August Perez III had an incredible impact on the way New Orleans looks today, from its skyline to Mardi Gras. Perez, one of the city's most important architects of the 20th century, passed away last week at the age of 81.[...]
Taking over his father's architecture firm in 1975, Perez quickly made his mark on postmodern architecture, teaming up with Charles Moore to design the Piazza D'Italia in 1978. The public plaza [...]remains one of the most defining pieces of postmodern design to this day. — citylab.com
In her recently published Op-Ed Ann Lui, reflected on the experience of receiving a jury citation, for her and her partner’s entry in the 2013 Burnham Prize Competition: NEXT STOP-Designing Chicago BRT Stations. She concluded "So submit the competition that doesn’t have a...
SDR complained "The Saratoga Community Center is ‘traditional’ ? Really ? Brickwork with masonry or ceramic trim is no longer a viable architectural material ? What'll be declared dead, next -- the rectangle ?...I don't defend the example above as a work of architecture. I know nothing about it. But it's a surprising contender for 'traditional'--- isn't it ?)".
NewsChristopher Gray reviewed John Hill’s book A Guide to Contemporary New York City Architecture, reflected on the current revival of traditional architecture in the United States, and asked Mr. Hill if he has "a bias against the neo-traditional movement?”. SDR complained "The...
“It had such a low budget. I was criticized for putting the windows in too small, but it got more expensive the more glass I had. I wasn’t the one who put the workers near the windows, limiting the light let in. Most people don’t realize I didn’t design the interior.”
Despite proceeding to design award-winning buildings and products worldwide, Graves holds the Portland Building as one of his greatest achievements. He still enjoys talking about the sculpture that sits in front, Portlandia. — djcoregon.com
I’m please to announce that the issue of AD that I’ve edited with fellow FAT directors Sean Griffiths and Charles Holland alongside Charles Jencks is now out. Titled ‘Radical Post Modernism’, it has three real aims. — strangeharvest.com
Designed by developer/architect Ian Pollard, it's a brash, grandiose office building on Queenstown Road facing Battersea Park that was completed
in 1987... In short, it's an architectural dog's dinner, one of a very few buildings that can actually make me laugh out loud on the rare occasion I pass it on the bus. — thisislondon.co.uk
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