postmodernism can be summed up in a single word: Memphis.
Although architectural incarnations such as Graves’s Portland Building in Oregon and Philip Johnson’s Chippendale-topped AT&T Building (now the Sony Tower) in New York generated heated discussion, it was the spectacle of Memphis objects that catapulted postmodern design into the public eye. [...]
postmodern designs, most often from Memphis affiliated names, are gaining market momentum — blouinartinfo.com
The cycle continues.Related on Archinect:8 Reasons You Will Also Like Postmodern Architecture In 2016Can Helmut Jahn's Thompson Center be saved?Postmodern No 1 Poultry divides architects in debate over recent heritageMore is more: the gaudy genius of the late Deborah SussmanPortland Building still...
To those concerned about the renovation of the Hood Museum of Art, the situation is charged with paradox: The architects Billie Tsien and Tod Williams, who protested the Museum of Modern Art’s dismantling of the Folk Art Museum they designed in Manhattan, are now transforming the Hood, an award-winning museum designed by Charles Moore [...].
“It’s almost as if they were getting revenge for what MoMA did to their Folk Art Museum [...] It’s totally insensitive to the Moore building.” — nytimes.com
There is no way back, we are all Postmodern now. Can you stay behind? Do you really care that Postmodernism destroyed the ideals of Modernism? Come on, — Failed Architecture
I confess that I feel the sort of ambivalence toward the James R. Thompson Center as I did toward Prentice Women's Hospital: I do understand why people want to raze it, I don't find it pretty, I understand the functional problems.
But all the same, I believe the Thompson Center should be saved.
[...] Chicago remains full of examples of money and vision coming together to create wonderful buildings. — chicagobusiness.com
Aldo Rossi’s addition to the San Cataldo Cemetery is a paragon of postmodern architecture, seeing the cemetery up close exposes some of the style’s major shortcomings.
[...] all you’ve got left is a half-empty, unfinished cemetery with assorted maintenance equipment left lying around. Perhaps you can keep drawing meaning from this decay. But lord knows it’s difficult to sustain a deep engagement with life and death after you’ve tripped over a garden hose. — failedarchitecture.com
It might be the City’s most contested site. A new call to list No 1 Poultry, designed by architect Sir James Stirling and one of the last monuments of postmodernism, has revived a debate about the position and the protection of recent heritage.
A proposal by Perella Weinberg [...] to make changes to an imperfect building has provoked the Twentieth Century Society to call for its listing at Grade II*, the second highest status available (and the highest possible for such a recent structure). — ft.com
As buildings from the postmodern eon continue to age with their residents, questions about historic significance and aesthetic relevance start to surface, leading to often heated debates whether the structures we used to love so much already merit magisterial protection or should give way for the...
“More is more,” was the motto of Deborah Sussman, the graphic designer behind this brilliant visual riot, who died last week at the age of 82. Trained in the office of Charles and Ray Eames, she took their love of colour and pattern to new heights, establishing a studio with her husband, Paul Prejza, that would tackle everything from shop fit-outs to city wayfinding, sprinkling her distinctive brand, like sugary confetti, from Philadelphia to Santa Monica. — theguardian.com
“It had such a low budget. I was criticized for putting the windows in too small, but it got more expensive the more glass I had. I wasn’t the one who put the workers near the windows, limiting the light let in. Most people don’t realize I didn’t design the interior.”
Despite proceeding to design award-winning buildings and products worldwide, Graves holds the Portland Building as one of his greatest achievements. He still enjoys talking about the sculpture that sits in front, Portlandia. — djcoregon.com
Designed by developer/architect Ian Pollard, it's a brash, grandiose office building on Queenstown Road facing Battersea Park that was completed
in 1987... In short, it's an architectural dog's dinner, one of a very few buildings that can actually make me laugh out loud on the rare occasion I pass it on the bus. — thisislondon.co.uk
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