The lady on the ladder chosen as the image for the 2016 Biennale Architettura sees, amidst “great disappointments[,] creativity and hope,” states Paolo Baratta, president of the Venice Biennale. “[S]he sees them in the here-and-now, not in some uncertain aspirational, ideological future.”...
From 1917 to 1991 in the former Russian Empire, and from 1945 to 1989 in the countries it dominated after the war, there was no real private ownership. No landowners, no developers, no “placemakers” - in half of Europe. Did this mean public space was done differently, and are attitudes to it different in those countries? [...] observed more closely, public space here is every bit as complex as it is elsewhere in Europe. — theguardian.com
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The Polish government plans to demolish about 500 Soviet monuments throughout the country, head of the Institute of National Remembrance Lukasz Kaminsky said in an interview with online portal Onet.pl, the RBC news website reported Thursday.
Kaminsky — whose institute is responsible for investigating crimes against the Polish nation — said that plans for the demolition of the monuments, would be sent to local authorities in the coming weeks. — the Moscow Times
According to the report, the monuments will be relocated to museums where they can serve as a "witness of hard times."Many Soviet war memorial have been vandalized and demolished in Poland, whose population views the Soviet role in the Second World War "with ambiguity or outright...
A group of German architects and planners has started a campaign to rebuild the Wolf House, widely seen as a link between van der Rohe’s early, more conventional designs and his later buildings, like the Barcelona Pavilion and the Farnsworth House, that would redefine modern architecture. [...]
But the plan has run into resistance from other architects and scholars who say that the Wolf House would be too hard to reconstruct [...]. — nytimes.com
Related stories in the Archinect news:Two of a kind: photographer Robin Hill contemplates the Farnsworth House and Glass House simultaneouslyRedesign of DC's main Mies library tip-toes around the good and the badDavid Chipperfield pledges to carefully "optimize" Mies van der Rohe's Neue...
No two people, let alone architects, perceive even the most frequented cities in the same way. How do designers experience their cities as locals?A tumultuous sequence of political upheaval and renewal just within the last century has transformed Warsaw into a bustling incubator of creativity for...
During a ceremony recently held at the Mies van der Rohe Pavilion in Barcelona, the European Commission and the Fundació Mies van der Rohe officially announced the Philharmonic Hall of Szczecin as the 2015 recipient of the biennial European Union Prize for Contemporary Architecture – Mies van...
As buildings from the postmodern eon continue to age with their residents, questions about historic significance and aesthetic relevance start to surface, leading to often heated debates whether the structures we used to love so much already merit magisterial protection or should give way for the...
On a regular office workday when the weather is fair, it can be hard to resist stepping outside to take a quick breather. The designers of Zalewski Architecture Group from Gliwice, Poland found themselves in a similar mindset as they looked out onto the dreary courtyard outside from their...
The most visible legacy of Communist rule, the grand and often eye-catching buildings have become a source of heated debate in Poland with critics condemning them as an ugly and unwanted reminder of a past best forgotten. Defenders stress their architectural merits and argue that the buildings are now part of the national heritage. — economist.com
Bartłomiej Gowin and Krzysztof Siuta of Krakow-based GowinSiuta Studio were the first-prize winners of the 2013 Changing The Face competition. Architects were invited to send their proposals to redesign central Warsaw's Rotunda, a landmark and popular meeting space that houses Central Europe's largest bank, PKO Bank Polski. — bustler.net
"Ribbon of Memory" by Vienna-based team CSA is currently being built into a memorial dedicated to Polish World War II resistance fighters in Krakow, Poland. CSA's proposal was the winning entry for the international competition held in June 2013 by the World Association of Polish AK veterans.
The memorial celebrated its groundbreaking on Sept. 27, and completion is expected in 2014. — bustler.net
A team consisting of Mecanoo, Michael van Gessel, DELVA Landscape Architects and Jojko Nawrocki Architekci has been selected to design the new Garden of the 21st Century with integrated exhibition pavilion at the Royal Łazienki Museum in Warsaw, Poland. [...]
Mecanoo will be planning the exhibition pavilion, while Michael van Gessel and DELVA Landscape Architects are in charge of the garden design. — bustler.net
The historic Targ Węglowy Square in Gdańsk, Poland was merely an empty lot before the Gdyby Group (whose name translates to "What if?") in collaboration with City Culture Institute proposed a new public space to revive it.
Back in early September, the group installed the numerous cubic box furnishings throughout the lot, where visitors of any age can play, socialize, and relax. Gdyby then gathered public feedback on the project and held an open public discussion about the Square's future. — bustler.net
Marcin Urbanek, Piotr Michalewicz, and Łukasz Mieszkowski of Warsaw, Poland recently received the first prize for the international Sobibór Museum-Memorial competition executed by Dr. Tomasz Kranz on behalf of the State Museum at Majdanek. The competition is part of a multi-stage international project to build a memorial museum in Sobibór, the site of a former Nazi-German extermination camp and a mass grave for the camp's victims. — bustler.net
Three winners have been selected for the New Vision of the Loft 2 competition, held by Polish roof window manufacturer FAKRO in cooperation with A10 New European Architecture magazine. [...]
Entrants were challenged to create a new type of loft space through the inventive use of light and space. Other design requirements included highly energy-efficient technology and using at least 10 FAKRO windows or other products. — bustler.net
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