweight Morphosis designs a "middle-finger" luxury tower in the quaint mountain town of Vals, Switzerland, while the subtly grand Swiss museum-master...
Since opening the doors of its original William Pereira buildings in 1965, the Los Angele County Museum of Art has grown along with its home. The version of the city beloved by Reyner Banham and Pereira was alive then on the historic Miracle Mile, proselytizing megasized car-infrastructure and New...
Once a free-flowing, biomorphic design inspired by the La Brea Tar Pits and the work of the Brazilian architect Oscar Niemeyer, the design has become noticeably more angular and muscular in recent weeks. It now features double-height galleries made of white or light-gray concrete and poking up above the roofline of the rest of the museum [...]
"No one will call it a blob anymore," LACMA Director Michael Govan said ... "Peter hasn't given up the curve. But he's really, really reined it in." — latimes.com
Related news: Peter Zumthor pushes LACMA redesign to the curb to make room for tar pitsL.A. County supervisors approve initial funding for new LACMA buildingPeter Zumthor's $450,000,000 'Black Flower' for LACMA
Located in Garden Valley, Nevada, Michael Heizer’s City is one of the most significant works of art in the United States. Begun by Heizer in 1972, the project is now in its final stage of completion. It will, in the future, be accessible by the public. [...]
To see the land developed into a site for military, energy, or waste purposes, would ruin it forever. After 43 years of work, can it really be destroyed like this? — unframed.lacma.org
Notable American museums publicly expressed their support on Twitter via #protectCITY. The LACMA petition to protect Michael Heizer's City and the Basin and Range can be reached here.Previously on Archinect: Michael Heizer's massive desert sculpture, "City", will make you cry
Friday, November 7:8,000 Glowing Balloons Recreate the Berlin Wall: A 10 mile chain of balloons will line the path where the Wall previously stood, to commemorate the 25th anniversary of its demolition.First Ever Chicago Architecture Biennial Taking Shape for 2015: The Biennial's theme of "The...
The Board of Supervisors has approved a road map for the Los Angeles County Museum of Art as it plans a $600-million makeover that would tear down and rebuild most of its Miracle Mile campus [...].
If there are no serious bumps in the road ahead, the plan would yield a streamlined, curving 410,000-square-foot new museum building designed by Swiss architect Peter Zumthor that would open in 2023, spanning Wilshire Boulevard with an enclosed bridge that doubles as gallery space. — latimes.com
“He didn’t like people coming into the studio and seeing the paintings before they were finished,” he said. “This is one of the most ambitious artworks ever envisioned, certainly in the United States.”
Heizer's mammoth masterpiece in the desert is called "City."
“It was in 1994 when I first saw it, unfinished,” Govan said. “You do cry. You think, what an incredibly beautiful ambition.” — ksl.com
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