Today it houses one of London’s best permanent collection displays, but the 1991 Sainsbury Wing extension to the National Gallery in London was almost scuppered when Prince Charles and the other trustees opposed the architect of the new building, Robert Venturi.
The row was over a false Corinthian column that the US architect wanted as a decorative feature on the Trafalgar Square façade of the new extension. — The Art Newspaper
Nicholas Korody profiled the Los Angeles Nomadic Division (LAND). jla-x was excited as has "been looking for a way to get involved with something like this". News - The world lost visionary Frei Otto and his death moved up the announcement of his winning the 2015 Pritzker Prize. Plus, the...
The rest of the buildings came naturally, if gradually. The idea of having a slew of small houses for different activities, moods and seasons, complemented by decorative 'follies,' was Johnson’s conception for the site from early on. He called it a 'diary of an eccentric architect," but it was also a sketchbook, an homage to architects past and present — NYT - T Magazine
Alexandra Lange explores the 49 acre grounds and architectural neighbors of Glass House. Ranging from; the "bunkerlike Brick House" and "postmodern Library" to the more historic structures of Calluna Farms and Grainger.
As buildings from the postmodern eon continue to age with their residents, questions about historic significance and aesthetic relevance start to surface, leading to often heated debates whether the structures we used to love so much already merit magisterial protection or should give way for the...
“It’s going to be saved,” Graves said. “They told me… They said they are saving the building and not only that but we want you to sit on a committee for the redesign.” Graves added that a time frame for the work has not been set but “I would imagine in the next year we’ll do something.” Dana Haynes, communications director for Portland Mayor Charlie Hales, confirmed that the Portland Building is not under threat of demolition and will continue to house city employees. — blog.archpaper.com
August Perez III had an incredible impact on the way New Orleans looks today, from its skyline to Mardi Gras. Perez, one of the city's most important architects of the 20th century, passed away last week at the age of 81.[...]
Taking over his father's architecture firm in 1975, Perez quickly made his mark on postmodern architecture, teaming up with Charles Moore to design the Piazza D'Italia in 1978. The public plaza [...]remains one of the most defining pieces of postmodern design to this day. — citylab.com
In her recently published Op-Ed Ann Lui, reflected on the experience of receiving a jury citation, for her and her partner’s entry in the 2013 Burnham Prize Competition: NEXT STOP-Designing Chicago BRT Stations. She concluded "So submit the competition that doesn’t have a...
SDR complained "The Saratoga Community Center is ‘traditional’ ? Really ? Brickwork with masonry or ceramic trim is no longer a viable architectural material ? What'll be declared dead, next -- the rectangle ?...I don't defend the example above as a work of architecture. I know nothing about it. But it's a surprising contender for 'traditional'--- isn't it ?)".
NewsChristopher Gray reviewed John Hill’s book A Guide to Contemporary New York City Architecture, reflected on the current revival of traditional architecture in the United States, and asked Mr. Hill if he has "a bias against the neo-traditional movement?”. SDR complained "The...
“It had such a low budget. I was criticized for putting the windows in too small, but it got more expensive the more glass I had. I wasn’t the one who put the workers near the windows, limiting the light let in. Most people don’t realize I didn’t design the interior.”
Despite proceeding to design award-winning buildings and products worldwide, Graves holds the Portland Building as one of his greatest achievements. He still enjoys talking about the sculpture that sits in front, Portlandia. — djcoregon.com
I’m please to announce that the issue of AD that I’ve edited with fellow FAT directors Sean Griffiths and Charles Holland alongside Charles Jencks is now out. Titled ‘Radical Post Modernism’, it has three real aims. — strangeharvest.com
Designed by developer/architect Ian Pollard, it's a brash, grandiose office building on Queenstown Road facing Battersea Park that was completed
in 1987... In short, it's an architectural dog's dinner, one of a very few buildings that can actually make me laugh out loud on the rare occasion I pass it on the bus. — thisislondon.co.uk
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