In honor of Veterans Day 2014, Archinect put together a collection of memorials and architectural projects devoted to U.S. veterans.Architecture for Recovery: IDEO and Michael Graves Design a Home for Disabled Military Veterans: The Wounded Warrior homes aim to personalize and make accessible...
When a well-intentioned Alabama teenager tweeted a smiling selfie taken at Auschwitz-Birkenau, she attracted a deluge of hatred and outrage from across the internet. Lambasted as disrespectful, insensitive and inappropriate, the selfie was later explained as a means of memorializing her visit to...
Neighborhoods of contemporary New York are primarily defined by the choices and actions of the people who call them home. They are collages fashioned from layer upon layer of small accretions that we plaster and paint onto our environments. Sometimes, this paint is literal [...] rich diversity of murals in memoriam found throughout Bedford-Stuyvesant, Brooklyn — public artworks that reflect a particular history of violence, racial prejudice, and, in some cases, the mixture of the two. — urbanomnibus.net
[...] Frank Gehry has once again revised his design for a long-delayed memorial to President Dwight D. Eisenhower, removing two controversial metal tapestries that would have flanked the installation and two columns.
The revised design was shown today to the National Capital Planning Commission, whose members for the most part seemed receptive to moving forward with the plan. But discussion over remaining 80-foot columns — from placement to height to necessity — hinted at possible issues. — dcist.com
Regardless, there are two paths forward. One is to scrap the project and start over with an open public competition, which would cost around $17 million, according to the Congressional Budget Office. The other is to push forward with the existing plan to finalize the memorial design and begin breaking ground.
We favor the latter. [...] And the current design is nowhere near a “monstrosity,” as some have called it; it is a novel take on memorialization [...]. — washingtonpost.com
Situating The Mound of Vendôme, the current exhibition on view at the Canadian Centre for Architecture, requires looking back into Paris' history after the French Revolution. For a tumultuous two months in 1871, the city was under the control of the Commune de Paris, a socialist revolutionary...
Many New Yorkers, still trying to make sense of the 2001 destruction of the World Trade Center, have had a single question as a museum was being built at ground zero: Too soon?
Now that the 9/11 Memorial Museum, as it's officially called, has opened to the public, they and others may find themselves asking something else: Too much?
The museum is an overstuffed answer to the appealing minimalism of the 9/11 memorial and its cascading pools, which opened in 2011. — latimes.com
After a decade marked by deep grief, partisan rancor, war, financial boondoggles and inundation from Hurricane Sandy, the National September 11 Memorial Museum at ground zero is finally opening ceremonially on Thursday, with President Obama present, and officially to the public next Wednesday. It delivers a gut-punch experience — though if ever a new museum had looked, right along, like a disaster in the making, this one did, beginning with its trifurcated identity. — nytimes.com
When the National September 11 Memorial Museum opens next month at the World Trade Center, visitors will find a stark wall separating them from a repository containing about 8,000 unidentified human remains from the 2001 terrorist attack.
On the wall is a 60-foot-long inscription, in 15-inch letters [...]: “No day shall erase you from the memory of time. Virgil.” [...]
I asked a half-dozen classicists about the use of this inscription at the memorial museum. All but one questioned the choice. — nytimes.com
Two monuments to East Germany's peaceful revolution of 1989 were supposed to be unveiled in time for the 25th anniversary of the fall of the Berlin Wall this autumn. But due to a raft of obstacles, from roosting bats to technical challenges, neither project will be ready on time. — spiegel.de
Upon the recent conclusion of Norway's July 22 memorial site competition, Swedish artist Jonas Dahlberg was unanimously selected by the competition jury to be the designer.
Dahlberg's designs will become the two public-art memorials, each commemorating the 77 victims who tragically lost their lives in the Oslo bombing and Utøya massacre on July 22, 2011. — bustler.net
The Commission of Fine Arts [...] has praised Gehry’s designs in the past but asked him to consider minor revisions. [...] In response, Gehry submitted a redesign that incorporates a few dozen more trees – but left the basic components of the memorial untouched. Gehry did not attend the presentation of the new designs last week, and an architect at his firm said: “We are staying with the overall big ideas for the project.” — theguardian.com
Results for the Remember the Triangle Fire Memorial design competition have been announced. The Remember the Triangle Fire Coalition hosted the competition to find the design for a permanent memorial at the site of the 1911 Triangle Shirtwaist Factory Fire in Greenwich Village, New York.
The fire occurred on March 25, 1911 in the Asch Building (now New York University's Brown Building) and killed 146 workers, many who were young immigrant women. — bustler.net
Out of 176 entries from over 30 countries, the jury chose three winners and four honorable mentions. The top three winners are: First place: "Reframing the Sky" by Richard Joon Yoo and Uri Wegman Second place: "United Ribbon" by Courtney Hunt and Alex Witko Third place: "Points of Light" by...
"Ribbon of Memory" by Vienna-based team CSA is currently being built into a memorial dedicated to Polish World War II resistance fighters in Krakow, Poland. CSA's proposal was the winning entry for the international competition held in June 2013 by the World Association of Polish AK veterans.
The memorial celebrated its groundbreaking on Sept. 27, and completion is expected in 2014. — bustler.net
Six finalist teams were invited to develop design concepts for the National Holocaust Monument that will be built in the Canadian capital of Ottawa. The two-phase national competition began with a Call for Qualifications in May 2013.
The teams — which had to be led by a Canadian citizen — consist of architects, artists and other design professionals from around the globe. — bustler.net
SUBMIT NEWS: submit in 60 seconds!